Format: Digital
Cat. Number: CTV002
EP title: CLÆP THAT VOL. 2
Release Date: 14.8.2020

OUT NOW!

https://clap-visions.bandcamp.com/album/cl-p-that-vol-2

New CLÆP VISIONS V/A feat. Flaregewehr, Ion Vulcan, Sischke, Matti Julius and Yot Nam. A trip through the history of electronic dance culture. From back in the day when there was still Techno House up to some Electro tunes with trance chords all is to be found within. Bon voyage!

Free Download!

V/A CLÆP THAT VOL. 2 {CTV002}

this 3 hours and 45 minute selection showcases 
musical blueprints of all rare Chicago and New York 
like the days of old mostly from the radio shows 
with disc jocks playing music mixes.

the 1st chapter is from the definitive days of 
house music from Traxx playing from the 
early 80s,90s and today from vintage and 
out of print  record labels trax, jes say and 
dancemania to multiple boyd jarvis and
timmy regisford productions but also 
material from Delroy Edwards, Steve Summers,
Modern Analysis and new material.

many thought this type of sound would never 
come again but we’ve been giving hints over 
the years that we hope this will give people 
the chance to listen to music many may have 
never heard on this side of sound that provides 
a provocative and thoughtful musical workout 
in your mind..

this musical timeline is literally all over the 
rhythm 🎵 scales ⚖️ with vinyl turntables.
a vintage mix console.effects box and cd players.

****more chapters to come in due time*****

{Traxx} Presents- The Definitive Articles of House Music Chapter 1

Three hours of high drama, recorded live at Nowadays in New York.

We know what you're thinking: why did it take so long to get Binh on the RA Podcast? There's no easy answer, especially given that he's been a favourite of ours for over a decade now. So to make up for lost time, the revered digger lands on the series with a tantalising three-hour mix, recorded live at Nowadays in New York earlier this year.

Crammed with rare and unreleased gems spanning house, techno, and electro, RA.989 is heavy on drama, catching the Düsseldorf native in unbridled performance mode.

This is Binh in 2025. But rewind across the past two decades and you'll find a DJ who excels in pretty much any situation, whether warming up for Zip or Margaret Dygas, going back-to-back with masters like Nicolas Lutz or rolling out solo sets that stretch across ten or even 12 hours.

He's acted out all these scenarios most often at Berlin institution Club der Visionaere, the cosy canalside club that became a kind-of spiritual home. (He'd sometimes spend every night of the week there, before parenting duties got the better of him.)

To play for half a day you need a lot of records, and the backbone of Binh's craft has long been a freakish passion for vinyl. Along with Lutz, Vera, and others in CDV's orbit, he approaches the pursuit of wax, new and old, with next-level dedication and a fondness for blind buys. 

That's true of RA.989, although among the un-Shazamables are many tracks that are either out or coming out on Binh's popular Time Passages label. The mix finds him on a house-y tip, luxuriating in roomy basslines, driving 303s and twinkly melodies—with just the right amount of evil. Lock in and savour a one-of-a-kind DJ, completely in the zone.

@binh

Find the interview at ra.co/podcast/989

RA.989 Binh

90 minutes of zippy house, techno, electro and more from the NTS resident, recorded at Mode Festival 2024.

@danielle_dj

RA Live - Danielle - Mode Festival 2024, Australia

RA.1000 launches with Theo Parrish, live at fabric: a vanishingly rare club mix from the king of deep crates and impossible transitions.

There are DJ sets and then there are Theo sets. No matter how many times you've caught him in action, every time still feels like the first. Running hot, levels smoking, isolator working over time. You think you know dance music? Think again.

Parrish's debut on the RA Podcast is a milestone for the series, one we've sought for over 15 years. So it was only right that Theo led off our 1000th celebrations. Recorded live at fabric last December as part of RA's party with the London club for their 25th anniversary, this three-hour segment documents the crescendo of his eight-hour marathon. 

