Me house

0uttumm

Heavy Eyes (CCO011) out 10/2

New Music Daily

DJAY 4

'Del Oro', out now on Ninja Tune: floatingpoints.lnk.to/del-oroSo

Follow Floating Points -
Website: https://floatingpoints.co.uk
Spotify: https://found.ee/floatingpoints-sp
Apple Music: https://found.ee/floatingpoints-am
YouTube: https://found.ee/floatingpoints-yt
Bandcamp: https://found.ee/floatingpoints-bc
Soundcloud: https://found.ee/floatingpoints-sc
Instagram: https://found.ee/floatingpoints-ig
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Songkick: https://found.ee/floatingpoints-sk

Vocoder

Ólafur Arnalds and Janus Rasmussen finally release their unique Nordic electronic sounds in album size.

Get the limited edition 12" exclusively on Record Store Day 2015.
Order the album on 2xLP/CD/DL: http://www.erasedtapes.com/store/index/ERATP062
Or order the album DL via iTunes: http://snip.ftpromo.net/kiasmos

After dropping several tracks and performing at select festivals throughout the years, Ólafur Arnalds and Janus Rasmussen dedicated the year 2014 to explore the area in-between Ólafur’s more acoustic, piano-based solo work and Janus’s synth-heavy electro pop, with their collaborative electronic project Kiasmos.

By focusing solely on their self-titled debut album, Ólafur and Janus have been able to combine and further develop their unique sound aesthetics to complete an album driven by their mutual love for electronic music. Made in Ólafur’s newly build studio in Reykjavík, Iceland, a majority of the album was recorded using acoustic instruments next to a variety of synthesisers, drum machines and tape delays. It features a live drummer, string quartet and Ólafur performing on the grand piano, producing an ambient, textured sound, which makes it a perfect home listen and equally danceable record. If you listen closely, you can spot them record the thumb piano, finger snapping and even the sound of the metal grinder of a lighter slowly to replace the usual electronic hi-hat sounds, giving the album a far more intimate and unique atmosphere.

“We decided to start almost completely over with this record, so most of the material is written this year with the idea of making a record that can stand as one piece rather than a collection of songs. I am very excited to get a proper record out exploring a different territory than I am used to. I touch a lot on electronic genres in my own music but never have the opportunity to go full out electronic like we do here.” – Ólafur Arnalds

“The Kiasmos project has been around since 2007, but because of all our other projects we never really got the time to sit down and write all the tracks we always wanted to. So when we early this year finally found the time to sit down and make a full length album there was so much we wanted to try out. The result surprised us a bit, it's deeper and more emotional than we imagined it to be, but that's the beauty of being able to make an album.” – Janus Rasmussen

Kiasmos – s/t will be released on Double-Vinyl, CD and Download via Erased Tapes on October 27th, 2014.

TRACK LISTING: 

1. Lit  2. Held  3. Looped  4. Swayed  5. Thrown  6. Dragged  7. Bent  8. Burnt 

LIVE DATES:	

17.08. HAMBURG (DE) - Dockville Festival			
26.09. BRUSSELS (BE) – Bozar Electronic Arts Festival
27.09. DEN HAAG (NL) – Todays Art Festival

OFFICIAL WEBSITES:  	facebook.com/kiasmos · erasedtapes.com

Kiasmos

Looped

Buy 12"/DL

Kiasmos – Looped

Shaker

East london Emcee drops his latest mixtape entitled '2013', featuring the Hucci-produced track Faded, plus appearances from Ed Sheeran on Lights Camera Action and Shift K3y on the cut Get It On.



Griminal ft. Ed Sheeran - Lights Camera Action

Troy Anderson - Waverider

A1 - Pulse Within
A2-  Bonus Track - DFD - Dimode_Ice
B1 - FM Machine
B2 - Doughnut Troll

Troy Anderson - Waverider - WGB 002

5 wigged-out experimental breaks riddims by Etch. Limited to 300. 

www.untitled-dist.com

BRB001 - ETCH

FREE DOWNLOAD

Gqom do Pam Pam w/ State OFFF

Serenity Now returns with the next dose of bangers from DOC ’N’ P1LL (aka @docjay_unlimited & @p1ll) in the form of RX PRESCRIPTIONS Volume 2.

Following last year’s widely appreciated debut, the Stockholm-based duo is back with four brand new club-oriented tracks, once again rooted in their self-made genre Synth-Tech – a fusion of synth-driven techhouse, melodic tech and deep house, built around a sound that’s cerebral and deep. With their unique sound, DOC ’N’ P1LL mix snappy drums and percussive elements with hard-hitting melodies, creating tracks that hit with precision and energy.

Volume 2 explores a wider range of moods while keeping things direct and floor-focused. From the bouncy opener to the more hypnotic and stripped-down moments, each track reflects the duo’s long-standing experience both behind the decks and in the studio.

If Volume 1 laid the foundation for Synth-Tech, this second installment takes it further – deeper, weirder, and even more confident. Four new flavours. Same prescription. No filler – just four cuts made for peak-time impact.

