New private playlist

músicas

club days

house

Wildwood

porno, sleazy, trash, dance 2

academia

(https://www.facebook.com/events/386254164841508/)

YUNGKIDD FT. DJ GETEM - M.I.A X OMARION
SONORA - COUNT THE BODIES
SAGE THE GEMINI - GAS PEDAL (DJ C-HIM REMIX)
KELELA - ENEMY
DUBBEL DUTCH - DIP SO
DJ UNIIQUE - FUCK IT UP GURL
DIVOLI S'VERE - CODE CLACK (MIKE G RUBDOWN)
PROBLEM CHILD / K-SHIZ - WHAT WHAT IN THE BUTT (DOPEGRLBABY VOCALS)
KATIE GOT BANDZ - KATIE GOT BANDZ
ICEBOI - POP THAT ICE EDIT
MIKE G - CLUB WATCH (DJ SKELETONE'S BLOCKBUSTER EDITION)
C.Z. - WOW
HEADLOCK - HIGH BEAMS

SHOCK VALUE 3 MIX BY ANTHONY DICAPUA

Doobie Brothers - Listen To The Music

The 1975 - Rather Be (Live Lounge Cover)

shut up and drive (Rihanna cover)

Via Little White Earbuds

Pundits have grown fond of the term “outsider house” to describe artists whose aesthetic is rougher around the edges, but they forget that dance music at its core was created by and for outsiders: racial and sexual minorities who escaped the cruel world by getting lost in music — first disco and then house. Marea Vierge-Noire, a Kentucky-born, Chicago-based DJ and producer, knows this well. Diving into the rave scene as a teenager to retreat from bruising bullying, Vierge-Noire found herself at home dancing and selling mixtapes in warehouses around the American Midwest. Her DJing career began by chance when someone caught her practicing alone, but has earned her notoriety across three decades, most recently as a resident at Smart Bar, Chicago’s reigning nightclub. Vierge-Noire’s raving past landed her a job working for the mammoth (though now defunct) Dust Traxx empire and provided the knowledge base for starting producing in the mid-aughts. Initially collaborator by necessity, she can now be found producing on her own as the Black Madonna for Home Taping Is Killing Music, Stripped & Chewed, and a growing list of well regarded labels. Standing as a shining example of how outsiders are the true insiders in dance music, LWE sat down with Veirge-Noire to discuss the paths that brought her here, why disco is so dear to her, and what the future holds for her. She also mixed LWE’s 156th exclusive podcast, a thrilling hour of danceable music which encapsulates her body-moving DJ style.

Tracklist:

01. Rev. Morgan Babb with His King Solomon Baptist Choir, “Go On My Child” [Nashboro]
02. The Inspirational Gospel Singers, “The Same Thing It Took” [Fine Records]
03. Candi Staton, “Rough Times” [Warner Brothers Records]
04. Simba, “Three Kays” [Stripped & Chewed]
05. Raw Instinct, “Alright” [Raw Instinct]
06. Voices, “Voices In My Mind” (Minimum To Maximum Effect Mix) [Da Grooves]
07. Gene Hunt, “Sound Drome” [Rush Hour Recordings]
08. Roni Griffith, “Spys” [Vanguard]
09. X-Ray Connection, “Replay” (Street Mix) [Dance-Sing Records]
10. East Wall, “Privacy” [Elettrica Dischi]
11. Tevo Howard, “Energia” (Boogiedisco Mix) [Beautiful Granville Records]
12. The Analogue Cops & Blawan, “45 Dollars” [Restoration Records]
13. Special Request, “Deflowered” (Kassem Mosse & Mix Mup Remix)
[Special Request]
14. Jody “Fingers” Finch, “Jack Your Big Booty” (BHQ Acid Vocal)
[Let's Pet Puppies]
15. Tyree Cooper, “Ty’z N Da Middle” [Quick Release Records]
16. Horace James & Kevin Yost, “Meet Me There” [i! Records]
17. Adrienne Rich, “Diving into the Wreck” (read by Anne Waldman) [no label]
18. The Black Madonna, “Stay” [white*]
* denotes tracks which, as of time of publishing, are unreleased

Read the accompanying interview here: 
http://www.littlewhiteearbuds.com/podcast/lwe-podcast-156-the-black-madonna/#.UxipKkJdVps

LWE Podcast 156: The Black Madonna

Whipped

Our beloved pals of the Sleazy Beats Soundsystem (Monsieur Monod & Kris Percy) are responsible for our next ROSEtape.


