Nicolas Jaar - Colomb

Nicolas Jaar - Keep Me There

Nicolas Jaar - Variations

olas Jaar has graduated-- at least from the trappings of any young electronic music producer (his graduation from Brown University is 18 months away). Four years after his debut on the Brooklyn label Wolf + Lamb, and the much lauded follow up 'Time for Us', whose glacial slow-jam take on house sent journalists scrambling for adjectives, the 20 year old New Yorker by way of Chile returns to Circus Company with Space is Only Noise, an uncompromising manifesto on traces of the past, love lost, and specters of the future. 

Having previously contributed to the catalog twice with his 'Marks and Angels' EP as well as the sublime 'Your Waltz' on the Snuggle and Slap compilation, we are delighted to present his first foray into the realm of the long player. 

Jaar has made it quite apparent over the course of his nascent catalog and increasingly sought after live sets that challenge is an intrinsic part of his creative discourse. Few are the producers of any age with the cohones to ride a sub-100-bpm tempo at peak time in the techno Mecca of Berlin, and fewer still are those who receive an ecstatic hands-in-the-air response for their precocious efforts. It is precisely this sense of risk which elevates Space is Only Noise beyond the realm of valiant first effort or crossover dance music oddity. Those looking to wade through the sea of Jaar’s potential influences will quickly find themselves in the deep waters of golden age Factory records, home spun digitalism of Mille Plateaux, Endtroducing era DJ Shadow and Eric Satie.

Jaar gently coaxes his listener into the experience from the opening sounds of rolling waves on 'Être', but quickly transitions into the sophisticated percussion and meandering melodies that characterise his sound. Jaar seeks, and often finds, beauty in melancholy on the first few tracks of the album. As the album begins to accelerate with 'Too Many Kids Finding Rain In The Dust', Jaar confronts us with the often forgotten reality that our sadness is not mutually exclusive from the dance floor.

Suddenly, on 'Keep Me There', Jaar’s voice appears over the delicious, rumbling melody. "We're in a really bad bed, right?" he remarks. "Mm-- it's not really a bed. It's like a balloon" responds a sultry female voice as they both crumble away in laughter. Though your hips stir to the relentless bassline and the sexiness of the voices, your heart is jolted out of its luxurious malaise when horns erupts seconds later. 

"How can you talk about a landscape without showing the sky and the earth?" a voice asks, translating from the French on 'Être'. So Jaar concludes, revisiting the same track to end the album. Complete landscapes such as these are only realised in contrast- the indulgent against the reserved, the sky against the earth; lightness and darkness. 

Space Is Only Noise is a tour de force with few modern equals, and a great sign of things to come from one of electronic music’s most exciting producers. 


Nicolas Jaar - Sunflower

Created in the isolation of the British countryside, Desert Sound Colony is inspired by faintly remembered sounds and almost forgotten memories. The thread running through the melodic, visceral tracks touch on a sense of melancholy present within us all.
Occupying a space somewhere between ‘60s Psychedelia and the pulsating sounds of future-clubs, Desert Sound Colony is both infectious and ethereal, shrouding the listener in a gentle, rhythmical canopy.

The Way I Began

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I Get Fixed

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Full catalog available on all streaming platforms under the name: Ilan Motopenza

Thank you for listenning !

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Buy it here:
https://itunes.apple.com/fr/album/bulbo-feat.-christopher-schwarzwalder/id1093919495

FEATHERED SUN- MIRAFLORES

Nicolas Jaar - John The Revelator

'In 1988, there was a referendum that asked the Chilean people: “Do you want Pinochet to stay for eight more years?” That simple, yes or no. So the resistance—which was artists, leftists, activists—created a campaign for the “no.” They effectively turned a negative message into a positive message, which seems like the most elemental change that you can do. I feel an affinity with the political aspect of dance music—maybe it can increasingly become a place of protest'

Sirens

Nicolas Jaar - No

Modafinil Blues finds Matthew Dear four years removed from his last LP and lost in the low-hanging gloam of Topanga Canyon. The producer and pop auteur wrote it there in the evening hours with Troy Nōka, a longtime Frank Ocean collaborator. The song hints at conceptual roadblocks requiring more than a simple or single solution; the manifestation of a meteoric spike in cognitive function, yearning for some form of collective freedom, followed by the inevitable descent into the complexity of the fix. Dear’s baritone verse acknowledges that this existential arc is flawed, and therein lies the blues. Moody and nuanced, slightly undone and hugging the curves of the canyon; a polyrhythmic glissade through cerebral fog.

Modafinil Blues

Taken from Grandbrothers debut album 'Dilation'
Out Now.

Listen to the album on Spotify:
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MP3: hyperurl.co/jbznyb

Ezra was Right

Circus Company is an independent French label, founded in 2000 in Paris.

Nicolas Jaar - Keep Me There

CircusCompany