Klassik, Filmmusik

Listening Room

Arrangements

World

Third movement of "Brasileirinhas" - a three movement piece for two guitars written for the De Stefano & De Leo guitar duo. 

Conversa de Botequim

Miklós Rózsa (Hungarian pronunciation: [ˈmikloːʃ ˈroːʒɒ]) or Miklos Rozsa (18 April 1907 – 27 July 1995) was a Hungarian-born composer and conductor, best known for his numerous film scores. Along with such composers as Bernard Herrmann, Erich Wolfgang Korngold, Alfred Newman, Max Steiner and Franz Waxman, Rózsa is considered to be one of the “founding fathers of film music. 

Love Scene - Miklós Rózsa

Franz Schubert: Sehnsucht

2. Pássaros* 
(Clarice Assad/Daniel Basilio)
     Special Guest: Carlos Malta, pife
Arr. Clarice Assad

Clarice Assad, voice & prepared piano 
Rocky Michaelian, piano 
Galen Lemmon, marimba
Keita Ogawa, drumset, effects, percussion & bird whistles
Dawn Harms, violin
 
         CHOIR: 
Celia Maria Vasconcelos da Cunha
Luisa Peclat
Claudia Sarti
Renata Melo 
Walgra Maria
Fábio Jabur
Fábio Nogara
João Gabriel Mistura
Zezinho Só
Silvia Ferrante

Passaros (From Imaginarium)

Beatriz

[Orchestral / Uplifting / Epic] - "Grazing v2"

[EpicMusicVn] Peter Roe - Last Reunion (Epic Emotional Uplifting)

Lembrancas

Sara Davis Buechner performs Miklós Rózsa's early Piano Variations, written for and premièred by Clara Haskil in Paris, in 1931.

Koch 3-7435-2

Miklós Rózsa: Variations for Piano, op. 9

NEW CENTURY CHAMBER ORCHESTRA PERFORMS MY ARRANGEMENT OF "TODO SENTIMENTO" BY CRISTOVÃO BASTOS & CHICO BUARQUE AT SYMPHONY SPACE, NEW YORK CITY, 2011.  

Todo Sentimento - Cristovão Bastos & Chico Buarque - arr. Clarice Assad

02 - P. Iturralde, Suite Hellenique

LIVE with the Symphony Parnassus - Clarice Assad, piano and voice, Keita Ogawa, percussion

Scattered: Concerto For Scat Singing, Piano &amp; Orchestra

Clarice Assad & Beat Kaestli singing "Comme en plein reve" a song by Clarice Assad & Antoine Loyer (Portuguese lyrics by Daniel Basilio)

Comme en plein reve

Clarice Assad's Arrangement of NIMROD (Elgar) for the New Century Chamber Orchestra.  

NIMROD (ELGAR) From Enigma Variations

"It was thus amusing to note that Assad used her suite also to turn the tables on Bach, devising a mash-up of all the tracks from some imagined My Favorite Bach recording refracted through a series of movements, each of which takes a different approach to instrumentation. The resulting effect was probably closer in spirit to PDQ than to Johann Sebastian, but all the gags emerged through some highly imaginative writing for individual instruments that are too often dismissed as accompaniment support."

Examiner.com

Suite For Lower Strings Mov. 5

Suite For Lower Strings Mov. 3

“… a serious triple threat… a veritable musical dynamo.” – San Francisco Chronicle

A bold composer, a brilliant pianist and an inventive vocalist all rolled into one, Clarice Assad floats freely across musical idioms, drawing on an array of sounds from Amazon forest wildlife to operatic arias. A classically-trained pianist, Assad is deeply rooted in the earthy, folkloric rhythms of Brazil, capturing the attention of international audiences with her stunning talent. The term “world music” is redundant when applied to her style, a reflection of Brazil’s musical melting pot heritage of African rhythms mixed with European melodies and harmonies. 