Since the first record they quickly turned into one of our favorite imprints with an magnificent blend of House, Beatdown, Boogie and proper Disco.

Following their "Music For Serious Jogging" Podcasts which provided extra power during our extra workout, we're pleased to present "MUSIC FOR SERIOUS GRILLOUTS". 

Of course you'll get that extra chunky drums, guitar licks, moody melodies and that secret ingredient we can't talk about. the real deal we say....


we also highly recommend the latest Black Ops "Andy Hart - Love Technology EP"!

more infos:

https://www.facebook.com/sleazybeatsrecs
http://sleazybeats.blogspot.de/
https://soundcloud.com/sleazybeats

ROSEtape Vol. 10 | SLEAZY BEATS SOUND SYSTEM

△ DeepMixNation - Best Deep House Mixes 
△ Like on Facebook △ http://bit.ly/DeepHouseFB
△ Subscribe HERE △ http://bit.ly/DeepHouseSubscribe

△ FOLLOW Nicolas Hannig
https://www.facebook.com/nicolashannigofficial
https://soundcloud.com/nicolashannig

△ FOLLOW 1daytrack.com
https://soundcloud.com/1daytrack
https://www.facebook.com/1daytrack

△ Tracklist by Nicolas Hannig

01 - Nicolas Hannig - Meltdown 
02 - Nora En Pure - True (Original Mix)
03 - Tube & Berger, Milan Euringer - Lovebreak (In.deed Remix)
04 - Dragonette, Mike Mago - Outlines (Original Mix)
05 - Matvey Emerson - Run Away (Original Mix)
06 - Run Away (Original Mix) - I'm Still Standing (Going Deeper Remix)
07 - MØ - Walk This Way (KANT Remix)
08 - Sharam Jey, West.K - Stay (Original Mix)
09 - Ashibah, Vintage Culture - Cicles (Dashdot Remix)
10 - Calippo - Need a Friend (Original Mix)
11- Nicolas Hannig & A'dam B - Dreamer 2014 


Deep House Mix #43 2014 HD - Best Deep & Lounge Chill Music

'Free TC' Deluxe Edition available now - features 4 new $ongs!
iTunes: http://smarturl.it/FreeTCDeluxe?IQid=ty.sc
Spotify: http://smarturl.it/FreeTCDeluxeSP?IQid=ty.sc
Google Play: http://smarturl.it/FreeTCDeluxeGP?IQid=ty.sc
Amazon: http://smarturl.it/FreeTCDeluxeA?IQid=ty.sc

Join Ty Dolla $ign's mailing list for exclusive updates: http://dollasignworld.com/mailing-list

Produced by DJ Spinz

Connect with Ty Dolla $ign:
Website: http://dollasignworld.com
Facebook: http://fb.com/tydollasign
Twitter: http://twitter.com/tydollasign
Instagram: http://instagram.com/tydollasign 
YouTube: http://youtube.com/tydollasign
SoundCloud: http://soundcloud.com/tydollasign

Blasé (feat. Future & Rae Sremmurd)

Download

Lounge Summermix

Drake ~ Back To Back Freestyle

Calvin Harris + @DisciplesLDN - How Deep Is Your Love (Calvin Harris & @R3hab Remix)
How Deep Is Your Love Remixes
Sony Music UK 2015

Get the "How Deep Is Your Love" Remixes: http://smarturl.it/HDIYLremixes
Get the Original: http://smarturl.it/HowDeepIsYourLove

