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WE ARE REALITY MAKERZ
WE ARE SPACEKRAFTERZ
WE ARE FREE
OUR NÜ NATÜRE IS UNSTOPPABLE

RAVE YOUR WORLD

Vampire Werewolf is the dark fusion of husband-wife duo Devil Boy (Lil Pac) and Asiatic Ivy—a raw blend of rap disses, sadcore truths, and experimental underground sound straight from the edge. Our music feels like the ghosts of vintage internet rappers whose best tracks got buried by label politics or vanished in the algorithm... but we’re not going anywhere. We're still here, still howling, still biting.

Raised in dangerous hoods, both Devil Boy and Ivy earned recognition and notoriety young—hailed for their words, not their looks. Critics can call us dumb, but the streets, the pen, and the mic say otherwise.

Devil Boy also runs Dark Lightworker Ra on YouTube, diving into trippy conspiracies and spiritual warzones, and cuts cult-classic fan edits through Nightwing Productions.

This is Vampire Werewolf. Ugly truths. Beautiful pain. Chaos that sticks.
Blood in the ink. Soul in the sound.

P.S It should also be noted that Devil Boy and Asiatic Ivy had quite the success as mere teenagers. Asiatic Ivy was a fanatical radical for the planet among other causes, and helped make things like recycling what they are today. Devil Boy as a student was hailed by the United Nation's, (with a few select other students) for raising money for a number of causes, they raised money for what they wrote about, everything from the war at the time, woman's rights, poverty, children that don't fit in, and building schools in underdeveloped countries. Later on as young as a man can be, he was asked by his pagan friends to join in on a United Nations tellathon of both poetry and music, to help raise money for a Pagan Acceptance Project. Footage available on old solo youtube rap profile https://www.youtube.com/@vampirevillage1579/videos

The good old days , and the good old sounds... I'm a vinyl records seller based in France . Don't hesitate to come to my online store and check the latest news .

In English: 
Jessey JC is one of these singers who have always sung since he was small. As a child he was surrounded with music of French radio and Reunion island creole records related to his parents’ origins and American symphony music as well. Since he kept on singing he quite naturally found himself in his primary school choir. As a teenager his singing style defined under the influences of such artists as Craig David, Tracy Chapman, Michael Jackson... Jessey JC begun to write songs in English and French in which you can sometimes find some influence of Etienne Daho. Once grown up he briefly colaborated with several musicians. Jessey JC recorded in studio for the very first time in August 2015 one of his own French songs called Excellence.

En français :
Jessey JC fait partie des chanteurs qui ont toujours chanté depuis tout petit. Enfant, il baigne d'abord dans la musique des radios génériques et la musique créole de La Réunion dont ses parents sont originaires mais aussi la musique symphonique américaine. Chantant sans arrêt il se retrouve naturellement dans une chorale dès l'école primaire. A l'adolescence son style de chant prend forme sous la forte influence d'artistes comme Craig David, Tracy Chapman, Michael Jackson... Jessey JC se met à écrire des chansons en anglais et en français où l'on peut parfois déceler une influence d'Etienne Daho. Une fois adulte il collabore de façon éphémère avec différents musiciens. Jessey JC enregistre sa première compo studio en août 2015.

Protassov´s Stefan Fuß is a German Music Producer based in Hamburg.
He began his Music career as a singer and guitarist in the late 80ies in several bands in the Ruhr Area DIY scene.
In 1992 he joined the myth enshrouded Techno Band TEVO and played countless gigs all over europe.
He began recording  HipHop influenced Beats in 1998 and teamed up with Tom Strauch of the Ancient Astronauts who founded Switchstance Recordings in 2001.
In 2008, Stefan released his album debut „Shalina Music“ on Switchstance Recordings, followed by 3 EP´s.

Stefan takes multiple influences and turns them into something that's his very own stile.

Protassov´s work has been remixed by Jon Kennedy, Hint , Flevans and Dr, Rubberfunk.
He is always in search for fellow musicians to  collaborate and develope his creative outcome.

Free-dada-dub-littéraire-indé, Dancehall Improvisation et plus si affinités.

Lapsus [lapsys] n. m. invar. 
ÉTYM. 1833, Nodier, in D. D. L.; lapsus calami, 1630, in Bloch et Wartburg; du lat. lapsus linguæ, lapsus calami «  faux pas de la langue, de la plume  ».
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◆ Emploi involontaire d'un mot pour un autre, en langage parlé (lapsus linguæ) ou écrit (lapsus calami). Faire un lapsus, des lapsus en parlant. ➙ Fourcher (la langue lui a fourché). Effet comique tiré de lapsus (➙ Contrepèterie). L'étude des lapsus par Freud. 

Les cauchemars de la peinture flamande nous frappent par la juxtaposition à côté du monde vrai de ce qui n'est plus qu'une caricature de ce monde ; ils offrent des larves qu'on aurait pu rêver. Ils prennent leur source dans ces états semi-rêvés qui provoquent les gestes manqués et les dérisoires lapsus de la langue. 
A. Artaud, le Théâtre et son double, Théâtre oriental et Théâtre occidental, Idées/Gallimard, p. 108-109.

◆ (1826, lapsus memoriæ). Par ext. Lapsus de mémoire… 


❖ Collectif Lapsus de Luxe :

Jacques Houssay ➙ voix & textes
Jonathan Delachaux ➙ saxophones & clarinettes trafiqués
Julien Israelian ➙ percussions & samsonite
Philippe Dunant a.k.a. Poupa Honk ➙ samples & machines
Stéphane Augsburger ➙ guitare, samples & effets

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Lapsus de Luxe est un collectif de l’accident, du dérapage et de l’improvisation. Actif depuis 2018, il réunit des individualités fortes venues de mondes éloignés - poésie, (free) jazz, musiques ethniques, cumbia dub, hip-hop, musique classique et punk-rock.

Son exigence : la recherche d’un point de friction et de compromis entre ces différents éléments à travers l’élaboration d’un spoken word entièrement libre, composé dans l’urgence, en direct, et résultant d’un dialogue constant et spontané entre texte et musique - la voix n’étant plus ici qu’un instrument comme les autres. Signe particulier : une prédilection marquée pour les zones intermédiaires d’où surgit l’insolite, pour la faune et la flore de la marge, pour le fou rire des grandes catastrophes.

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Son esthétique : hors borders, entre collage, cadavre exquis, zapping, conte malade. Sa politique : hybridation systématique : des styles, des symboles, des sons.

Lapsus de Luxe, c’est l’apocalypse comme une comptine pour enfant. C’est des extraterrestres désuets, du nihilisme tendre, du tragique burlesque. C’est la fin du monde sauce samouraï.

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