The Detroit legend doesn't release mixes often, and when he does, they're usually studio recordings: think NTS shows, his 100% Detroit edition of DJ-Kicks or classic tapes Body (1997) and Methods of Movement (2000). A capture of the Sound Signature boss on the dancefloor is hard to come by.

Sure, there's galvanising build-ups and crowd-pleasers, but laced throughout a Parrish beatdown are rarities designed to shock the system. In a business dominated by marketing, the vinyl master towers above thanks to a relentless hunger for lustrous melodies, moods and textures of all stripes, which he and he alone can fold into an inspiring and exhilarating joyride.

On RA.1000, blissful reggae precedes new wave disco; '80s R&B morphs into synthy techno; bleepy Chicago jack makes way for a poignant vocal ballad. It's Theo through and through. Once again, he proves that anything and everything is possible with the right records.

@theoparrish @fabric @soundsignaturedetroit @crownruler

Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Theo Parrish

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. A masterclass, entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like an F1 car.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. Full send.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

The recording of my DJ set on the night of 3 to 4 October 2025 at Sisyphos. Unfortunately, there were problems with the turntables twice during the first half hour. The rest of the mix is quite alright. Enjoy!

Dj Jauche-Sisyphos-Nicht-Geburtstag-4.10.2025

A lesson in "diva house and horniness" from a modern New York darling.  

Ask Kilopatrah Jones who their favourite DJ is, and they'll give you an unequivocal answer: Junior Vasquez. And the influence is telling. Both born and raised in Queens, the two share a sense of house as a life force. Not in a new-age, spiritual sense. For Jones, it means being "sweaty, panting and free." 

The NYC DJ can play anything from techno to drum & bass, but when playing house, there's a particular sense of clarity: they understand the genre in the same lineage as Vasquez, Larry Levan and his peers, as the sound of reinvention, transgression, glamour and joy. 

Across the following two hours, RA.1013 immerses you in that world. It feels like walking into the Sound Factory at peak-time, bodies in glorious motion, fog thick in the air. The Lot Radio resident runs through familiar classics, bringing it home with a gag-inducing sweep of Donna Summer, Celine Dion, CeCe Peniston—and fittingly ends with Madonna, a wink to Jones's hero and his defining moment, "If Madonna Calls." 

Jones' RA Mix also reasserts the idea that clubs should be a place of joy. Not only for our individual needs and fulfillment, but as a political act—especially for marginalised folk. Arriving at a time when systemic regression and cultural decay feels increasingly pervasive, they is a model for what DJs and dance floors can, and arguably should be. As they put it, "I'm just so happy and grateful to be alive and in this body."

Find the tracklist and Q&A at ra.co/podcast/1032

RA.1013 Kilopatrah Jones

Next up on the GROOVE Podcast is Clarisa Kimskii (@kimskii) with a live recording from Nation of Gondwana. Go to bit.ly/KimPod for interview and track list.

GROOVE Podcast 484 – Clarisa Kimskii

Another week, another great Trushmix! This week we bring you a mix from Madteo – originally from Italy, but based in Queens, New York, where he spends his time searching for 1$ gold in local flea markets and record shops in between producing brilliant tracks that can be found on quality labels such as Meakusma, Morphine and Workshop. 

Madteo's musical output is diverse and rather difficult to categorize – one moment deep, druggy house, the next smoky hip hop beats, but always with a kind of psychedelic, leftfield touch. His Trushmix is equally difficult to categorize, spanning both genres and decades – Whitney Houston mixed into DJ Sotofett, anyone? This is 75 minutes of eclectic brilliance for your brain AND your feet! Let the madness begin - enjoy Trushmix 10: Madteo!

Trushmix 10: Madteo

The Smackos disco45 12" remix of this one particular track from the soundtrack of the 1985 "The Falcon & The Snowman" movie, first heard in the Legowelt Resident Advisor mix from a few years ago. Check those melancholical bassoon clarinet patches from the EMU EMAXII and little blobs of Other People Place influenced style modulated SH101 riffs. Get it at http://nightwindrecords.blogspot.nl/2016/08/this-is-not-america-smackos-emax.html

Sischke - Ryf Rytm

CLÆP VISIONS

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