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Ecoutez les oeuvres emblématiques des compositrices présentes dans le livre "Compositrices, l'égalité en acte". L'ordre de présentation de la playlist est réalisé de façon aléatoire.

Compositrices, l'égalité en acte, opus 1

SoundCloud Weekly

Coulisses de la création #1 : la playlist coup de coeur de Clara Iannotta

G((o))ng Tomorrow is an annual festival in Copenhagen for new, experimental music and sound art that cut across genres and take up encounters with other art forms.

This is a sneak peek of the lineup for 2019.

G((o))ng Tomorrow

Mémoires de femmes, paysage, passage
A V.W.
Le souffle rentre et pénètre comme dans les méandres des souvenirs des femmes. Soulevant la poussière, il détache quelques uns des vécus, des impressions que ces femmes ont bien voulus nous livrer. Sans s’attarder et dans l’urgence du faire, défaire et refaire, les vécus émotionnels se tissent, s’estompent, courent, reviennent et repartent encore.
De l’anecdote aux douleurs, de la souffrance à la joie de vivre les sons s’agitent, s’entrechoquent toujours dans un mouvement de circulation intense.
Entre secrets et révélations, les répétitions s’organisent sans jamais être tout à fait les mêmes.
L.B. 
sons utilisés issus de la banque de sons de Luc Ferrari :
-Bistrot chuchotement filles
-Bistrot mélodie ondulante
-Bistrot voix ponctuelle
-DTA impro micro acoustique -Labyrinthe portrait - les grenouilles

Memoires De Femmes, Paysage, Passage

Troglodyte Angels Clank By (2015), for amplified ensemble
Commissioned by Radio France.
Ensemble 2e2m conducted by Pierre Roullier

Live Recording, Radio France, Festival Présence, 10 February 2016, Paris

Clara Iannotta : Troglodyte Angels Clank By (2015), for amplified ensemble

(2010)
for piano trio 
played by Nathalie Shaw (vln), Séverine Ballon (vlc) and Lise Baudouin (pno)


Clara Iannotta "Il colore dell'ombra"(2010), for piano trio

Argus String Quartet Recital, February 2016

Andrew Norman - Peculiar Strokes - Skip

Jimmie Leblanc - ...and the flesh was made word.

Ramon Lazcano
Errobi 2, pour flûte basse, clarinette basse et piano
Emmanuelle Ophèle, flûte basse
Alain Billard, clarinette basse
Sébastien Vichard, piano

Enregistré en direct le 15.11.2016 par Radio France à la Cité de la musique-Philharmonie de Paris

Ramon Lazkano, Errobi 2

FREC 3 (2016-2017)
pour flûte, violoncello, percussion, piano and live amplification.
Dur. 52:00
Commande de l'Auditori de Barcelona/Sampler Series 2015-16
Création : Agustí Fernández, piano. Almudena Vega, flûte. Miriam Fèlix, violoncello. Núria Andorrà, percussion. Ferran Conangla, amplification. Sampler Series/Auditori de Barcelona, Fundació Tàpies, 22.02.2017.
RECORDING : Ferran Conangla

FREC 3 (2016/17)- Fragment

composed by Dai Fujikura
text by Harry Ross
performed by Alice Teyssier (soprano)
The Rhythm Method:
Marina Kifferstein, Meaghan Burke, Anne Lanzilotti, Leah Asher
(permission from Alice Teyssier + The Rhythm Method)

Silence Seeking Solace for soprano and string quartet

Live recording of premiere by Anssi Karttunen, February 15, 2016 - Reid Hall, Paris FR.

Ainsi soit-il (2016) for solo cello

Françoise Kubler soprano
Armand Angster clarinette
Christophe Beau violoncelle
Sylvie Reynaert percussion
Wilhem Latchoumia piano
Emmanuel Séjourné direction

Score : https://www.babelscores.com/catalogs/vocal-music/2323-poemes-enchaines

Poèmes enchaînés pour sop., cl.,pno.,perc. et vlc. (2017)

1 This joyful Eastertide, away with sin and sorrow! My Love, the Crucified, has sprung to life this morrow:

Refrain: Had Christ, who once was slain,  not burst His three-day prison, our faith had been in vain;  but now has Christ arisen, 
arisen, arisen; but now has Christ arisen!

