Ducks Of The Week

Me house

Heavy Eyes (CCO011) out 10/2

New Music Daily

Shaker

East london Emcee drops his latest mixtape entitled '2013', featuring the Hucci-produced track Faded, plus appearances from Ed Sheeran on Lights Camera Action and Shift K3y on the cut Get It On.



Griminal ft. Ed Sheeran - Lights Camera Action

Troy Anderson - Waverider

A1 - Pulse Within
A2-  Bonus Track - DFD - Dimode_Ice
B1 - FM Machine
B2 - Doughnut Troll

Troy Anderson - Waverider - WGB 002

5 wigged-out experimental breaks riddims by Etch. Limited to 300. 

www.untitled-dist.com

BRB001 - ETCH

Mick Jeets - Morning Coffee

Serenity Now returns with the next dose of bangers from DOC ’N’ P1LL (aka @docjay_unlimited & @p1ll) in the form of RX PRESCRIPTIONS Volume 2.

Following last year’s widely appreciated debut, the Stockholm-based duo is back with four brand new club-oriented tracks, once again rooted in their self-made genre Synth-Tech – a fusion of synth-driven techhouse, melodic tech and deep house, built around a sound that’s cerebral and deep. With their unique sound, DOC ’N’ P1LL mix snappy drums and percussive elements with hard-hitting melodies, creating tracks that hit with precision and energy.

Volume 2 explores a wider range of moods while keeping things direct and floor-focused. From the bouncy opener to the more hypnotic and stripped-down moments, each track reflects the duo’s long-standing experience both behind the decks and in the studio.

If Volume 1 laid the foundation for Synth-Tech, this second installment takes it further – deeper, weirder, and even more confident. Four new flavours. Same prescription. No filler – just four cuts made for peak-time impact.

DOC 'N' P1LL – RX Prescriptions Volume 2 (S.NOW006)

Following their contribution to Superclasico Vol 2., Sobolik officially joins the Clasico family in a major way!

Five new tracks from one of the US underground’s most exciting voices, Heavy Eyes finds Sobolik refining their sound while reconnecting with their roots. Written over eight months between June 2024 and February 2025, the record came out of a moment of recalibration. After a run of dense, chaotic releases, Sobolik stripped things back and turned their focus to groove and percussion, gravitating towards techno, tribal house and dubstep for inspiration – but never long enough for any one genre to define them.

The result is a set of tracks that balance dissonance and playfulness, with a renewed emotional core. “I wanted to hone things down,” they explain. “None of them are straightforward bangers, but they’re all playful, charged, and connected to the deep reverence for pop music that’s always driven me.”

Musically, the EP takes influence from Trekkie Trax, 85 Acid and Yaleesa Hall, late-‘00s dubstep pioneers like Appleblim and Peverelist, and the DJ worldbuilding of CCL, Gigsta, Objekt, and Kiernan Laveaux. But at its heart, it’s rooted in Sobolik’s most formative experiences in the North American underground, channeling the unbridled spirit of DIY raves like Montreal’s Layer05 and STM, Philadelphia’s Chrysalis and Concréte, New York’s Groovy Groovy and TOSSD, and of course Sobolik’s own Antidote nights. “This music is for those floors,” they say. “The places that captured my heart.”

As their seventh EP, Heavy Eyes feels like a sure step forward. “It comes from me DJing more, deepening my knowledge of how dance music works on the body and on a crowd,” Sobolik reflects. “I feel more confident now, put less pressure on myself – and I think the tracks are cleaner, more distilled.” That maturity doesn’t come at the expense of personality, though: this is still music full of texture, humour, and an air of “why the fuck not?”

The EP closes with a remix from Swedish innovator Peder Mannerfelt – ‘business (techno) in the front, party in the back’ personified and one of Sobolik’s earliest inspirations. “He’s been flying the flag for freaky, fun, bassy techno for years,” Sobolik says. “His tracks set my gold standard for dancefloor music – I did not expect he’d be so immediately down to remix my material, and I’m really humbled by his support.”


