Don't let the classical tag put you off. This is some of the most creative, expressive and interesting electronic music you can listen to.
As with all the playlists, they are jumping off points to discoveries. They are not meant to be definitive. Just let some of the tracks play onto the next....follow up on "sounds like"....see who's following, many artists follow other artists.
Artists are Beatriz Ferreyra, Adina Izarra, Alex Temple, Sibylle Pomorin, Marina Fridman, Clara Iannotta, Maryanne Amacher, Loo(p)cy, Anna Arkushina, Lucy Claire, Rocío Cano Valiño, Marina Rosenfeld , Jacqueline Nova, Lisa Lerkenfeldt

Feminatronic #202 - Classical Electronics

Listen to

Thesis Reading

Wave Forming (2019)
Xavier Lopez and Bryan Eubanks, synthesis
Newton Armstrong, binaural mix
excerpt from All That Dust release, 2020
https://allthatdust.com/

Wave Forming (binaural mix) 2019 excerpt

Rebecca Lane, microtonal bass flute
Jon Heilbron, contrabass
Adam Asnan, recording
Samuel Dunscombe, mixing
excerpt from 2021 release on Another Timbre
http://www.anothertimbre.com/catlambmuto.html

Muto Infinitas (2016) Excerpt

extr : 3’44’’ - 2006 – INA-GRM- violon : Veronica Kadlubkiewicz

Dans Un Point Infini - extr : 3’44’’ - 2006

Fausto Romitelli / Paolo Pachini : An index of metals (2003)
A Cyprès CD, 20065

Fausto Romitelli : An index of metals (excerpt 2)

„Sounding Seeds“ is a sonic journey through the spheres that inspire Ayumi Paul’s „The Singing Project“. Following the rhythm of earth’s yearly cycle around the sun, the sound pieces are created in attunement with the solstices and equinoxes. They explore the myriad ways in how sound and song have been shaping our world and share breathing and vocal exercises.

„Sounding Seeds“ ist eine akustische Reise durch die Sphären, die Ayumi Pauls „The Singing Project“ inspirieren. Dem Rhythmus der jährlichen Erdbewegung um die Sonne folgend, werden die Klangstücke abgestimmt auf die Sonnenwenden und Tagundnachtgleichen geschaffen. Eingebettet in Atem- und Stimmübungen, erforschen sie die unzähligen Möglichkeiten, wie Klang und Gesang unsere Welt formen.

Ayumi Paul | Sounding Seeds Winter 2022

Please, use headphones or good loudspeakers.

echo from afar (ii)(2022), for six musicians and electronics
commissioned by hand werk 

Live Recording, hand werk, 29 November 2022, Köln

echo from afar (ii)(2022), for six musicians and electronics

Recording of the tremors of a small earthquake

Earthquake Tremors

Brook

SHZDIGITAL063
Master by Morgan Humblot - Black Hole Studio

Draken

Alex Temple & Katie C. Doyle, Everything is named after something lost (2021–23)

0:00 — Prelude: The Mountain Speaks 
0:59 — Crags and Outcroppings
3:36 — Interlude 1: The Desert
5:08 — New Shapes
7:36 — Interlude 2: The Pleasures of Volcanic Activity
8:38 — Let the Rest of the World Go By
10:52 — Interlude 3: The Mountain Watches Us
12:40 — The End of Everything

Chatter:
Jesse Tatum, flute
Megan Snow, clarinet
David Felberg, violin
James Holland, cello
Luke Gullickson, piano
Live at the Center for Contemporary Arts, Santa FE, NM (8.26.23)

More info:
https://www.alextemplemusic.com/everything-is-named-after-something-lost

Everything is named after something lost (2023)

SHZDIGITAL090
Master by Morgan Humblot - Black Hole Studio

Midra

Electroacoustic music is one of the youngest phenomena in contemporary music culture. For this reason, the study of its history and aesthetic principles; research of instruments and tools; analysis of the electroacoustic composers’ works in Ukraine and over the world just begins. In 1997 with the support of International Renaissance Foundationat the Tchaikovsky National Music Academy was created first Electroacoustic music studio in Ukraine and the Music Technologies Department. The first professors of The Department were Igor Piaskovski, Igor Stetsyuk, Alla Zagaykevych, Sviatoslav Luniov, who created their own courses: "Computer analysis of music texts", "Electronic sound synthesis", "Composition, synthesis and audio processing with a computer ","History of electroacoustic music", "Music technologies".
In the circle of contemporary composers initiated regular international projects with concerts and workshops "Electroacoustics" (since 2003) and "EM - VISIA (since 2005) (director Alla Zagaykevych), where the music composed by students and graduates of Academy is regularly performed.
Electronic music studio collaborates with ethnomusicologists and provides mutual researches using acoustic research methods. In 2011 professors and composers of the Department created Ukrainian Association of Electroacoustic Music (Chairman – Alla Zagaykevych), which became a member of the International Confederation of Electroacoustic Music CIME / ICEM.

the International Electroacoustic Workshops (Kyiv, 2017), dedicated to the 20th anniversary of the Music Technologies Department and Electroacoustic Studio at the Tchaikovsky National Music Academy – first attempt at a thorough study of Ukrainian electroacoustic music. The CDs contains the works of Ukrainian composers from 1964 until 2017.

Marina Fridman (*1987): Plynie (2014) for string quartet   and electronic tape

HOmenaje a Alfredo Del Mónaco realiado por Adina Izarra y tocado a la guitarra por RUbén RIera.

Ciclos Circadianos

Fausto Romitelli- Lost - Ensemble Contrechamps - mezzoTruike van der Poel

An extract from the live recording of the world premiere performance on 20/11/20 at hcmf// 2020 and BBC Radio 3's New Music Show.

Flute, Taylor MacLennan
Clarinet, Alex Roberts
Piano, Sarah Park
Violin, David Lopez
Viola, Oscar Holch
Cello, Deni Teo