What’s the ID of this dubbed-out house track?

Need this ID!!!! What a bendy stomper! Gotta track this down...

[088] Gino Soccio - There's A Woman [Warner Bros.] [093] Frankie Goes To Hollywood - Two Tribes (Carnage Mix) [Island] [098] ? [103] Prince - I'll Take You There [111] Jean-Luc Ponty - Renaissance [Atlantic] [116] Soul Saver - Another Day [Los Hermanos] [121] The Jeff Lorber Fusion - The Samba [Arista] [124] LaBelle - Pressure Cookin' [RCA] [129] Steve Poindexter / Armando - 911 [Factory Music Chicago] [134] ? [137] Bilal - Levels (Flying Lotus Re-Edit) [Plug Research] [141] Lara Saint Paul - The Voodoo Lady [Lasapa] [145] ? [151] Earth & Wind & Fire - Energy [Warner UK] [153] Was (Not Was) - Wheel Me Out [Antilles] [157] Brainstorm - Hot For You [Tabu] [162] Hieroglyphic Being - Dark Acidic Organs From The Void [Soul Jazz] [165] ? [170] Blaze - Sapporo [Papa] [174] The Unit - Walking Through The Sky [Wildheart]

[000] Yambú - Sunny [Vampisoul] [003] ? [sampled by Johnny D & NICKYP - Bone Up!] [006] Love Committee - Pass The Buck (Joe Claussel Remix) [009] JR Disco - Catch The Dollar [4Disco] [013] The Salsoul Orchestra - Resorts International [Salsoul] [018] Hi-Fusion - Tie Up [Sound Signature] [024] Paul Jabara - Pleasure Island [Universal] [026] Kay Suzuki - Move On (Ezel's Remix) [Round In Motion] [033] Javonntte - These Words [NDATL] [036] Theo Parrish - Synthetic Flemm [Sound Signature] [044] Josh Milan - I Will Wait [Honeycomb] [051] Five Special - Why Leave Us Alone [Elektra] [057] Bunny Mack - My Sweety My Sugar (Let Me Love You) [African Music Collective] [063] Round Four & Paul St. Hilaire - Find A Way [068] Bob Marley & The Wailers - Natural Mystic [Tuff Gong] [071] Steel An' Skin - Afro Punk Reggae (Dub) [Steel An' Skin] [074] James Mason - Rhythm Of Life [CHIAROSCURO] [079] Telex - Moskow Diskow [Mute] [083] Eighties Ladies - Tell Him [Uno Melodic]

Theo is King when it comes to whacky sh(t

Serendipity is a wonderful thing, and when we looked ahead in the guestmix calendar, a certain number jumped out. 303. A number synonymous with the roots of house music, which presented itself with a (somewhat obvious) opportunity to get an old friend into the series... a man who saw it all unfold before his very eyes in the 90's, and who himself excels with the execution of mixes with an underlying concept. 

Welcome to JD Twitch's ode to the Roland 303.

"The Roland 303 is a little silver box of electronics that accidentally produced the squelching sound that became the foundation of Acid House. Pioneered circa 1987 in Chicago, Acid House exploded around the world and that sound spread through electronic music creating myriad variants.

Fundamentally the 303 is instantly recognisable by its squelch sound. This squelch can be euphoric, hypnotic, joyous, uplifting, sad, dark, cheesy, silly, scary, ridiculous, psychedelic, beautiful and anthemic. This mix aims to showcase many of these shades of the squelch. It is not the greatest hits of the 303, nor is it a collection of wilfully obscure forgotten 303 jams, it's just simply a paean to the majesty and never ending sonic possibilities of the squelch. Viva Acid!"

Artist: @twitch

SlothBoogie Guestmix #303 - JD Twitch

Presented by Pittsburgh Track Authority and The Loud Minority
Recorded October 18, 2014 live at Hot Mass. 

Theo Parrish - Live at Hot Mass Pittsburgh - 10/18/2014 - Part 1

300 mixes! What a journey. Big respect to those still listening since it all began back in the late 2000s, and a warm welcome to those who might just be tuning in for the first of hopefully a few more to come.

Thought it must be about time for another episode from Deepcast HQ, with Myles Mac & DJ Possum back in the mix for a relaxing journey guided by the eternal balearic breeze of the 90s. Two and a half hours of smooth summertime groovers with plenty of vocoders, utopian dream states and moments of total rave nostalgia. Dancefloor chillers for the deeply inclined and/or reclined. Here's to 300 more :~)

@myles-mac & @djpossums

MDC.300 Myles Mac & DJ Possum

BEATPORT

YKWFI - Digital Bonus -

If you’ve spent any time on Seoul’s dance floors lately, chances are you’ve come across the name ffan. And if you haven’t? Well, you’ve got some catching up to do.

ffan has carved out a reputation for his intricate and high-energy sets, navigating seamlessly through genres with a flair that is perfectly controlled. Whether he’s behind the decks or deep in the studio, ffan brings a wild, magnetic energy.

His sharp focus has led him to become a key figure in Seoul’s bubbling underground scene. As the founder of club Nyapi Seoul and Studio Namsan, ffan’s voice shimmers through all projects he touches.

There’s no better time to get acquainted with what ffan is bringing to the booth.

