In this vinyl-only mix I wanted to give my perception of techno which is a bit different from the common idea of techno nowadays. Just over 140 BPM, this mix explores different styles, from tech funk to loop techno, then progressing into pure techno.

Powerful percussive elements, funky basslines, chordish sound-effects, stabby sounds and bittersweet melodies contribute to build a kind of balance between house and techno sounds which is my imprint.

Recorded live June 29, 2019

Setup : 
Technics SL-1210 MKII, Allen & Heath XONE 23, Tascam DR 05V2

Photo by Mazwan Jamalluddin

If you want to know more, feel free to contact me: 
rudi.calcagnile@gmail.com

Live : 2019.06.29

Keeping the oldskool mixtape experience alive. 
I try to make things worth listening to. 

Active Like/Repost feed for techno, breaks-ish, 90’s revival, and jungle/dnb.

STAY QUEER AS FUCK

resident @objekt-klein-a, Dresden
member of MiDi @mittwochsdisko
crew of teaser. Party

booking: adam@midi.dance
photos: Felix Adler

⫺__u p__c o m i n g__
03/05/25 ZFK Kollektiv @ p.ara, Bremen
28/05/25 ZAN Kollektiv @ Elipamanoke, Leipzig
30/05/25 Unholy Club @ AZ Connie, DD
18/06/25 StiWo by Sekt Gabis @ AZ, DD
21/06/25 Queer Pride Dresden Afterparty @ oka, DD // b2b Flexible Heart <3


⫹__s e l e c t e d__p a s t__
Klub Kocka, Split + SaXXella Festival + Transit, Chemnitz + Tarmac Festival + Mutant Radio, Tbilisi + HÖR + objekt klein a, DD + United We Stream + Ipse, Berlin (✝︎) + Balance – Club / Culture Festival, Leipzig + Groovestation, DD + Neue Oper, Stuttgart + about blank, Berlin + Institut für Zukunft, Leipzig + Wilde Renate, Berlin + mjut, Leipzig + Vondelbunker, Amsterdam + Sektor Evolution, DD + Sisyphos, Berlin +  radio8000 + Musikbunker, Aachen + Red Light Radio, Amsterdam + Mensch Meier, Berlin + N10.AS Radio (Montréal) + Charles Bronson, Halle + TBA, DD (✝︎) + Glashaus, Bayreuth + Koralle, DD + Hackebeil, Erfurt + Conne Island, Leipzig + FM+ party, Los Angeles + dublab radio, Los Angeles + Coaxial, Los Angeles + Zur Klappe, Berlin + PRCHT, Leipzig + Golem, Hamburg (✝︎) + Rote Sonne, München + AZ Connie, DD + Sanitätsstelle, Chemnitz +  Bunker, DD + Sabotage, DD (✝︎) + Bon Voyage, DD (✝︎) + Ostpol, DD + Fat Fenders, DD + Zürich

im Radio, Ragazzi 
booking@hello---world.com
Off World
Sehr Sehr 
Ten Retni 
pp_internet

Clang is the alias of italian DJ and producer Rudi Calcagnile, founder of the label Gypsy.

please send all inquiries to: 
rudi.calcagnile@gmail.com

Rudi Calcagnile’s story has followed a double trajectory in music: in his early years he spent several seasons in Ibiza as DJ for clubs like Blue Marlin and Savannah as well as live shows on one of the earliest electronic music radio stations of the island, Ibiza Global Radio. Coming back to Italy, he has been taking time to hone his skills in studio and releasing his first works as Bulcinim.

Clang83 moniker was introduced to the wider audience first in 2015 through the Gentlemen Cuts vol. 1, a VA compilation released on Quintessentials which included the track 'You’ve Got Me Mesmerized’. Following a two-year hiatus, the italian producer returned on Viennese label Secret Crunch (2017) setting the tone for his collaboration with the dutch legend Orlando Voorn on Housewax (2018).

After one year spent in Mallorca, he returned to Italy and launched his own imprint Gypsy. Summer 2018 marked officially his debut with EP Keep On Reaching, played by Anastasia Kristensen in her set at Boiler Room x PPF, selected by Peach in her mix for Discwoman series and also supported by a fierce cast of artists including Chrissy, Jen Ferrer, Nabihah Iqbal, Anna Wall and more. In the last few months, releases as Storyteller EP and Bootstrap/It’s An African Jungle have gained more support with the likes of Moxie, Ciel, object blue and CEM to name a few.

Rudi Calcagnile's relationship with music has always been particularly intense. “Music is my oxygen, I can't live without it” he says. The italian DJ grew up listening and recording on cassette almost every genre of music from early to late 90s: house, techno, garage, drumnbass, jungle, breaks, ambient, dub, progressive and tribal as well as broken beat, trip hop, acid jazz and funk.

Clang is a purist who aspires to build the perfect balance between house and techno, always offering quality underground music.

HRMNY.

