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Welcome to the Official Soundcloud for Sevyn Streeter! 

Listen to latest single, "Don't Kill The Fun" feat. Chris Brown here!

One of Australia’s most-loved alt-pop darlings, Owl Eyes (Brooke Addamo), releases her first solo music for some time, the dreamy new single ‘On Me’. A poignant ode to finding power within oneself in the face on uncertainty, ‘On Me’ marks the anticipated return of Owl Eyes.

‘On Me’ showcases all that we have come to know and love when Owl Eyes comes to mind. On the single, Owl Eyes represents an honest fragility sitting tightly beside a humble strength that comes with growing into who you are as a person. Written and rewritten many times over the course of a year, ‘On Me’ has taken on a number of different personas, never quite feeling right for Brooke to release but also hanging in the wings like the shadow of a dream. It took an understanding and acceptance of her vulnerability for the song to truly come to the surface.

Produced in collaboration with Aeroplane, it wasn’t until he sent Brooke a version with added strings and cassette piano that the lyrics for the chorus finally came to her. Within 20 minutes, the rest of the song poured out of her.

Owl Eyes captured the hearts and minds of both fans and media with her hugely successful debut LP Nightswim (2013) which cultivated the young artist a legion of dedicated and loyal fans, not to mention widespread acclaim. Featuring the title track and fan favourite ‘Nightswim’ and lead single ‘Closure’ (over 3 million streams), Nighswim saw the Melbourne artist undertake a sold out national headline tour, extensive metro and regional tours, perform on national TV on RockWizz, head to the US for SXSW Festival and grace the cover of magazines throughout the country. Owl Eyes has also featured on tracks with the likes of Illy on ‘It Can Wait’ and on Flight Facilities’ smash hit ‘Heart Attack’.

Over the last few years, Owl Eyes has been touring the world as a vocalist with Flight Facilities, the opportunity allowing her to perform to huge crowds across the globe including coveted slots at Coachella and Glastonbury. She features as the main vocalist on the dance duo’s live recording of their set at Melbourne’s Sidney Myer Music Bowl with the Melbourne Symphony Orchestra.

In and around her hectic touring commitments, Owl Eyes has been refining her craft both as an artist and songwriter. She has found time around tour dates to write on her own and collaboratively in LA and in Europe. One such collaboration seeing her flex her songwriting prowess on Slumberjack’s mammoth hit ‘Fracture (feat. Vera Blue)’ which is approaching 7 million streams. 

With more music hanging in her wings, we can’t wait to see what else Owl Eyes has in store.

Bon Iver is an art project based in Wisconsin.

Shop SPACE ISLAND Merch & Vinyl: https://linktr.ee/broodsmusic

The fourth full-length from BROODS, Space Island is an exploration of grief and all its many dimensions. In keeping with the New Zealand-bred duo’s unfettered imagination—an element they’ve brought to multiple platinum-and gold-certified records so far—the album’s 10 tracks exist in a surprisingly radiant sonic realm, its aesthetic equally inspired by ’60s sci-fi B-movies and the balmy exotica of composers like Les Baxter.The most high-concept output yet from BROODS—a ten-time New Zealand Music Award-winning act who’ve amassed over a billion streams to date, collaborated with the likes of Lorde and Tove Lo, toured with HAIM and Taylor Swift, and taken the stage at major festivals such asCoachella and Lollapalooza—Space Island came to life during a period of serious upheaval for lead vocalist Georgia Nott. Having married at the age of 21, she went through a difficult divorce soon after the release of BROODS’ previous album Don’t Feed the Pop Monster(a 2019 effort that led to appearances on“Late Night with Seth Meyers” and“The Late Late Show with James Corden”). As Georgia turned to songwriting as a means of processing her grief, she and her brother/bandmate Caleb Nott discovered an unlikely but wholly fitting vessel for that emotional outpouring: the album’s gorgeous constellation of otherworldly beats, swooning guitar tones, and effervescent synth lines. As a result, Space Island introduces a dazzling new intensity into BROODS’ atmospheric indie-pop while providing a powerful conduit for catharsis. 

MANAGEMENT:
Slush Management - Neal O'Connor / Sam Luria

BOOKINGS:
THE AMERICAS - mhayes@apa-agency.com
AUSTRALIA / ASIA - swald@wmeentertainment.com
NEW ZEALAND - reuben@banishedmusic.com

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