With Heavy Eyes, Sobolik delivers their sharpest and most focused work yet: club tracks that are fierce and frenetic, but also deeply earnest.

The title track is out September 4, before Heavy Eyes drops in full on October 2.

Heavy Eyes

Pre-order

Sobolik – Heavy Eyes

Following their contribution to Superclasico Vol 2., @tomsobolikmusic officially joins the Clasico family in a major way!

Five new tracks from one of the US underground’s most exciting voices, Heavy Eyes finds Sobolik refining their sound while reconnecting with their roots. Written over eight months between June 2024 and February 2025, the record came out of a moment of recalibration. After a run of dense, chaotic releases, Sobolik stripped things back and turned their focus to groove and percussion, gravitating towards techno, tribal house and dubstep for inspiration – but never long enough for any one genre to define them.

The result is a set of tracks that balance dissonance and playfulness, with a renewed emotional core. “I wanted to hone things down,” they explain. “None of them are straightforward bangers, but they’re all playful, charged, and connected to the deep reverence for pop music that’s always driven me.”

Musically, the EP takes influence from Trekkie Trax, 85 Acid and Yaleesa Hall, late-‘00s dubstep pioneers like Appleblim and Peverelist, and the DJ worldbuilding of CCL, Gigsta, Objekt, and Kiernan Laveaux. But at its heart, it’s rooted in Sobolik’s most formative experiences in the North American underground, channeling the unbridled spirit of DIY raves like Montreal’s Layer05 and STM, Philadelphia’s Chrysalis and Concréte, New York’s Groovy Groovy and TOSSD, and of course Sobolik’s own Antidote nights. “This music is for those floors,” they say. “The places that captured my heart.”

As their seventh EP, Heavy Eyes feels like a sure step forward. “It comes from me DJing more, deepening my knowledge of how dance music works on the body and on a crowd,” Sobolik reflects. “I feel more confident now, put less pressure on myself – and I think the tracks are cleaner, more distilled.” That maturity doesn’t come at the expense of personality, though: this is still music full of texture, humour, and an air of “why the fuck not?”

The EP closes with a remix from Swedish innovator Peder Mannerfelt – ‘business (techno) in the front, party in the back’ personified and one of Sobolik’s earliest inspirations. “He’s been flying the flag for freaky, fun, bassy techno for years,” Sobolik says. “His tracks set my gold standard for dancefloor music – I did not expect he’d be so immediately down to remix my material, and I’m really humbled by his support.”

With Heavy Eyes, Sobolik delivers their sharpest and most focused work yet: club tracks that are fierce and frenetic, but also deeply earnest.

Perc Loop Princess is the second single on the EP, before Heavy Eyes drops in full on October 2.

All tracks written and produced by Sobilik in Queens.
Mastered by Alex Gordon.
Remix mastered by Wordcolour.
Artwork by All Purpose Studio.
Cover photo by Thomas Sobolik Sr.
Released by Clasico Records | Catalog #: CCO011

☆

Sobolik – Perc Loop Princess

Quack Squawk Honk is so excited to present you the Choo Choo Train EP at last. Leroy Lemans is a Quack Squawk Honk OG with multiple successful releases on the label, this EP has been long awaited. 
Choo Choo Train has been a repeatedly teased demo with an audience awaiting its release into the world. With catchy vocals by Kidd Luna and an unforgettable bass line hook, this is a guaranteed crowd pleaser. 
This EP is a reflection of Leroy Leman's quirky and unique production as well as his heavy Dirtybird influenced sound. A lover of weird ear candy and memorable basslines that catch everyone's attention, Leroy Lemans is a diamond in the rough of the tech house scene. 
The Choo Choo Train EP is made with all original vocals! From Kidd Luna to Selyna Alvarez to Leroy Lemans himself, this EP will forever be unique and admired by many. 
Some incredible collaborators on this EP, Kidd Luna, Wolfstax and Selyna Alvarez, be sure to check out all of their music as this EP wouldn't be the same without their contributions.