2 Death’s flood has lost its chill  since Jesus crossed the river;
Lover of souls, from ill my passing soul deliver: [Refrain]

3 My flesh in hope shall rest and for a season slumber till trump from east to west shall wake the dead in number: [Refrain]

2018.03.30 Easter Vigil

Hymn-This joyful Eastertide-Vruechten

Elżbieta Sikora - Suita na klawesyn i taśmę. III La Valse (excerpt)

- one bird, one tree (2017)- 

Work commissioned by Radio France, France Musique - Alla Breve (Création Mondiale) and dedicated to Anne Montaron for her brave spirit in the field of the contemporary music world.

World-Premiere and recorded by WANG Ying-Chieh (erhu), Fanny Vicens (accordion) and Wilhem Latchoumia (piano), Radio France, November 14th, 2017.
--
In a synesthesia of sound and light, Liao Lin-Ni translates, transcribes, and transmits poems, paintings, and phenomenon of nature through music. Inspired by
the book The Gorgeous nothings (New York, Ed. Christine Burgin / New Directions, 2013) which contains the manuscript fragments of Emily Dickinson
(1830-1886), the composer continues her work in the spatialization of sound that she began in the ensemble piece To light, and then return (2015) and Look back on time with kindly eyes (2017). Through the timbre of music, she finds and reveals the dimensions of light and shadow in Dickinson's world, defined by nature and the depth of human tenderness.

在聲光的聯覺當中，廖琳妮透過轉譯與轉化將詩文與自然界的空間, 光影現象書寫於音樂之中。受到 Emily Dickinson (1830-1886)詩文片段出版於 The Gorgeous nothings (New York, Ed. Christine Burgin / New Directions, 2013)的影響，作曲家透過音樂中的明暗光影與色澤，嘗試回顧與展現Emily Dickinson詩中對大自然和人性的摯意柔暖。
(廖琳妮 LIAO Lin-Ni)

* Work published by Maison ONA -
https://www.maison-ona.com/catalog-0115ONA

* Broadcast on France Musique -
https://www.iheart.com/podcast/256-creation-mondiale-lintegra-43077560/episode/one-bird-one-tree-43736759/

Liao Lin-Ni_one bird, one tree for erhu, accordion and piano (COMPLETE VERSION)

Did this last night on my Casio privia Piano.

If you like, check out my albums on all major platforms. FARMER GEORGE, "CHILL TILL THE PLAGUE IS THROUGH" and  GEORGE ABBOTT, A LITTLE BIT OF ALL OF ME" 

                    Thanks for listening

NIGHT TIME PIANO improvisation piece

ART SHOW /// GIFT SHOP @ OK Corral 9th November 2018
Souvenirs /// Digital-------> anyines.bandcamp.com/album/envase
@xeniaxamanek

Envase

Xenia Xamanek - Comido

To Morning -- Gabriel Jackson (born 1962) / The Advent Choir / Mark Dwyer, conductor / 
 
O holy virgin! clad in purest white, unlock heav’n’s golden gates, and issue forth; awake the dawn that sleeps in heaven; let light rise from the chambers of the east, and bring the honey’d dew that cometh on waking day. O radiant morning, salute the sun rous’d like a huntsman to the chase, and with thy buskin’d feet appear upon our hills.
[William Blake (1757-1827)]

2018.12.02 Advent Carol Service

Jackson-To Morning / The Advent Choir

DOWNLOAD THE FREE APP: https://show.co/21pQFyq

on bandcamp:
https://isaacschankler.bandcamp.com/track/the-moonlight-sonata-but-the-bass-is-a-bar-late-and-the-melody-is-a-bar-early

sheet music:
https://www.dropbox.com/s/22sq0p19lundped/moonlate12102018.pdf?dl=0

Download

The Moonlight Sonata but the bass is a bar late and the melody is a bar early

Pray Away for orchestra (2018) 
Yale Philharmonia
Julian Pellicano, conductor 
12/6/18, Woolsey Hall, New Haven, CT

Program Notes:
Pray Away is about unpeeling layers of personal shame to find authenticity. I found the idea of self-invention as self-reinvention, articulated by Didier Eribon in his memoir Returning to Reims, particularly inspiring: “Our past is still there in the present. So we remake ourselves, we re-create ourselves (a task that is never finished, always needing to be taken up again), but we do not make ourselves, we do not create ourselves.”

