Billenkoek Vol. 1 is our saucy opening chapter, steaming with 14 club-ready tracks that indisputably solidify our distinctive lush, vibrant, and playful sound.

“Billenkoek” is a Dutch term that can be loosely translated as “bumcake,” but a more accurate translation would be “spanking.” In this case, it refers not so much to the punishment, but rather to a playful interpretation of it — the album functioning as a sonic spanking.

About the track:
So my goal for this track was to develop a heavy electro chord track that focused on a distinctive lead. Something drawn out, punchy and that carried the energy throughout the track.

When you listen to this track, it's actually pretty simple. I drew up the more melodic synth half first and then added the vox sample.  The lead synth lead actually took the longest to figure out, but once that came I just laid it in front of the 2nd track, and that's when I knew it was this balance of push and pull.

Punky electro, with a but of this ghetto vox riff, followed by some melodic cool down. Pretty happy how this came out even though there are elements that can be cleaned up. I'm learning the way to progress with productions, is to not get fixated on the "perfect track" . This track was laying around for 6 months after I made it, and I wasn't even going to release it. Happy I connected with Booty School and you guys took a chance on "Lay it Down" Hope you enjoy! 

Socials:
@djsasomusic
https://www.instagram.com/sasomusic/

SASO - Lay It Down

Baltimore-born, Brooklyn-based, BIG J herself -- JIALING (@pbnstrawberryjam) joins forces with Sorry Records for a floorshaking 4-track exploration of everything from big room latin hard house to queer vocal slammers, and plenty of breaks and bass in between.

I met Jialing on New Years Eve Eve 2021 at Bossa here in Brooklyn. It was like 2am on a Thursday night, mid-way through "Breaks in America" - our first ever dedicated breaks night with our friend SWAP MEET! and Kindergarten Records/Sorry favorite Drummy b2b myself. I've got a distinct memory of Jialing introducing herself and saying "I came because you said breaks! I love breaks!" I remember being struck by her unpretentious enthusiasm (especially considering she was still based in Baltimore back then and was routinely making the trek to NYC for local club nights like ours).

Since that night, JIALING's been a wonderfully ever present figure on the NYC dancefloor and in our lives. Named one of “The Top 25 Producers Who Defined the Year 2024” by Mixmag, she's done incredible work via self-releases in addition to stellar recent releases on Local Action's Clasico Records (FREAKY HORNS, WHISTLE TIP with Farsight, and this WTCHCRFT + Sister Zo featuring remix record), Gallegos' Room Service imprint, and the new gen Baltimore club label WOE she runs alongside Kade Young. She’s remixed folks like Seimei (on Sorry!), Honey B, and nextdimensional — as well as played clubs like Nowadays, Marble Bar, Public Records, Good Room, Paragon, Dalston Superstore, Venue M.O.T., Mansions, and beyond.

J literally lives two blocks down the street from me and I'm so happy to finally do a proper Sorry Records release with her here. WUPS! is the sound of JIALING at her most immediate, playing with some major source material from the last forty odd years of dance music history; touching on sounds from the Paradise Garage to the Loft (“Don’t Go Lose It Baby”) Frankie Knuckles at The Warehouse (“Let No Man Put Asunder”), and Junior Vasquez’s Arena at the Palladium (“Cunty”).

Another certified Sorry Records Big Room Trojan Horse release, WUPS! finds JIALING at the height of her power and has already been tearing up dancefloors like The Carry Nation & WRECKED’s massive Get Wrecked & Carry Pride party this June.

WUPS! also features original artwork by our friend SWAP MEET! and masters by Danny Goliger (3024, Magic City, Scuffed Recordings). 

WUPS! by JIALING (@pbnstrawberryjam)
Mastered by Danny Goliger (@dannygoliger)
Artwork by SWAP MEET! (@swapmeetdj)
Sorry Records 2025 - SR63

Download/Stream

JIALING - ME THINKS

Jason Code’s Nervous Growl wasn’t born in a club. It started on a cold, rainy day in Seattle, when he pulled out some hardware to shake off a creative rut.

Let’s backtrack: Jason first learned to produce at 16 after falling for the bass and energy of early dubstep, fascinated by its overlap with hip-hop. After years of honing his sound – including releases on Scuffed Recordings, Ommaya Records and Future Everything, plus his self-released 2022 EP JC01 – he moved back to Seattle and began working as a lighting tech for after-hours parties like Research, High+Tight, and Second Nature. Those nights, with their long-form, hypnotic grooves, would have a huge impact on the production of Nervous Growl. Around the same time, he started throwing his own parties, investing in a soundsystem with friends, and creating a DIY space to help bolster the local scene and strengthen the city’s underground dance community.

It’s that same spirit – inclusive, DIY, and fiercely proud of its scene – that fuels Nervous Growl: as he puts it, “a rising tide lifts all ships.” Bringing together that formative love of proggy house and techno with the deep womps, think breaks, tripped-out vocal chops and breathy ASMR moments that have become his signature (put it this way: he’s not beating the ADHD allegations any time soon), Nervous Growl feels like the record that brings together all aspects of Jason’s musical make-up into a disharmonious whole.

