Santa Rita (Frederico Demarca.Marcelo Fedrá)

The premiere performance of "The Last Song" Arrangement by Matt Erion, composition by Clarice Assad. Recorded at Eau Claire Jazz Festival

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The Last Song Premiere

Arranjo, direção e produção musical: Augusto Ordine
Ordinarius = Augusto Ordine, Gustavo Campos, Luciano Dyballa, Luiza Sales, Alice Sales e Maíra Martins.
Percussão e barulhinhos = Mateus Xavier

Valsa para uma menininha (Vinícius de Moraes/Toquinho)

Clarice Assad - Alta Alta Va La Luna From Sephardic Suite For Flute, Guitar And String Quartet

Clarice Assad & Beat Kaestli singing "Comme en plein reve" a song by Clarice Assad & Antoine Loyer (Portuguese lyrics by Daniel Basilio)

Comme en plein reve

A 'retro', very romantic composition for strings, performed by New Chamber Century Orchestra performing "Affection" From Impressions, Suite For Chamber Orchestra. 

Affection-From Impressions, Suite For Chamber Orchestra

Included in the Cd "Silenci" , By Sergi Boal ( 2012)

Guitar and Composition: Sergi Boal



El silenci es el origen,
La ausencia de sons, de soroll.
El silenci es la utopia.
Que el soroll no ens impedeixi escoltar el silenci.

please, visit :

http://www.sergiboal.com
http://www. sergiboal.bandcamp.com
http://www.acustronica.com
http://www.reverbnation.com/sergiboal

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The Cave

Yakima Symphony Chamber Orchestra | Angel Velez, conducting. Premiered on October 21, 2012. First movement of Fictive Music. https://fictivemusic.com/works/

Fictive Music (preview)

IN DULCI JUBILO (Latin for: "In sweet rejoicing") is the title track of Eva Beneke´s new Christmas album, produced by GSI.
The melody stems from the early 14th century in Germany, and was arranged by the great J.S. Bach and many composers. Here´s Eva´s festive arrangement for two guitars, played by her and maestro Scott Tennant - FREE DOWNLOAD - enjoy!

Album available on iTunes and at www.guitarsalon.com

In Dulci Jubilo (arr. Eva Beneke)

“… a serious triple threat… a veritable musical dynamo.” – San Francisco Chronicle

A bold composer, a brilliant pianist and an inventive vocalist all rolled into one, Clarice Assad floats freely across musical idioms, drawing on an array of sounds from Amazon forest wildlife to operatic arias. A classically-trained pianist, Assad is deeply rooted in the earthy, folkloric rhythms of Brazil, capturing the attention of international audiences with her stunning talent. The term “world music” is redundant when applied to her style, a reflection of Brazil’s musical melting pot heritage of African rhythms mixed with European melodies and harmonies. 