DOC 'N' P1LL – RX Prescriptions Volume 2 (S.NOW006)

Following their contribution to Superclasico Vol 2., Sobolik officially joins the Clasico family in a major way!

Five new tracks from one of the US underground’s most exciting voices, Heavy Eyes finds Sobolik refining their sound while reconnecting with their roots. Written over eight months between June 2024 and February 2025, the record came out of a moment of recalibration. After a run of dense, chaotic releases, Sobolik stripped things back and turned their focus to groove and percussion, gravitating towards techno, tribal house and dubstep for inspiration – but never long enough for any one genre to define them.

The result is a set of tracks that balance dissonance and playfulness, with a renewed emotional core. “I wanted to hone things down,” they explain. “None of them are straightforward bangers, but they’re all playful, charged, and connected to the deep reverence for pop music that’s always driven me.”

Musically, the EP takes influence from Trekkie Trax, 85 Acid and Yaleesa Hall, late-‘00s dubstep pioneers like Appleblim and Peverelist, and the DJ worldbuilding of CCL, Gigsta, Objekt, and Kiernan Laveaux. But at its heart, it’s rooted in Sobolik’s most formative experiences in the North American underground, channeling the unbridled spirit of DIY raves like Montreal’s Layer05 and STM, Philadelphia’s Chrysalis and Concréte, New York’s Groovy Groovy and TOSSD, and of course Sobolik’s own Antidote nights. “This music is for those floors,” they say. “The places that captured my heart.”

As their seventh EP, Heavy Eyes feels like a sure step forward. “It comes from me DJing more, deepening my knowledge of how dance music works on the body and on a crowd,” Sobolik reflects. “I feel more confident now, put less pressure on myself – and I think the tracks are cleaner, more distilled.” That maturity doesn’t come at the expense of personality, though: this is still music full of texture, humour, and an air of “why the fuck not?”

The EP closes with a remix from Swedish innovator Peder Mannerfelt – ‘business (techno) in the front, party in the back’ personified and one of Sobolik’s earliest inspirations. “He’s been flying the flag for freaky, fun, bassy techno for years,” Sobolik says. “His tracks set my gold standard for dancefloor music – I did not expect he’d be so immediately down to remix my material, and I’m really humbled by his support.”


With Heavy Eyes, Sobolik delivers their sharpest and most focused work yet: club tracks that are fierce and frenetic, but also deeply earnest.

The title track is out September 4, before Heavy Eyes drops in full on October 2.

Heavy Eyes

Sobolik – Heavy Eyes

Following their contribution to Superclasico Vol 2., @tomsobolikmusic officially joins the Clasico family in a major way!

Five new tracks from one of the US underground’s most exciting voices, Heavy Eyes finds Sobolik refining their sound while reconnecting with their roots. Written over eight months between June 2024 and February 2025, the record came out of a moment of recalibration. After a run of dense, chaotic releases, Sobolik stripped things back and turned their focus to groove and percussion, gravitating towards techno, tribal house and dubstep for inspiration – but never long enough for any one genre to define them.

The result is a set of tracks that balance dissonance and playfulness, with a renewed emotional core. “I wanted to hone things down,” they explain. “None of them are straightforward bangers, but they’re all playful, charged, and connected to the deep reverence for pop music that’s always driven me.”

Musically, the EP takes influence from Trekkie Trax, 85 Acid and Yaleesa Hall, late-‘00s dubstep pioneers like Appleblim and Peverelist, and the DJ worldbuilding of CCL, Gigsta, Objekt, and Kiernan Laveaux. But at its heart, it’s rooted in Sobolik’s most formative experiences in the North American underground, channeling the unbridled spirit of DIY raves like Montreal’s Layer05 and STM, Philadelphia’s Chrysalis and Concréte, New York’s Groovy Groovy and TOSSD, and of course Sobolik’s own Antidote nights. “This music is for those floors,” they say. “The places that captured my heart.”

As their seventh EP, Heavy Eyes feels like a sure step forward. “It comes from me DJing more, deepening my knowledge of how dance music works on the body and on a crowd,” Sobolik reflects. “I feel more confident now, put less pressure on myself – and I think the tracks are cleaner, more distilled.” That maturity doesn’t come at the expense of personality, though: this is still music full of texture, humour, and an air of “why the fuck not?”

The EP closes with a remix from Swedish innovator Peder Mannerfelt – ‘business (techno) in the front, party in the back’ personified and one of Sobolik’s earliest inspirations. “He’s been flying the flag for freaky, fun, bassy techno for years,” Sobolik says. “His tracks set my gold standard for dancefloor music – I did not expect he’d be so immediately down to remix my material, and I’m really humbled by his support.”

With Heavy Eyes, Sobolik delivers their sharpest and most focused work yet: club tracks that are fierce and frenetic, but also deeply earnest.

Perc Loop Princess is the second single on the EP, before Heavy Eyes drops in full on October 2.