How Deep Is Your Love

Calvin Harris + Disciples - How Deep Is Your Love (Calvin Harris & R3hab Remix)

friday vibez  @SleepyTom. vocals by priscilla renea

get diplo swag
webstore - smarturl.it/DiploMerch
amazon (free prime shipping) - smarturl.it/supermarketteAZ

stream & download be right there - MadDecent.lnk.to/BeRightThere

follow diplo
website - www.diplo.com
facebook - smarturl.it/DiploFB
twitter - smarturl.it/DiploTW
instagram - smarturl.it/DiploIG

diplo on tour - smarturl.it/DiploTour

Be Right There

Diplo & Sleepy Tom - Be Right There

KTU 103.5 NYC LIVE DJ Denny Tsettos 11-21-99 HR2

℗ 2015  300 Entertainment/RGF Productions

Jugg (feat. Monty)

KTU 103.5 NYC LIVE DJ Denny Tsettos 1998

KTU 103.5 NYC LIVE DJ Denny Tsettos 2-26-00 HR2

One of my CD Giveaways from D'Jais Summer 2009. Jersey shore madness from back in the day!

DJ Johnny Budz - D'Jais CD Giveaway Summer 2009

Pulse Dance Party Dj Paulie Lorenzano

The Best Of House Divas 2000 vocal house

Nelly Furtado - Give It to Me [My Extended Version]

Listen to original version of “Now or Never”
https://halsey.lnk.to/nonSo

Snapchat: slanderofficial
instagram.com/slanderofficial
facebook.com/slanderofficial
twitter.com/slanderofficial
slanderofficial.com/tour

HALSEY - NOW OR NEVER (SLANDER REMIX)

KTU 103.5 DJ Denny Tsettos Memorial Day Weekend Late Night At Tempts

Flo Rida - Right Round

Justin Timberlake - What Goes Around... Comes Around (instrumental cover)

New rmx featuring samples from Meek Mill

@AllTrapMusic
http://www.youtube.com/watch?v=ZmJ4EvOE6x0

Watch the unofficial video on my youtube here
http://www.youtube.com/watch?v=Xeees43RmVw

Hucci - House Party

She Drives Me Crazy - Fine Young Cannibals

Beauti Mix 1,000mg ☆彡 
4 @CLUSTERMAG

DOWNLOAD HERE: http://bit.ly/12MGdYJ

#beauti #ballroom #babymaking 

Special Thanx @AIRSOFTCHICAGO @DJJAMMINJAKE @DJKMILLZ @MALTINERECORDS @THEONLYMIKEQ @DOCTAJEEP @LAUROROBLES @SUBMERSE cuz i got y'all on repeat

[TRACK LISTING] : 

1. dj Newton - we don't understand
2. Destiny's Child - Lose My Breath (B.Ames Remix)
3. DJ FUNERAL - The Killing (VIP mix)
4. Divoli S'vere - SHE CKUNT (( TF'S TRANSFORMATIVE ANGST AT STARBUCKS EDIT ))
5. Club Ultimate - Carnival '93
6. Silvanian Families - 商店街ノスタルジカ SEKITOVA Traum remix. (moeclick re-remix)
7. Lil Kim ft. Cease - Crush On You (Look Like Bootleg)
8. 桃色技術音楽堂 - school girl trip
9. 三毛猫ホームレス - KANEKURE (tofubeats SMBC33* Remix)
10. //Arshaw// - Need to go somewhere
11. Frank Ocean - Thinking About You (Airsoft & DJ Jammin Jake Edit)
12. DJ Bark Lee -  Walk 4 U
13. cocop feat,dj newtown - 2005(moeclick remix)
14. DDM ft. Rye Rye - Click Pow (Rizzla Remix)
15. Submerse - Downcast
16. CZR & Ito - Bringing The Funk (Airsoft & Dj Jammin Jake 2013 Acid House Bootleg)
17. SWV - Weak x K Millz (Deep Remix)
18. DJ Hoodcore - Phyre (LOLGURLZ Gothic Ho Draft)
19. Wale Ft Miguel - Lotus Flower Bomb (DjSliinkRemix)
20. Lao - Trible Ha
21. シャルロ - 彼方
22. Submerse - Kashoku
23. Todd Terry / MikeQ - Samva (MikeQ Remix)
24. Kendrick Lamar - Swimming Pools [Drank] (Cousin Cole Remix)
25. Submerse feat. Karin Koizumi - Muteki
26. Submerse - KoKo
27. DJ Bark Lee - Vamp 2012
28. Ciara - Sorry (Dj K Millz Remix)
29. Schwarz - BITCHES LOVE ME
30. Pa's Lam System - expexxexxe001
31. Yoshino Yoshikawa - Newgame Plus
32. Vin Sol - Psychic Convoy
33. Orbital - Halcyon (Lao refix)
34. Glover Junior - VC
35. DJ MikeQ Ft. Willow Smith - I Whip My Ha
36. きゃりーぱみゅぱみゅ - つけまつける (CRO¥DON x KNEEGAUZE RENOODLE)