This EP also features his best mixing work yet – tight, bass-forward club tracks that balance silliness, darkness, and sultry energy. The low end is king here – especially the chest-rumbling “growl” at the core of the title track – but there’s a wry humour running throughout the EP with details that reveal themselves on repeat listens. Nervous Growl is a record built for big systems and packed dancefloors, with Jason’s personality stamped all over it. 

'Nervous Growl' releases in full on August 28, 2025

All tracks written and produced by Jason Code in Seattle.
Mastered by Alex Gordon at Abbey Road Studios.
Artwork by All Purpose Studio.
Cover photo by Digital Cadence.
Released by Clasico Records | Catalog #: CCO010

☆

Jason Code – Rude Lil Guy

Jason Code – HI-C

Jason Code’s Nervous Growl wasn’t born in a club. It started on a cold, rainy day in Seattle, when he pulled out some hardware to shake off a creative rut.  

Let’s backtrack. Jason first learned to produce at 16 after falling for the bass and energy of early dubstep, fascinated by its overlap with hip-hop. After years of honing his sound – including releases on Scuffed Recordings, Ommaya Records and Future Everything, plus his self-released 2022 EP JC01 – he moved back to Seattle and began working as a lighting tech for after-hours parties like Research, High+Tight, and Second Nature. Those nights, with their long-form, hypnotic grooves, would have a huge impact on the production of Nervous Growl. Around the same time, he started throwing his own parties, investing in a soundsystem with friends, and creating a DIY space to help bolster the local scene and strengthen the city’s underground dance community.

It’s that same spirit – inclusive, DIY, and fiercely proud of its scene – that fuels Nervous Growl: as he puts it, “a rising tide lifts all ships.” Bringing together that formative love of proggy house and techno with the deep womps, think breaks, tripped-out vocal chops and breathy ASMR moments that have become his signature (put it this way: he’s not beating the ADHD allegations any time soon), Nervous Growl feels like the record that brings together all aspects of Jason’s musical make-up into a disharmonious whole.

This EP also features his best mixing work yet – tight, bass-forward club tracks that balance silliness, darkness, and sultry energy. The low end is king here – especially the chest-rumbling “growl” at the core of the title track – but there’s a wry humour running throughout the EP with details that reveal themselves on repeat listens. Nervous Growl is a record built for big systems and packed dancefloors, with Jason’s personality stamped all over it.

Jason Code – Glitching in the Wraith

WAVEFORMS : a series of collaborative transmissions where producers trade sounds, ideas, and instincts, reshaping them into new forms of club energy.

For this fourth edition, Cardozo invites Flower B, a rising artist from Lyon, for a dialogue rooted in bass textures. Using granular synthesis as a common tool, they exchanged and re-sculpted the same low-end material, sending it back and forth until it bloomed into two distinct cuts.

Flower B delivers a high-velocity piece, weaving speed dembow with sharp, bass-heavy detailing.
Cardozo responds with Photosynthesis, a track that drifts from half-time dancehall into fluid, understated drum & bass, designed with a subtle rhythmic flow.

Two tracks, one shared language of sound design, transformed through exchange.

Download

Flower B - Winnie Denzey

Fruit d’une longue gestation, E-G-G éclôt aujourd’hui comme la synthèse d’un travail de recherche sonore et introspectif signé par le producteur français Rare0000 (rare-quatre-zéros).
À travers quatre titres résolument club, l’EP déploie un univers alien où chaque son devient matière vivante. Les textures se dilatent, les fréquences se fragmentent et les rythmes se contorsionnent tandis que les nappes électrostatiques qui traversent l’ensemble du projet esquissent la cartographie mouvante d’un monde intérieur et extérieur en perpétuelle révolution.
Deux remixes viennent prolonger l’expérience : la productrice de Seattle enereph propose une relecture percussive et cybernétique de ‘Rebound’ tandis que le français RAVL intensifie ‘Clutch’ avec une version technoïde abrasive.

Track : Clutch
Artist : Rare0000
EP : E-G-G
Label : 10.60 Hz
Format : Digital
Release Date : September 26th, 2025 
Mastering : Rare0000
Artwork : Dodleyz

Pre-order : https://10-60-hz.bandcamp.com/album/e-g-g-ep

PREMIERE | Rare0000 - Clutch [10.60 Hz]

Platinum 7

How it Was

snabbkaffe.mp3

/ leere.druck /

A home for club music shaped by scenes and friends, not trends.

A label by ELEANOR.

'Best Boutique Label' nominee - AIM Independent Music Awards 2025
'Best Breakthrough Label' nominee - DJ Mag 'Best of British' Awards 2024

clasicorecs@gmail.com

☆☆☆

Jason Code – Rude Lil Guy

CLASICO