Pray Away (2018) for orchestra

Without Me Halsey

This episode traces the age-old European origins of many of the Winter Solstice traditions we enjoy today, from mother goddess worship through stories of the wizard child Jesus, to Christmas fortune telling with bones.

Support Fair Folk: 
www.patreon.com/fairfolkcast
PayPal.me/DanicaBoyce

Music:
“Let All Mortal Flesh Keep Silence” by the Ballycastle Players
“Miri it is While Sumer Ilast” by Ensemble Belladonna 
“O Frondens Virga” by Augsburg Early Music Ensemble
“Podblyadnye Song” by byAgrafena Glinkin
“Ancient Gates” by Olga Glazova
“Podblyadnye Songs” by Ensemble Joy
“Persephone” by Stellamara
“Tec, Peleite, Zernju Zogtu” by Kitka
“The Holly She Bears a Berry” by the Voice Squad
“Haugebonden” by Tiriltunga
“Oi Linksta Suolaliai” by Keisto Folkloro Grupė” 
“Et Lite Barn Så Lystelig” by Julestemmer
“The Bitter Withy” by the Valley Folk
“Cherry Tree Carol” by Shirley Collins
“Mari Lwyd (The Grey Mare)” by Carreg Lafar  
“Ecco donne la befana / Ninna nanna ninna oh (Filastrocche e canto natalizio Bologna)” by Stefano Zuffi & Pneumatica Emiliano Romagnola 
“Fum, Fum, Fum” by Winter Harp Ensemble
“Frau Holle, Frau Holle, die Schüttelt ihre Betten aus” by Philharmonischer Kinderchor Dresden & Blockflötengruppe Bautzen
“Bring Us In Good Ale” by Maddy Prior & Tim Hart

Winter Solstice, Queen of Feasts

Supper In A Haystack

Hicâz Şarkı

Aşkı seninle tattı hicrânla yandı gönül
Evvel coştu taştı da şimdi uslandı gönül
Cevri safâya kattı hayli aldandı gönül
Evvel coştu taştı da şimdi uslandı gönül

Beste: Fehmi Tokay
Güfte: Melahat Akan
Usûl: Düyek

istiklâl korosu - aşkı seninle tattı hicrânla yandı gönül

Nazım Hikmet - Yaşamaya Dair

DEAD BALLERINA ~ JOHN MURPHY

Totus amore languens - Non mannae dulcedo

Christmas Story del 1987, Orchestra da Camera della Spezia e Coro "G. B. Vissei".

C. Story 1987 God Rest

INSTAGRAM: @officialvgo (www.instagram.com/officialvgo/)
FACEBOOK: www.facebook.com/officialvgo
YOUTUBE: www.youtube.com/c/VGo-official
AUDIOMACK: www.audiomack.com/artist/vgo/
TWITTER: twitter.com/officialvgo

Track 3/4 - A Very Desi Christmas
"Shauk Hai" means "to aspire", and I envisioned this track as a person in pain making the long trek home on a cold, winter night. Headphones recommended.

Shauk Hai | A.R. Rahman (Guru - unreleased)
Piya | Shankar Tucker (ft. Shriram Iyer)

Shauk Hai (VGo Mix Ft. A.R. Rahman, Shankar Tucker, Shriram Iyer)

PODCAST  "TOPTEN" : 20 DICEMBRE 2018

Christmas Romantic Nocturne

Please, use headphones or good loudspeakers.

dead wasps in the jam-jar (iii) (2017–18)
for string quartet and sine waves

Commissioned by Festival d’Automne à Paris, with the support of the Ernst von Siemens Foundation, and the Proquartet Association.

