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new shit

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Nieuw in elektronisch

The underground

Neu in: Electronic

Lemex, Manzzy & Lowrense - Chama A Polícia [GIBI003]

Burn The Sox Off

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DJ PHIL - Burn The Sox Off

WE'VE GONE GOBLIN MODE x TELL A FIEND

FOLLOW @jasoncode

FREE DOWNLOAD: https://hypeddit.com/goblinmodejasoncode

Tracklist:
DJ SMOKE - MUDERATION (@dj_smoke_sea) 
Jason Code - Thot Shit (Intergalactic MIX) (@jasoncode)
BRANDON - YEAH (@helloimbrandon)
DJ WIFI - DEMONS EDIT (@djwifiworld)
Monroe - the top (@monroemade)
Ross Lowder - bouillonCUBE (@ross_lowder)
Hünter - Coil (@hoonterdot)
Shelf Nunny - Song to play for the Alux forrest sprite if you ever see them (@shelfnunny)
Edders - Trap Door (oops)
noRecall - career ender (@norecall)
Fleksor - Popopop (@fleksor)
ca$h bandicoot - CS_OFFICE (@cashbandicoot)
Calico - NO CHITCHAT (@calicosea)
Boxy Fit - Lick That (@djnhkguy)
wristboi - back at it (@wristboi)
salleymane - befo eleven edit (@salleymane)
Matchavelli - waiting4 (@yungmatcha)
djCrewneck - Terrified (2cU) (@djcrewneck)

FREE DOWNLOAD

Jason Code - Thot Shit (Intergalactic MIX)

Scab

Scab (feat. TYSON)

The three tracks for this EP are lovingly crafted using his collection of vintage drum machines, samplers and expansive modular setup, and are presented in both stereo and Dolby Atmos. Opener 'havin it' is quick-stepping, low slung house cut lit up with glistening chords and gorgeous soul samples that shine through next to low-key but euphoric 90s trance progressions. It makes you feel warm and fuzzy inside while remaining locked to the groove. 'lush' is just that, with summery harp strums shimmering across dusty and speedy deep house drums that sweep you up and fill your heart with hope and joy. It's a richly layered sound with a curiousness that truly enchants. Lastly, 'WNE' straightens your back with upright and snappy drums, woody percussion and frayed edged chords that have a cosy nostalgic glow. Coated in a lo-fi haze, plunging bass and aching vocal fragments pull you in different directions as you hurry to keep up with the frisky groove. 


Buy Here

Matt Karmil - Lush

If All We Had Was Love

Chance (Hercules & Love Affair Remix)

Two taches intertwine. An EP born out of Demi’s visit to Melbourne during his AU tour, and Luke’s easily accessible studio based above an inviting pub, naturally the vibes were high after a couple of schooners in the summer sun.’

Life & Death welcomes a standout collaboration from Demi Riquísimo and Luke Alessi with the release of their new EP ‘Yes Bby’ landing 29 August 2025. Setting themselves the brief of, “upbeat rollers and a little bit of naughtiness,” the two producers blend their sonic identities on this club-ready two tracker, formed of ‘Basement Trash’ and title track ‘Yes Bby’.

“Basement Trash was actually the first track we wrote. A funky, fun, hypnotic groover that locks you in on the d floor, made for those late nights (or early mornings) in the “basement” of a grungy club.

For ‘Yes Bby’ we wanted something that worked on a bigger scale. We dialled up the French rave synths, bigger builds, more drive in the groove and added a cheeky classic vocal chop for the hook.”
– Demi Riquísimo & Luke Alessi

Known for his genre-blending productions and distinctive edits, Semi Delicious head honcho Demi has steadily carved out his space in the scene, a respected tastemaker and Ibiza mainstay, while Luke Alessi has continued to establish a global profile over the last 12 months with major European and US gigs, plus releases on Shall Not Fade, SMiiLE records and of course Life & Death, making this pairing a natural fit.

Already receiving support from the likes of Chloé Caillet, Call Super, Moxie and more, ‘Yes Bby’ marks an exciting moment in both artists’ trajectories. For Demi, this EP also serves as the first in a new chapter, one that places him at the centre of a more collaborative space, setting the tone for
landmark projects to follow on his own imprint later this year.

As one of dance music’s most respected tastemakers, Life & Death continues to shape the global underground through its diverse output, with ‘Yes Bby’ slotting seamlessly into the label’s catalogue of playful, sexy and forward-thinking club music.

