Post Techno and Everything that passes through

Schugar grew up in an average midwestern town. In the late 80s and early 90s, he had some pretty cool and unusual musical influences. This lead to a healthy knowledge of computers, instruments and sound.

From 1997 to 2001, Schugar produced and performed music under many names including Fatal Erection(experimental click house), Finding NoWhere(Ambient Drones) and Matt Loathing(of Unconditional Loathing).

Unconditional Loathing was a constant experiment in sound and cultural/social manipulation with ever changing instrumentation, member roles, costumes, side projects, members, themes and presentation styles. Noise Opera, megaphones, puppet shows, percussion, homemade instruments, guitar pedals, computers, circuit bent kids toys, instruments of all kinds, Unconditional Loathing was a nightmare of sound that toured from Olympia, Washington to the depths of Ground Zero NYC 7 days after 9/11/2001. Shortly after the Phi-Phenom tour, which entailed 10 bands collectively performing in 50 minutes or less, Unconditional Loathing fell apart with its members dispersing themselves mostly across the West Coast.

Schugar created and destroyed every type of music at least once, dabbling in everything from noise and avante jazz, to ambient and intelligent, to house and techno. Schugar’s style has been a constant evolution of discovery and experimentation. Some call it disco or techno or whatever other socially acceptable term you can think of at the moment (nuretrodubhouseclickdeepdiscotech). Schugar’s sound varies from emotional to upbeat to dark and moody to happy and soulful.

In October 2001, Schugar moved to San Diego. There he produced 100's of art and music events, expanding his vision of artists collaborating and creating together. Schugar started such nights as Velvet Revolution, Filthy Sunday, Basic Tuesdays, Bleep Bloop, Dr. No's Fantasy and many more

Being an avid music collector since the early 80's and DJ since the early 90's, Schugar felt right at home joining the staff at local dance vinyl shop (calsound) in 2004. Calsound gave Schugar a further defined sound as his influences expanded every day becoming the Techno buyer and working along side House & Disco historian and long-time San Diego DJ legend Mark E Quark. 

In early 2009, Schugar created The Infusion Project, an artist collective that develops and empowers artists to be artists for a living. The Infusion Project has been a major source for collaboration and artistic evolution for Schugar. The Infusion Project is the next stage of Schugar’s vision of human beings seeing their creativity as a necessary part of life and seeing collaboration as their access to having that creativity be sustainable and useful to themselves and their community.

Since early 2010, Schugar has dedicated his time to expanding the vision of The Infusion Project through touring as a DJ/Promoter/Creative Director/Artist Coach, playing clubs, festivals and underground events as well as producing art and music events. 

Schugar Discography
“Planet Food” (Whiskey Pickle Records; 2013)
“Future Organic” (Degrees Ov Separation; 2013)
 
In 2013, Schugar started his own Digital Music Label, Degrees Ov Separation. D.O.S. focuses on machine music in the age of computers.

https://degreesovseparation.com
https://soundcloud.com/degreesovseparation
https://instagram.com/degreesovseparation

Born of the northern tundra, then forced to head for warmer climate at a young age caused this heady space creature, llama A, to never stop moving. Desiring to constantly explore new realms, llama A joined a band of merry travelers and learned the art of deep psychedelic acid tripping. Through these profound journeys of cognitive dissonance, llama A started to believe the swirly lush soundscapes. Today llama A spins yarns

2 guys with their noise makers on the beach in a shack

DEPTHSEATTLE 
@depthseattle
Co owner @peeraudio

Mediterranean sunset vibes and world dance grooves from the minds of DJ Nova, Adam Warped, & DiBo. #BalearicForYou

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