Hola. Antes de terminar de escuchar y procesar esta pelicula y el estado de la industria en los años 20 del siglo pasado........vengo a preguntar como esta la salud de Vilches?? no se le escucha bien y lo entiendo porque a principios de octubre estuve "pedido" con el tema de la Alergia...Heavy!! saludos

Hola. Escuchando el comentario final de Ramirez....encontré en YouTube la serie de Kevin Brownlow    https://www.youtube.com/watch?v=8mo3Z8IkLnU

Crystalized Neuropolis

Pete Swinton is a recognized prolific sonore artist of ambient scene venturing down the noise paths lately. In “ATMOSPHERICS” album released in z0 label, he explored minimal drones, reaching refined sounds that make us have an ethereal and introspective experience like that provided by a day with different climate changes. Artwork by IO: https://z0records.bandcamp.com/album/atmospherics

Show in Mixcloud: https://www.mixcloud.com/viadeacceso/via-de-acceso-presenta-pete-swinton/

Pete Swinton

Via de Acceso presenta: Pete Swinton "ATMOSPHERICS"

Water Fragment II

The night sky stirs as evil forces conjure malevolent beings to do their bidding. Will they comply?

The Conjuring

In the starlight

naviarhaiku482

dark and light
balanced vernal equinox
marginal breath

Andy Perrin is a writer/photographer/cyclist/teacher who lives in southern Rhode Island in the U.S. He often explores the world around him on one of his bicycles and records moments of inspiration in photographs and words.

Much of his work is rooted in nature and recently that led him to begin to practice haiku. Andy enjoys tight writing that allows the reader to find room for themselves among the words and lines. His poetry and photography has been published by petrichor, Roi Faineant Press, Brimstone & Venus Literary, Full Mood Mag, Spare Parts Lit, Green Ink Poetry, and Quibble Literary Journal.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com

Deadline: 5th April 2023

haiku by Andy Perrin
picture by Wonderlane

Dark and light (naviarhaiku482)

oto113

Editorial de Eduardo Aliverti - 29/4/2023

Early morning,
One star remaining,
It’s a good day too.

A wandering poet and ascetic Zen priest, Santōka was a disciple of Ogiwara Seisensui, one of the first poets to discard the traditional use of the 5-7-5 structure in haiku.

Santōka’s poetry emphasizes the necessity of sabi (solitude) in order to achieve spiritual enlightenment and serenity.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 14th June 2023

Haiku by Santoka Taneda https://www.chzc.org/Nonin.htm

Picture by freezydreamin https://unsplash.com/photos/SV3V-D1G2q4

TO PARTICIPATE
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku492)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram.
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title.

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.
 
For more information visit http://www.naviarrecords.com/about/naviar-haiku

It’s A Good Day Too (naviarhaiku492)

Desbarrancada en la taquilla y destruida por la crítica, sólo para ser contemplada con mayor distancia y cuidado al correr de los días. Paradójico el destino de Babylon, la cinta más ambiciosa de Damien Chazelle y seguramente la última de las suyas, por un largo tiempo, que será producida a gran escala y con total libertad. 
Babylon, afiebrado relato de la culminación y la destrucción del paraje artístico creado por el cine mudo americano en los años 20 del Siglo XX, de algún modo continúa la conversación sobre Estados Unidos y su pasado imperial, algo que el director ya había iniciado con La La Land (en torno al jazz) y First Man (acerca de la llegada del hombre a la Luna), esta vez apelando al legado cultural aportado por su país en 120 años de cine. Y claro, la conclusión evoca la gloria, pero además funciona como elegía funeraria: poco y nada de esta energía podrá ser evocada y recuperada en el mediado y largo plazo, en medio de un escenario de constante cambio y creciente inestabilidad. ¿Fue ese desenfreno un motor de la creatividad o finalmente un subproducto de ésta? Sobre esto y más se discute en el podcast.

#525 Babylon (2022), de Damien Chazelle

https://mknrekords.bandcamp.com/track/lets-listen-to-the-creatures-of-this-strange-planet

Let's Listen To The Creatures Of This Strange Planet !!!

Un podcast acerca de películas que no nos avergüenzan. 
Conducido por Juan Pablo Vilches y Christian Ramírez

#525 Babylon (2022), de Damien Chazelle

Civilcinema

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