Live recording at November Music
Quatuor Diotima (Franck Chevalier, Pierre Morlet, Constance Ronzatti,Yun Peng Zhao)

dead wasps in the jam-jar (iii) (2017–18), for string quartet and sine waves

https://bfan.link/adagio-for-strings-2

An Analog Guy in a Digital World Pt. II is based on Samuel Barber's Adagio for Strings (1938).

feel free to check me out & follow my socials:

instagram.com/martin.analog
facebook.com/martinrothofficial
twitter.com/djmartinroth
http://www.martinroth.net

Video-Version
https://youtu.be/6hKxAE-O6Uc

An Analog Guy in a Digital World

An Analog Guy in a Digital World Pt II (Adagio for Strings)

And Go

Evgeny Grinko - Valse (Verjon Mamadhi Cover)

First experiment with the new Metropolis Ark 4 sample library from Orchestral Tools. All sounds come from Metropolis Ark 4.

Deep Under The Bustling City (Orchestral Tools Metropolis Ark 4 Demo)

Please, use headphones or good loudspeakers.

MOULT (2018–19), for orchestra
commissioned by Westdeutschen Rundfunk and Wien Modern

Live Recording WDR Orchestra, 12 May 2019, Witten

MOULT (2018–19), for orchestra

Séverine Ballon, cello
TM+ Ensemble
Laurent Cuniot, conductor

Clara Iannotta "Clangs", for cello and 15 musicians (2012) [excerpt]

Area Under a Curve

Four excerpts in one file of: 
Opus Morturarium, Opus Autopsia, Opus Crematio & Opus Putesco. 

Opus Mors is four listening spaces for one of the existential and natural aspects of being alive, which is death. The project portrays four sound environments that the human body commonly will be surrounded by or exposed to in the immediate post mortem: a morgue, an autopsy, a cremation and the decomposition - events that no one will ever get to sense on their own bodies because of the very fact of death.
The work is an immersive, intimate and powerfully detailed sonic meditation into these four significant death spaces.

OPUS MORS 
A sound work on four significant death-spaces

Four listening spaces for one of the existential and natural aspects of being alive, which is death. The project portrays four sound environments that the human body commonly will be surrounded by or exposed to after dying: a morgue, an autopsy, a cremation and the decomposition - events that no one will ever get to sense on their own bodies because of the very fact of death. OPUS MORS is an immersive, intimate and powerfully detailed sonic meditation into these four significant death spaces. 
Opus Morturarium
Two ambient recordings made inside two morgues listens within the deep tones from the facilities that keep the corpses cold

Opus Autopsia
Detailed near-field sound recordings of a full autopsy starting with opening the corpse, following the removal and slicing and cutting open all the organs and brain, to finally returning all the organs, closing and washing the corpse. This work reveals each unique sonic timbre of the human organs. 

Opus Crematio
Coffin being rolled into the oven, the oven's different burning stages, the removal and relocation of the ashes into the ash cooler and then to the bone crusher. Finally, the ashes being poured into the urn. Vibration sensors placed on the surfaces of the oven reveal the inside sound environment of the oven. 

Opus Putesco
Sound recordings made at a forensic study facility where donated corpses are placed in an enclosed nature area to decompose
while being studied. This work was made from near-field sound recordings of decomposing corpses recorded with
measurement microphones placed 1 cm above - as well as with vibration sensors inside the corpses. 

Exclusive deluxe release of 4 LP set in 180g black vinyl. Packaged in archival handmade box, bound in linen and embossed, including five unique prints on Tyvek paper. Signed and numbered limited edition of 250.

Graphic Production by Eks-Skolens Grafisk Design & Tryk
Mastered and cut by Mike Grinser at Manmade Mastering
Pressed at Pallas.

Recorded, designed, composed and mixed by Jacob Kirkegaard © 2019

Jacob Kirkegaard - OPUS MORS (TOPOS 04)

LA TRUFFE PERIGOURDINE   jeudepistes

Dans le contexte actuel, même les parents qui n’ont pas trouvé le temps de se couper les ongles depuis le début du confinement en ont quand même assez eu pour toucher du doigt, voire du bras, la complexité (et la fragilité) littéralement insondable de notre société moderne.

Pouvons nous encore faire quelque chose ? Et si oui quoi ? Mes réponses à cette idée qui tourne, tourne, tourne ...