Beauti Mix 1,000mg ☆彡

The Heat Is On Glen Frey Beverly Hills Cop Soundtrack

Excerpts from the album 'THE ULTIMATE BEE GEES'.
BUY THE DELUXE DOUBLE CD & DVD SET from Amazon <a href="http://amzn.to/1brkEjR">USA</a>, <a href="http://amzn.to/13m2yuv">Canada</a>, <a href="http://amzn.to/1aT2W9B">UK</a>, <a href="http://amzn.to/1auhjNU">France</a>, <a href="http://amzn.to/12yro7t">Germany</a>, <a href="http://amzn.to/12XkhoT">Italy</a>, <a href="http://amzn.to/12NLidu">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
BUY THE DOUBLE CD from Amazon <a href="http://amzn.to/1brikth">USA</a>, <a href="http://amzn.to/13m1yqh">Canada</a>, <a href="http://amzn.to/11ZpOAr">UK</a>, <a href="http://amzn.to/194C3hv">France</a>, <a href="http://amzn.to/13zPNZf">Germany</a>, <a href="http://amzn.to/13Qm59C">Italy</a>, <a href="http://amzn.to/12JOv2f">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
DOWNLOAD THE ALBUM from <a href="http://bit.ly/11ZocXv">iTunes</a>, or Amazon <a href="http://amzn.to/15oILcH">USA</a>, <a href="http://amzn.to/17ngCEb">UK</a>, <a href="http://amzn.to/15K92lE">France</a>, <a href="http://amzn.to/18pBX4E">Italy</a>,<a href="http://amzn.to/18mu506">Germany</a>, <a href="http://amzn.to/12XiWOL">Spain</a>, <a href="http://amzn.to/13zLJrN">Japan</a>.
LISTEN ONLINE on <a href="http://www.deezer.com/en/album/422914">Deezer</a>, <a href="http://grooveshark.com/#!/album/The+Ultimate+Bee+Gees/4657434">Grooveshark</a>, <a href="http://www.last.fm/music/Bee+Gees/The+Ultimate+Bee+Gees">Last.FM</a>, <a href="https://myspace.com/beegees/music/album/the-ultimate-bee-gees-14023661">MySpace</a>, <a href="http://www.rdio.com/artist/Bee_Gees/album/The_Ultimate_Bee_Gees/">Rdio</a>, <a href="http://www.rhapsody.com/artist/bee-gees/album/the-ultimate-bee-gees">Rhapsody</a>, <a href="http://slacker.com/r/lLHTB">Slacker</a>, <a href="http://open.spotify.com/album/3JXTUy5Ccdpe79HUgUiMF9">Spotify</a>.