Read more here: https://www.theransomnote.com/music/mixes/ffan-the-wednesday-alternative-mix/

ffan: The Wednesday Alternative Mix

"all good things come to an end but the memories live on."

this is the live recording of my set at the final edition of @velvetfestival in june 2025. I loved this intimate festival on the beautiful island of krk, croatia. playing freely, house, disco, gospel with a heart warming message.

suze ijó @ velvet fest 2025

Marcellus Pittman: 14th July '25

RA.1000 launches with Theo Parrish, live at fabric: a vanishingly rare club mix from the king of deep crates and impossible transitions.

There are DJ sets and then there are Theo sets. No matter how many times you've caught him in action, every time still feels like the first. Running hot, levels smoking, isolator working over time. You think you know dance music? Think again.

Parrish's debut on the RA Podcast is a milestone for the series, one we've sought for over 15 years. So it was only right that Theo led off our 1000th celebrations. Recorded live at fabric last December as part of RA's party with the London club for their 25th anniversary, this three-hour segment documents the crescendo of his eight-hour marathon. 

The Detroit legend doesn't release mixes often, and when he does, they're usually studio recordings: think NTS shows, his 100% Detroit edition of DJ-Kicks or classic tapes Body (1997) and Methods of Movement (2000). A capture of the Sound Signature boss on the dancefloor is hard to come by.

Sure, there's galvanising build-ups and crowd-pleasers, but laced throughout a Parrish beatdown are rarities designed to shock the system. In a business dominated by marketing, the vinyl master towers above thanks to a relentless hunger for lustrous melodies, moods and textures of all stripes, which he and he alone can fold into an inspiring and exhilarating joyride.

On RA.1000, blissful reggae precedes new wave disco; '80s R&B morphs into synthy techno; bleepy Chicago jack makes way for a poignant vocal ballad. It's Theo through and through. Once again, he proves that anything and everything is possible with the right records.

@theoparrish @fabric @soundsignaturedetroit @crownruler

Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Theo Parrish

For RA.1000, DJ Sprinkles' first mix in over a decade is a powerful meditation on the genocide in Gaza.

Dance music often relies on simple narratives: release, escape, unity. But those narratives can often feel inadequate, and even at times, hollow. Or, as Terre Thaemlitz might bluntly put it, just "shitty."

For her first mix in around 15 years, Terre Thaemlitz AKA DJ Sprinkles, challenges us to think differently. "I felt this 1000th podcast should reflect the moment in which it was made," she told us in her Q&A.

And what is this moment? Every day since Israel's 2023 assault on Gaza began, an average of 28 children have been killed. That's an entire classroom, every day, for over 600 days (at the time of writing). It's a staggering figure that only captures a fragment of the listless cruelty imposed on the strip.

Faced with such a genocide, what can music really do? How political can it truly be?  For their RA.1000, Thaemlitz gives us an unflinching rebuke to the idea that music should provide escapism. The mix weaves ambient fragments and jazz passages, woven around samples from Israeli media and the voices of outspoken Jewish critics like Gabor Maté and Norman Finkelstein. 

The result is not just a protest, but a document of our time. For Terre Thaemlitz, music is never just music. Her RA.1000 serves as a reminder that in an age of relentless suffering, the most political act is to reject the illusion of escape, and search for something greater.

Read the interview and find the tracklist at ra.co/podcast/1013. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Terre Thaemlitz / DJ Sprinkles

Recording of Kikiorix's opening set at RDC Stage on Saturday morning.

RDC 088 - Kikiorix at Rainbow Disco Club 2025

The German minimal DJ returns to the spotlight with two hours of artfully subtle house and techno.

There's an old German proverb that goes "Der stete Tropfen höhlt den Stein." Literally, it means a constant dripping wears away the stone, but the point isn't about force but patience: slow, steady repetition can leave the deepest mark. It's an apt metaphor for the career of Kosta Athanassiadis, better known as XDB.

Active since the early '90s, first as a DJ and then producer by the decade's end, Athanassiadis has built a career less on hype than persistence. His catalogue spans labels like Dial, Metrolux and Echocord, alongside a steady trickle of EPs and remixes that have quietly cemented his reputation as one of minimal house and techno's undersung heroes.

That patience carries into his sound and production ethos. Where many of his peers embraced software upgrades and new workflows, Athanassiadis has long stuck to Cubase, a handful of trusty instruments and 30-year-old speakers he claims to have run "hundreds of thousands of tunes" through. He also still prefers to use inexpensive, straightforward gear—what matters, he insists, is not the tools but the feel. The result is a sound that’s stripped back, direct and enduring.

Lately, Athanassiadis has found himself back in focus. With minimal enjoying fresh attention, his calendar has filled, and with it a run of back-to-back sets—most often alongside PLO Man, a regular sparring partner this year. True to form, though, you won't find that his style has changed much. Over 30 years after his first gig, you can rest assured you'll still find him playing with patience, carving out long arcs rather than sharp peaks.

His RA Mix captures him in a reflective mood. Running just over two hours, RA.1003 is a hushed yet absorbing affair, moving seamlessly from the delicate atmospherics of Valentino Mora and Caldera to the machine funk of Robert Hood, Solid Gold Playaz and Marcellus Pittman. There are left turns folded into XDB's patient narrative arc, too: John Carpenter's brooding scores here, DJ Sprinkles' melancholic work with Will Long on "Acid Trax N (Acid Dog)" there.

It's the sound of a DJ who has been quietly chiseling away for three decades, and who understands the value of persistence as much as restraint.

@xdb

Find the tracklist and interview at ra.co/podcast/1021

RA.1000 Theo Parrish

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