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The Question we've all asked ourselves...

Excellent tune.  We'd like you to play at one of our showcases!

iTunes: http://tinyurl.com/mpk4crm

contact - heavyenglishny@gmail.com

Written, Arranged & Performed by Heavy English
Recorded & Produced by Dan Gluszak, Sal Bossio & Bryan Russell
Mixed by Dan Gluszak
Mastered by Alex Saltz @ APS Mastering

21 Flights

www.geographermusic.com

Artist: Geographer
Song: Lover's Game
Album: MYTH

Geographer - Lover's Game

Vaporize

Anya Marina - Notice Me   press.atlanticrecords.com/anyamarina 
Cee Lo Green - Bright Lights, Bigger City    press.atlanticrecords.com/ceelogreen 
Christina Perri - Arms   press.atlanticrecords.com/christinaperri 
Cobra Starship - You Make Me Feel...   www.cobrastarship.com 
Death Cab for Cutie - You Are A Tourist   press.atlanticrecords.com/deathcabforcutie 
Estelle - Break My Heart   press.atlanticrecords.com/estelle 
Grouplove – Colours    press.atlanticrecords.com/grouplove 
Kitten - Kill The Light   www.kittentheband.com/ 
Lupe Fiasco - Out Of My Head (feat. Trey Songz)   press.atlanticrecords.com/lupefiasco  Marc Broussard - Only Everything   press.atlanticrecords.com/marcbroussard 
Martin Solveig – Hello   www.martinsolveig.com/   
Musiq Soulchild – Yes   www.musiqsoulchild.com/   
Panic! At the Disco - Ready To Go   www.panicatthedisco.com    
Plan B - She Said   press.atlanticrecords.com/planb        
Portugal. The Man - Got It All (This Can’t Be Living Now)   press.atlanticrecords.com/portugaltheman   
Ricky Blaze - Love Right Now   www.mynameisrickyblaze.com 
Robert Francis - Dangerous Neighborhood   press.atlanticrecords.com/robertfrancis  
Rumer - Aretha    www.rumer.co.uk/ 
Scars on 45 - Give Me Something   www.scarson45.com 
Simple Plan - Jet Lag   press.atlanticrecords.com/simpleplan 
Skrillex - Scary Monsters & Nice Sprites   press.atlanticrecords.com/skrillex 
Sublime With Rome - Panic  www.sublimewithrome.com 
The Swellers - Best I Ever Had    theswellers.com 
Wiz Khalifa - No Sleep   press.atlanticrecords.com/wizkhalifa          
Wolf Gang - Lions In Cages   atlanticrecords.co.uk/artists,wolfgang_72.htm  
Wynter Gordon - Til Death   press.atlanticrecords.com/wyntergordon       


Codes and Keys

Death Cab for Cutie - You Are A Tourist

New album ‘Story Of An Immigrant’ available now!
DOWNLOAD - http://bit.ly/1GedxKQ
STREAM - http://bit.ly/1EcIwF3
VINYL PRE-ORDER - http://bit.ly/1NShgOA
TOUR - http://bit.ly/1dP8MLQ

Story Of An Immigrant

Download 'SOAI'

Civil Twilight - Story Of An Immigrant

GET AIRLINER ON ITUNES!
#1 on Hype Machine - http://hypem.com/track/2bfxf/Cheers+Elephant+-+Airliner

Spotify: http://bit.ly/SpotifyAirliner
iTunes: http://bit.ly/iTunesAirliner

Produced by Lenny Skolnik
Mixed by Beau Burchell
Mastered by Mark Trewella

Cheers Elephant - Airliner

When, When

Civil Twilight - When, When

Digital

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Buy on iTunes

Atlas Genius - Back Seat

The Donkeys - Lower The Heavens

From their Self-Titled debut album (ANT516) 
NOW AVAILABLE ON VINYL FOR THE FIRST TIME!!! LIMITED PRESS OF 1000 COPIES!
http://antennafarm.bigcartel.com/product/the-donkeys-s-t-lp

The Donkeys on iTunes

The Donkeys - Lower The Heavens

“What am I to build, if my hands are broken, if I’m not the chosen one?” sings Steven McKellar of Civil Twilight on “Story of An Immigrant”, over a lush, dynamic beat that evokes the sounds of his native South Africa while steeped in the band’s everevolving present. The foursome (Steven, his brother and guitarist Andrew, drummer Richard Wouters and Kevin Dailey on keys and guitar) are living proof of what happens when you stop worrying about being the chosen one and make music built on both the roots that grew you and the love that keeps you thriving every day. Civil Twilight’s songs embrace every corner of human emotion, balancing delicate, poetic lyrics with sweeping arrangements that touch all the senses: a phrase to make you think; a rolling drumbeat you can feel in your bones; a guitar vamp as illustrative as a picture; a shimmer of keys whose light can nearly be seen and heard. Produced by Ben H. Allen (Gnarls Barkley, Bombay Bicycle Club, Cut Copy), their third record on Wind-Up is built on this vibrancy, on the permanent dust of a Cape Town youth; on the connection that unites them all as brothers beyond blood and on their new home in America where they pull from the innate, thriving musicianship of Nashville, where they live. When you listen to Civil Twilight, from their self-titled debut, to 2012’s widely lauded Holy Weather to now, it’s easy to understand why the band has topped five million YouTube views and reached historic success with film and television syncs – because it’s music you can’t shake, that translates experience into moments and creates melodies that become imbedded deep under the skin. We’re all immigrants, in some way, and Civil Twilight’s singing our national anthem.

Civil Twilight - When, When

CivilTwilight

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