ABOUT THE BEE GEES
Formed: 1958 in Brisbane, Queensland, Australia
Years Active: '60s, '70s, '80s, '90s, '00s

No popular music act of the '60s, '70s, '80s, or '90s attracted a more varied audience than the Bee Gees. Beginning in the mid- to late '60s as a Beatlesque ensemble, they quickly developed as songwriters and singers to create a style of their own that carried them from psychedelia to progressive pop. Then, after hitting a popular trough, they reinvented themselves as perhaps the most successful white soul act of all time. What remained a constant throughout their history is their extraordinary singing, rooted in three voices that were appealing individually and melded together perfectly.

The group was also music's most successful brother act. Barry Gibb, born on September 1, 1946, in Manchester, England, and his fraternal twin brothers Robin Gibb and Maurice Gibb, born on December 22, 1949, on the Isle of Man, were three of five children. The three of them gravitated toward music, encouraged by their father, who saw his sons at first as a diminutive version of the Mills Brothers. The three Gibb brothers made their earliest performances at local movie theaters in Manchester in 1955, singing between shows. The family moved to Australia in 1958, resettling in Brisbane. Now known as the Brothers Gibb — with Barry writing songs — they attracted the attention of a local DJ, and eventually got their own local television show. It was around this time that they took on the name the Bee Gees (for Brothers Gibb). The trio was astoundingly popular in the press and on television, but actual hit records eluded them.

By late 1966, they'd decided to return to England — which, thanks to the Beatles, was now the center of the world for rock and popular music. The group had sent demo recordings ahead of them, and "Spicks & Specks" — which became their first Australian hit while they were in mid-ocean — had attracted the interest of manager Robert Stigwood. The trio was signed by Stigwood upon their arrival, and began shaping their sound in the environment of Swinging London. Barry and Robin Gibb alternated the lead vocal spot, harmonizing together and with Maurice. Barry played rhythm guitar, while Maurice played bass, piano, organ, and Mellotron, among other instruments. Their first English recording, "New York Mining Disaster 1941," an original by the group with a haunting melody and a strangely surreal, almost psychedelic ambience, was released in mid-1967 and made the Top 20 in England and America. They had successful follow-ups with "Holiday" and "To Love Somebody," the latter actually written for Otis Redding to record, and "Massachusetts," which topped the U.K. charts.

After Bee Gees' 1st, the Gibb brothers took over producing their own records. It was easy, amid the sheer beauty of their recordings, to overlook the range of influences that went into their sound, which came from a multitude of sources, including American country music and soul music. At this point in their history, they were most comfortable deconstructing elements in the singing and harmonies of black American music and rebuilding them in their style.

In 1969, the trio split up in a dispute involving the Odessa album. A lushly orchestrated double LP, it was their most ambitious recording to date, but they were unable to agree on which song would be the single, and Robin walked out. Barry and Maurice held on to the Bee Gees name for one LP, Cucumber Castle, while Robin released Robin's Reign. Without a group to promote it, the Odessa album never sold the way it might have, even with a hit, "First of May." Cucumber Castle generated several successful singles in England and Germany, including the gorgeous, African-influenced "I.O.I.O.," while Robin had a hit with "Saved by the Bell."

In 1970, almost two years older and a good deal wiser, they decided to get back together. They related to each other better and had also evolved musically, now creating a progressive pop/rock sound similar to the Moody Blues. They came back on a high note with two dazzling songs: the soulful "Lonely Days," the group's first number one hit in America; and the achingly lyrical "Morning of My Life," which proved so popular with fans that the group was still doing it in concert decades later.

Their success began to ebb, however, after another huge international hit with "How Can You Mend a Broken Heart" in 1971. The single "Run to Me" made the Top 20 in 1972, but the album To Whom It May Concern was forgotten almost instantly after a brief chart run. Their fortunes continued in reverse during 1973 withLife in a Tin Can and the single "Saw a New Morning" — despite a move to America and a heavy promotional push, the song never made the Top 40 and the album stalled out.