This is the podcast project of Larissa Bel; creative director, announcer, producer and music promoter. 
Music is the most harmonious philosophy for humanity to transmute and evolve.

Creative director of a platform of events " NIT DE SOUL " based in Barcelona for bands and independent artists coming from diverse music of the world "world music", with experiments of electronic bases.  
The current panorama forces us to generate a radical change in our vital rhythm, the body and the earth acclaim synchronicity.

Radio Show based on Planet Earth.

HRMNY
HRMNY

Harmonious vibe & Podcast
𝘉𝘪𝘦𝘯𝘷𝘦𝘯𝘪𝘥𝘰𝘴 𝘢 𝘯𝘶𝘦𝘴𝘵𝘳𝘢 𝘴𝘦𝘤𝘤𝘪ó𝘯 𝘥𝘦 𝘱𝘰𝘥𝘤𝘢𝘴𝘵 𝘥𝘰𝘯𝘥𝘦 𝘵𝘦𝘯𝘥𝘳é𝘮𝘰𝘴 𝘷𝘢𝘭𝘪𝘰𝘴𝘰𝘴 𝘴𝘦𝘳𝘦𝘴 𝘤𝘰𝘮𝘰 𝘪𝘯𝘷𝘪𝘵𝘢𝘥𝘰𝘴 𝘺 𝘤𝘰𝘯𝘰𝘤𝘦𝘳 𝘶𝘯 𝘱𝘰𝘤𝘰 𝘢𝘤𝘦𝘳𝘤𝘢 𝘥𝘦 𝘴𝘶 𝘱𝘰𝘥𝘦𝘳 𝘤𝘳𝘦𝘢𝘥𝘰𝘳 𝘤𝘰𝘮𝘰 𝘢𝘳𝘵𝘪𝘴𝘵𝘢𝘴.

///
𝘞𝘦𝘭𝘤𝘰𝘮𝘦 𝘵𝘰 𝘰𝘶𝘳 𝘱𝘰𝘥𝘤𝘢𝘴𝘵 𝘴𝘦𝘤𝘵𝘪𝘰𝘯 𝘸𝘩𝘦𝘳𝘦 𝘸𝘦 𝘸𝘪𝘭𝘭 𝘩𝘢𝘷𝘦 𝘷𝘢𝘭𝘶𝘢𝘣𝘭𝘦 𝘣𝘦𝘪𝘯𝘨𝘴 𝘢𝘴 𝘨𝘶𝘦𝘴𝘵𝘴 𝘢𝘯𝘥 𝘨𝘦𝘵 𝘵𝘰 𝘬𝘯𝘰𝘸 𝘢 𝘣𝘪𝘵 𝘢𝘣𝘰𝘶𝘵 𝘵𝘩𝘦𝘪𝘳 𝘤𝘳𝘦𝘢𝘵𝘪𝘷𝘦 𝘱𝘰𝘸𝘦𝘳 𝘢𝘴 𝘢𝘳𝘵𝘪𝘴𝘵𝘴.


Mixcloud
@hrmny


//// Personal 
https://twitter.com/LarssBel 
https://www.instagram.com/ingalatic/

WEB
www.nitdesoul.com
nitdesoul@gmail.com

✿✿✿
https://soundcloud.com/nativesoundsa

House music is a genre of electronic dance music that originated in the American city of Chicago in the early 1980s. It was initially popularized circa 1984 in Chicago, but beginning in 1985, it fanned out to other major cities across North and South America, as well as Europe and later Australia.[1] Early house music commercial success in Europe saw songs such as "House Nation" by House Master Boyz and the Rude Boy of House (1987) and "Doctorin' the House" by Coldcut (1988) in the pop charts. Since the early to mid-1990s, house music has been infused in mainstream pop and dance music worldwide.
Early house music was generally dance-based music characterized by repetitive 4/4 beats, rhythms mainly provided by drum machines,[2] off-beat hi-hat cymbals, and synthesized basslines. While house displayed several characteristics similar to disco music, it was more electronic and minimalistic,[2] and the repetitive rhythm of house was more important than the song itself. House music today, while keeping several of these core elements, notably the prominent kick drum on every beat, varies a lot in style and influence, ranging from the soulful and atmospheric deep house to the more minimalistic microhouse. House music has also fused with several other genres creating fusion subgenres,[2] such as euro house, tech house, and electro house.
Many local Chicago house music artists suddenly found themselves with major label deals. House music proved to be a commercially successful genre and a more mainstream pop-based variation grew increasingly popular. Artists and groups such as Madonna,[2] Janet Jackson,[3] Björk, Aretha Franklin, Steps, and C+C Music Factory[2] incorporated the genre into their work. After enjoying significant success in the early to mid-90s, house music grew even larger during the second wave of progressive house (1999–2001). The genre has remained popular and fused into other popular subgenres, as the DJ Mag Top 100 DJs poll has been dominated by house DJs since the beginning of the polls. Today, house music remains popular in both clubs and in the mainstream pop scene while retaining a strong foothold on underground scenes across the globe.