Buy / Stream

Yes Bby

Maximum Vaultage Vol. 7

Kosmisches Loch

Dream Night

Lose Myself

Volver

Corazón

1 und halb Jahre

1 und halb Jahre (Lauer Remix)

'TAKKUUK (Original Soundtrack)', out now on Ninja Tune: https://bicep.lnk.to/takkuukSo

Follow Bicep -
Spotify: https://found.ee/bicep-sp
Apple Music: https://found.ee/bicep-am
Amazon Music: https://found.ee/bicep-aa
YouTube: https://found.ee/bicep-yt
Bandcamp: https://found.ee/bicep-bc
Soundcloud: https://found.ee/bicep-sc
Instagram: https://found.ee/bicep-ig
TikTok: https://found.ee/bicep-tt
Facebook: https://found.ee/bicep-fb
X (Twitter): https://found.ee/bicep-tw


TAKKUUK (Original Soundtrack)

Taarsitillugu

Tarrak & BICEP – Taarsitillugu

SPACE INVADER

Wear and Tear

Wear and Tear (feat. Sampha, Florence + The Machine, Danielle Ponder & Jah Wobble)

Anna Schreit is a Berlin-born DJ and producer known for sets that cut across genres with a mix of groove, grit, and edge. Growing up in a musical household – her father the frontman of East Germany’s cult art-rock band Stern Combo Meissen – music was never just background. For Anna, it was a way to make sense of things.

Raised in the middle of Berlin’s techno scene, it wasn’t until a night out in Munich that things really clicked: a chance encounter with house music lit the fuse. The rhythm, the warmth – it stuck. From there, she dove deep into sound.

Since 2012, she’s been building sets that go beyond the obvious. From sunrise slots at Sisyphos, to stripped-back live streams on HÖR or The Lot Radio, to records like her Duck EP on Compost, Anna brings a sound that’s raw, grounded, and unmistakably her.

One highlight: her ARTE Concerts set – a moment that took her sound to a wider audience without losing its edge. As a resident at Sisyphos, she’s become a steady presence in Berlin’s underground – not chasing trends, just playing with intent.

You might know Ben Evers from Adana Twins – but this one's all him. Stepping out solo, he’s dialled in a sound that hits hard and stays with you. His remix? A peak-time weapon. Tight arrangement, proper weight, and a sonic punch that could rattle the mainstage. Every detail locked in – made for the floor, no fillers.

Written by Anna Schreit 
„2 Be Free“ Produced by Anna Schreit & Clemens Kynast
„Wanna See You Dance“ Produced by Anna Schreit, Kees van ‘t Klooster, Clemens Kynast, Philipp Stoya
Vocal Recording by Jonathan Gradmann
Published by Copyright Control.
Mastered by Lopazz. 

„Wanna See You Dance (Ben Evers Remix)“ Mixed & Mastered by Matthew Styles-Harris.
Published by BMG RIGHTS MANAGEMENT - Edition TAU Rights
Distributed by Kompakt.
Artwork by studio mizuiro.
Also available on Bandcamp and all the other digital platforms.

Label: Live At Robert Johnson, 2025
Catalog No: Playrjc 128

Wanna See You Dance (Ben Evers Remix)

Anna Schreit - Wanna See You Dance (Ben Evers Remix)

Jason Code’s Nervous Growl wasn’t born in a club. It started on a cold, rainy day in Seattle, when he pulled out some hardware to shake off a creative rut.

Let’s backtrack: Jason first learned to produce at 16 after falling for the bass and energy of early dubstep, fascinated by its overlap with hip-hop. After years of honing his sound – including releases on Scuffed Recordings, Ommaya Records and Future Everything, plus his self-released 2022 EP JC01 – he moved back to Seattle and began working as a lighting tech for after-hours parties like Research, High+Tight, and Second Nature. Those nights, with their long-form, hypnotic grooves, would have a huge impact on the production of Nervous Growl. Around the same time, he started throwing his own parties, investing in a soundsystem with friends, and creating a DIY space to help bolster the local scene and strengthen the city’s underground dance community.

It’s that same spirit – inclusive, DIY, and fiercely proud of its scene – that fuels Nervous Growl: as he puts it, “a rising tide lifts all ships.” Bringing together that formative love of proggy house and techno with the deep womps, think breaks, tripped-out vocal chops and breathy ASMR moments that have become his signature (put it this way: he’s not beating the ADHD allegations any time soon), Nervous Growl feels like the record that brings together all aspects of Jason’s musical make-up into a disharmonious whole.

This EP also features his best mixing work yet – tight, bass-forward club tracks that balance silliness, darkness, and sultry energy. The low end is king here – especially the chest-rumbling “growl” at the core of the title track – but there’s a wry humour running throughout the EP with details that reveal themselves on repeat listens. Nervous Growl is a record built for big systems and packed dancefloors, with Jason’s personality stamped all over it. 