Choo Choo Train

Hot (feat. Selyna Alvarez)

Gandasi

Lewis Capaldi - Something in the heavens (Ian Buddie Remix)

Pulsar

Free Download ->
https://hypeddit.com/doptera/voodoovswalkingonadreamdopteraremake

A little Remake of Martin Garrixs Mashup on Voodoo.  Something Original is coming soon aswell! Enjoy!

Martin Garrix, R3HAB & Skytech - Voodoo vs Walking On A Dream (DOPTERA REMAKE)

Six tracks of pure musical chaos... we welcome Tristan ChantZ to the label alongside his whole crew for dirty, genre-bending bangers thatll have you laughing and throwing stank faces simultaneously. The Vibe Tribe EP presents grimy bass drops to clever experiments that shouldnt work but absolutely do, each track proving what happens when talented friendz get together and push every boundary they can find.

Tristan ChantZ QWERKS!
1. When did you start making music?
I started DJing for fun in my room and tinkering with production in 2015, stopped for a long time then the fire was reignite. I started taking this artist path seriously in March 2022 by producing in Logic for a year, and then upgrading to Ableton.

2. What makes YOU qwerky?
I was dropped as a child. Lol and I have no specific genre, especially during my sets. Although i make mostly dirty house and DnB, i just go for high energy banging music, and often use switchups and fakeouts. My favorite thing to do is make people laugh and dance at the same time. 

3. If you were a cartoon character, who would you be?
Patrick from SpongeBob cause i like to WUMMMBOOOO.

4. What’s your favorite sound?
Me like Wubs and those big fat saw wave rare growl thingZ

5. You’re making dinner at your house… what’s on the menu?
Tequila and electrolytes

6. Who are 3 people you’d invite?
Chris Lake, Jesus and Lil Wayne 

-------------------------
Lex Looper QWERKS!
1. When did you start making music?
I started making music in middle school in GarageBand and then eventually Reason 4, Logic, then eventually Ableton.  I've worked on everything from lofi beats to alt rock to now dance music!

2. What makes YOU qwerky?
I am randomly obsessed with aviation and airplanes

3. If you were a cartoon character, who would you be?
Probably some amalgamation of the Belcher Kids from Bob's Burgers

4. What’s your favorite sound?
a nice and dirty metallic snare sound

5. You’re making dinner at your house… what’s on the menu?
Pan-seared salmon, mushroom risotto, and a good kale salad

6. Who are 3 people you’d invite?
My partner Abby, her bestie, and my bestie

Tristan ChantZ, Lex Looper - A Lil Party [QRK034]

This 12” picks up where Furesshu’s digital releases at a dubstep tempo on Echodub left off but also pushes into the deep, Berlin inspired techno sound that he is presently concentrating on (hopefully Project Squared will be releasing some of these unreleased techno productions in the near future).
1993 sounds fast for its mid 130s tempo, the bass drives the track’s pace and the delay affected stabs provide just enough melody. Horizons feels slower, you could perhaps describe it as a half step track although it twists up the formula for that sub genre. The bass evolves and changes throughout the track, rising and falling, coupled with drones and drums punctuating the track rather than providing a constant element. Untitled marks a change in Furesshu’s sound. 4/4 deep techno; 11 minutes of gradual, constant evolution in the melodic parts of the track but the driving, perfectly toned kick drum and hi hats holding the groove in place.

PSQ002 - Furesshu - Untitled / 1993 / Horizons - www.projectsquared.net

A home for club music shaped by scenes and friends, not trends.

A label by ELEANOR.

'Best Boutique Label' nominee - AIM Independent Music Awards 2025
'Best Breakthrough Label' nominee - DJ Mag 'Best of British' Awards 2024

clasicorecs@gmail.com

☆☆☆

Sobolik – Perc Loop Princess

CLASICO