The trio was falling into a deep creative and commercial hole. Rescue came from a suggestion by Eric Clapton, that they try recording at Criteria Studios in Miami, Florida, where he had just cut an album. The Bee Gees took his advice and came back with Mr. Natural (1974), produced by Arif Mardin. This record was a departure with its heavily Americanized R&B sound, and the following year they plunged headfirst into the new sound with Main Course — the emphasis was now on dance rhythms, high harmonies, and a funk beat. And spearheading the new sound was Barry Gibb, who, for the first time, sang falsetto and discovered that he could delight audiences in that register. "Jive Talkin'," the first single off the album, became their second American number one single, and was followed up with "Nights on Broadway" and then the album Children of the World, which yielded the hits "You Should Be Dancing" and "Love So Right." Then, in 1977, their featured numbers on the soundtrack to the Robert Stigwood-produced Saturday Night Fever, "Stayin' Alive," "How Deep Is Your Love," and "Night Fever," each topped the charts, even as the soundtrack album stayed in the top spot for 24 weeks. In the process, the disco era in America was born — Saturday Night Fever, as an album and a film, supercharged the phenomenon and broadened its audience by tens of millions, with the Bee Gees at the forefront of the music.

It was a profound moment although, ironically, there wasn't that much difference in their sound. Amid the dance numbers, the Bee Gees still did a healthy portion of romantic ballads that each offered memorable hooks. They'd simply decided, at Arif Mardin's urging, to forget the fact that they were white Englishmen and plunged into soul music, emulating, in their own terms, the funkier Philadelphia soul sounds that all three brothers knew and loved. In one fell swoop, the group had managed to meld every influence they'd ever embraced, from the Mills Brothers and the Beatles to early-'70s soul, into something of their own that was virtually irresistible. Spirits Having Flown was their crowning commercial triumph, topping 30 million in sales and yielding three more number one singles.

By the end of the '70s, however, the disco era was waning from a combination of the bad economy, political chaos domestically and internationally (leading to the election of Ronald Reagan), and a general burnout of the participants from too many drugs and profligate sex (which would precipitate an epidemic of sexually transmitted diseases and herald the outbreak of AIDS in the United States). There had already been an ad hoc reaction against the group's dominance of the airwaves, with mass burnings of Bee Gees posters and albums organized by DJs. The group itself helped contribute to the end of the party with their participation (at Stigwood's insistence) in the film Sgt. Pepper's Lonely Hearts Club Band, "inspired" (if that's the word) by the Beatles' album. The movie was a commercial and critical disaster, and an embarrassment to all concerned.

In America, the Bee Gees were virtually invisible for most of the '80s. Instead, Barry Gibb pursued work as a producer for other artists, creating hits for Barbra Streisand and Diana Ross. By 1987 and the E.S.P. album, their sales had rebounded everywhere but the United States, yielding a number one single (outside of the U.S.) in "You Win Again." Their 1989 album One got a good reception around the world and generated a Top Ten U.S. single. And in the '90s, Polygram Records released the four-CD anthology Tales from the Brothers Gibb, which sold well around the world. The trio's 1997 induction into the Rock & Roll Hall of Fame led to a resurgence of interest, which heralded the release of the live album One Night Only (1998), cut at their first American concert in almost a decade.

The Bee Gees remained active until the death of Maurice in January 2003, from cardiac arrest during surgery. Following his death, Robin and Barry decided to cease performing as the Bee Gees. Their recorded legacy, however, subsequently became more visible than it had been in decades with the move of their catalog to Warner/Reprise. The latter company began the long-awaited upgraded CD reissue of the Bee Gees' post-1966 library, including the first-ever release of outtakes and rehearsal versions of songs. Robin was diagnosed with and underwent treatment for cancer in 2011. He died in London in May 2012 due to complications from cancer and intestinal surgery; he was 62 years old. Given the previous deaths of Andy (who had several number one hits and who died of an inflammatory heart virus in 1988) and Maurice Gibb, Robin was the third Gibb brother and second member of the Bee Gees to pass away.


Music ℗ & © 2009 Barry Gibb, Robin Gibb and The Estate of Robin Gibb under exclusive license to Warner Strategic Marketing Inc. a Warner Music Group Company.


The Best Of House Divas 2000 vocal house

Claps Commander