31. IV. Doom

14. Harbinger

Null Nexus Whisper

Feedback Madness
Track 1, "From This", 01:04, Soma Lyra 8 + Soma COSMOS + PulDeFilt
Track 2, "Feedback Madness", 02:15, PulDeFilt
Track 3, "Wander", 02:41, Soma Lyra 8 + Soma COSMOS
Track 4, "Uncover", 03:21, Soma Enner + Soma Lyra 8 + Soma COSMOS + PulDeFilt
Track 5, "Leaving", 02:00, PulDeFilt + Soma Lyra 8 + Soma COSMOS


Dates:
26-Oct-2025 (inception), 30-Oct-2025 (finalised), 30-Oct-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/feedback-madness

Description:

Following up an idea on feed back loops, looper cross amplitude modulation with my software based digital modular synthesiser, PulDeFilt; plus analogue synthesisers: Soma Enner, Soma Lyra 8 and Soma COSMOS.


Track 1, "From This", 01:04, Soma Lyra 8 + Soma COSMOS + PulDeFilt:
**************
Records a short Soma Lyra 8 performance, two motifs introduced and recorded into Loops 1 and 2, ready to use in Track 2.


Track 2, "Feedback Madness", 02:15, PulDeFilt:
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*(1). This is where is all began. Having recorded two short 11 and 12 second samples from the Soma Lyra 8 from track 1 into loops 1 and 2, it was time to experiment with loops 1 and 2 amplitude modulating (AM) each other.

I wanted to explore the possibilities of dynamic assignment of multiple looper outputs to cross amplitude modulate each other. So I decided to start simple and just cross link only two looper outputs.

The audio signals from looper 1 and looper 2 where then multiplied together, i.e. amplitude modulation. Now to add some spice, after amplitude modulation, this was fed into a delay+feedback+gain block and added back to the looper 1 AM input. This delay was necessary as a technical matter but then later proved to be a useful timbral tool by playing the delay times according to a prescribed discrete set of delay times (as assigned to 8 midi note pads, along with the feed back gain assigned to a rotary encoder of the midi instrument again played by the performer. The discrete delay time tuning was determined by ear, old school style, play one delay time, write that down, play the next delay time that sounded right, write it down and continue, then assign to the tuning library.

Since the original audio from the Lyra 8 was feed into the Soma COSMOS for reverb, no reverb VST was necessary in the digital modular synthesiser, PulDeFilt.


Track 3, "Wander", 02:41, Soma Lyra 8 + Soma COSMOS
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A purely Soma Lyra 8 performance.


Track 4, "Uncover", 03:21, Soma Enner + Soma Lyra 8 + Soma COSMOS + PulDeFilt
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Here the Soma Lyra 8 played a dual role, firstly as the delay+distortion for the Soma Enner performance and secondly, the Lyra 8 played in it's own right. This was then feed into the Soma COSMOS to layer in and out various motifs and play the Blur and Drift dials. PulDeFilt was used here purely as a mixing console and to layer up performances.


Track 5, "Leaving", 02:00, PulDeFilt + Soma Lyra 8 + Soma COSMOS
**************
After all the hyper activity, a calming finale. PulDeFilt was used to play a pulse oscillator drone through a single delay+feedback block then off to a band pass filter, adjusting the centre frequency dynamically during the performance. This provided the backing for the Soma Lyra 8 performance. The Lyra 8 audio was passed through to the COSMOS for a touch of reverb.

Wander

Mick Gordon present - Doom 2016 Soundtrack

Doom

Lazarus Waves

Olivia's Doom (Chad Mossholder Remix)

Residual

Impure Spectrum

Full HD quality DOOM Eternal OST. I do not own this music as it was created and composed by Mick Gordon this is a game rip and may not sound perfect but it should sound good enough to where its free to listen to.

Mick Gordon - Final Sin (Final Boss Theme DOOM Eternal OST)

Note: I'll rework the DLC mixes once (and hopefully) the official DLC soundtrack releases as it currently is just mix and hope it sounds relatively good.

Less compressed version: https://www.youtube.com/watch?v=goUWRVhQV7E

Using several music stems from Andrew Hulshult's soundtrack for DOOM Eternal: The Ancient Gods - Part One (Official song name to be announced).

Credits go to their respective owners

DOOM Eternal: The Ancient Gods - Part One developed by id Software, published by Bethesda and the soundtrack written and composed by Andrew Hulshult and David Levy.

DOOM Eternal: The Ancient Gods - Part One - The Blood Swamps

Using several music stems from David Levy's and Andrew Hulshult's soundtrack for DOOM Eternal: The Ancient Gods - Part One (Official song name to be announced).

Less compressed version: https://www.youtube.com/watch?v=1Dtbo11jF5U

Credits go to their respective owners

DOOM Eternal: The Ancient Gods - Part One developed by id Software, published by Bethesda and the soundtrack written and composed by Andrew Hulshult and David Levy.

Residual

CL Soundtrack2