'Nervous Growl' releases in full on August 28, 2025

All tracks written and produced by Jason Code in Seattle.
Mastered by Alex Gordon at Abbey Road Studios.
Artwork by All Purpose Studio.
Cover photo by Digital Cadence.
Released by Clasico Records | Catalog #: CCO010

☆

Jason Code – Rude Lil Guy

Jason Code – HI-C

Jason Code – Nervous Growl

Jason Code’s Nervous Growl wasn’t born in a club. It started on a cold, rainy day in Seattle, when he pulled out some hardware to shake off a creative rut.  

Let’s backtrack. Jason first learned to produce at 16 after falling for the bass and energy of early dubstep, fascinated by its overlap with hip-hop. After years of honing his sound – including releases on Scuffed Recordings, Ommaya Records and Future Everything, plus his self-released 2022 EP JC01 – he moved back to Seattle and began working as a lighting tech for after-hours parties like Research, High+Tight, and Second Nature. Those nights, with their long-form, hypnotic grooves, would have a huge impact on the production of Nervous Growl. Around the same time, he started throwing his own parties, investing in a soundsystem with friends, and creating a DIY space to help bolster the local scene and strengthen the city’s underground dance community.

It’s that same spirit – inclusive, DIY, and fiercely proud of its scene – that fuels Nervous Growl: as he puts it, “a rising tide lifts all ships.” Bringing together that formative love of proggy house and techno with the deep womps, think breaks, tripped-out vocal chops and breathy ASMR moments that have become his signature (put it this way: he’s not beating the ADHD allegations any time soon), Nervous Growl feels like the record that brings together all aspects of Jason’s musical make-up into a disharmonious whole.

This EP also features his best mixing work yet – tight, bass-forward club tracks that balance silliness, darkness, and sultry energy. The low end is king here – especially the chest-rumbling “growl” at the core of the title track – but there’s a wry humour running throughout the EP with details that reveal themselves on repeat listens. Nervous Growl is a record built for big systems and packed dancefloors, with Jason’s personality stamped all over it.

Jason Code – Glitching in the Wraith

Barry Can't Swim - All My Friends (ATRIP Remix)

All My Friends (ATRIP Remix)

DJ Patrick JC – Do Volante feat. Puto Lilas

https://www.papermag.com/bored-lord-gucbd4-premiere-2645514981.html

With the bloom of spring on the horizon, Oakland-based multidisciplinary artist Bored Lord (real name Daria Lourd) teams up with Brooklyn’s Loveless Records to present her debut vinyl release Cybernetic Romance, available starting March 23.

Written during the spring of 2019 with the intention of “stirring queer romance on the dancefloor” the club-ready record features three seductive anthems from the prolific producer and remixer alongside a chilled out remix from Discwoman’s student.

Known for sound tracking countless late night raves worldwide, the Memphis-born artist cut her teeth in her hometown with the Rare Nnudes collective before joining the DIY rave scene in Oakland, California as part of the Trash Cvlt collective, releasing nearly a dozen projects between 2013 and 2017. With a short stint in Los Angeles before going back to Oakland in 2020, Daria joined forces with the Knightwerk imprint and released 2018’s Who Is She? EP followed by her critically acclaimed 2019 album Transexual Rave Hymns. Described as a “meditative, spiritual approach to dance music” the album framed the monolith of Club music in a striking duality in which introspection is no longer antithetical to propulsive rhythms meant to move bodies, but entirely necessary.

Cybernetic Romance carries that mission forward, taking with confidence the tried and true concepts of Club music and giving it the kind of work out that only someone truly fluent in the language could. All three originals wrap familiar vocal samples and hypnotic broken rhythms in warm pads and subtle atmospheric licks, giving it both utility and depth. Rounded out in true rave fashion, Queen’s based educator and multi-instrumentalist stud1nt delivers a 93 BPM house remix that gentle wanders along, perfectly suited for the side room and post-rave comedowns.

“Cybernetic Romance” by Bored Lord is available starting 20 March 2020 from Loveless Records on limited edition 12” vinyl (via Lobster Distribution) and from all digital outlets.

Cybernetic Romance (out Mar 20 on Loveless)

Stream | Buy

Bored Lord - Girl U Could Be Down 4 (Paper Mag Premiere)

A home for club music shaped by scenes and friends, not trends.

A label by ELEANOR.

'Best Boutique Label' nominee - AIM Independent Music Awards 2025
'Best Breakthrough Label' nominee - DJ Mag 'Best of British' Awards 2024

clasicorecs@gmail.com

☆☆☆

Jason Code – Nervous Growl

CLASICO