All tracks written and produced by Sobilik in Queens.
Mastered by Alex Gordon.
Remix mastered by Wordcolour.
Artwork by All Purpose Studio.
Cover photo by Thomas Sobolik Sr.
Released by Clasico Records | Catalog #: CCO011

☆

Sobolik – Perc Loop Princess

Gandasi

Mabrada x John Saucer - Rajada De Bolha

Lewis Capaldi - Something in the heavens (Ian Buddie Remix)

Pre-order: https://raiders.bandcamp.com/album/continental-drift

@raiders_records present a collection of tracks from across the 160 spectrum, specially curated by @cococobra, connecting the dots between ghettotech, footwork, Jersey club, jungle, and more.

The instruction was simple: Bring the heat, whatever way you see fit. New York-by-LA's @annamorgan_dj delivers to the brief, supplying quickfire club energy on 'Entrem 160'.

More exclusive music

Premiere: Anna Morgan 'Entrem 160'

Berlin's Raiders Records presents  "Continental Drift" a 17-track collection across the 160 spectrum connecting the dots between ghettotech, footwork, Jersey club, jungle, and more. Producer Coco Cobra specially curated this  international roster of heavy hitters like Anna Morgan, Zoë McPherson, Shirley Temper, and Insomniast, and includes compelling new comers HEDDA, CAYOOTEE, and Yungfya. The captivating and inventive collection ranges from emotional footwork to outright jungle bangers, bluring genre lines while representing scenes from Seoul to Berlin, Tokyo to New York, Hong Kong and beyond.
Today we have your first listen of French rising star Pura Pura's soulful footwork jungle contribution 'BC3.'  Available on Bandcamp September 12, 2025! Follow the "BUY HERE!" link to pre-order!

Buy Here!

[PREMIERE] Pura Pura - BC3 (Raiders Records)

the whole idea behind this track is that it is something 10 yo me would download off youtube converter, get hyped for a new tune and listen to it whole day while playing ps vita

funny enough, i was trying to make music back then at age of 10-11 years old, but EDM was way too advanced for me at the time, so it's cool to be able to do what i loved back then, but this time just by myself from start to finish. 

this is really a full circle moment, as many that already have happened in my life, but this one is especially cool

i hope some of y'all, that have been there doing similar shit as me, just living life as a kid with unrestricted access to internet, and whole music that was popular at the time, find it a cool touch and for a moment might feel like the last 10 years never really happened

just touch the bass, this time for real

Touch The Bass

Free Download ->
https://hypeddit.com/doptera/voodoovswalkingonadreamdopteraremake

A little Remake of Martin Garrixs Mashup on Voodoo.  Something Original is coming soon aswell! Enjoy!

Martin Garrix, R3HAB & Skytech - Voodoo vs Walking On A Dream (DOPTERA REMAKE)

Ratio (Radio Edit)

Remix of Haiku Salut's "The More And Moreness" by Thomas Ragsdale. "The More And Moreness" appears on Haiku Salut's third album, "There Is No Elsewhere", out now on PRAH Recordings. 

Haiku Salut tour the UK in September and October, with support from Thomas Ragsdale at two dates.

Thurs 20th Sep - Belgrave Music Hall, Leeds, with Thomas Ragsdale
Fri 21st Sep - The Blue Arrow, Glasgow
Sat 22nd Sep - More Music, Morecambe
Thurs 27th Sep - Deaf Institute, Manchester, with Thomas Ragsdale
Fri 28th Sep - Wirksworth Town Hall
Sat 29th Sep - Nottingham Contemporary 
Tues 2nd Oct - The Cube, Bristol
Wed 3rd Oct - Hard of Hearing Centre, Oxford   
Thurs 4th Oct - Norwich Arts Centre
Fri 5th Oct – St John On Bethnal Green, London
Sat 6th Oct – The Haunt, Brighton

More info: http://www.haikusalut.com/

The More And Moreness (Thomas Ragsdale Remix)

This 12” picks up where Furesshu’s digital releases at a dubstep tempo on Echodub left off but also pushes into the deep, Berlin inspired techno sound that he is presently concentrating on (hopefully Project Squared will be releasing some of these unreleased techno productions in the near future).
1993 sounds fast for its mid 130s tempo, the bass drives the track’s pace and the delay affected stabs provide just enough melody. Horizons feels slower, you could perhaps describe it as a half step track although it twists up the formula for that sub genre. The bass evolves and changes throughout the track, rising and falling, coupled with drones and drums punctuating the track rather than providing a constant element. Untitled marks a change in Furesshu’s sound. 4/4 deep techno; 11 minutes of gradual, constant evolution in the melodic parts of the track but the driving, perfectly toned kick drum and hi hats holding the groove in place.

PSQ002 - Furesshu - Untitled / 1993 / Horizons - www.projectsquared.net

A home for club music shaped by scenes and friends, not trends.

A label by ELEANOR.

'Best Boutique Label' nominee - AIM Independent Music Awards 2025
'Best Breakthrough Label' nominee - DJ Mag 'Best of British' Awards 2024

clasicorecs@gmail.com

☆☆☆

Sobolik – Perc Loop Princess

CLASICO