Johann Sebastian Bach: "Erbarme dich"

Nicole Pieper, Mezzosoprano 
Ensemble Il Profondo

Anaïs Chen, Violino (solo)
Eva Saladin, Violino 
Sonoko Asabuki, Violino 
German Echeverri Chamorro, Viola 
Amélie Chemin, Violoncello 
Federico Abraham, Contrabasso 
Daniele Caminiti, Arciliuto
Josías Rodríguez Gándara, Tiorba 
Johannes Keller, Clavicembalo

Tonmeister: Johannes J. Wallbrecher 
Aufnahme im Kloster Beinwil, Oktober 2010

Bach: Erbarme dich

The Nocturnes, Op. 9 are a set of three nocturnes written by Frédéric Chopin between 1830 and 1832, published that year, and dedicated to Madame Camille Pleyel. The second nocturne of the work is widely regarded as Chopin's most famous piece, and is regularly featured in films, television programs and video games.

Chopin on Spotify
https://open.spotify.com/album/5RFPR9xUOAHPoTvuLMwqpC

Chopin Amazon
https://www.amazon.com/Chopin-Essential-Collection-Fr%C3%A9d%C3%A9ric/dp/B00KNTJ8YC/

Best of Chopin
https://us.napster.com/artist/frederic-chopin/album/chopin-the-essential-collection

Chopin Compilation
https://listen.tidal.com/album/30344018

Frederic Chopin
https://www.deezer.com/us/album/7857432

Best of Chopin Playlist
https://music.youtube.com/playlist?list=OLAK5uy_k3UamhvL2pVn3hfE7JS9dj-uWbv0ikr_o

Chopin - The Essential Collection

Nocturne Op.9 - No.2

Tidal

Handel -〈Rinaldo〉&quot;Cara Sposa&quot;   David Daniels (countertenor)

L'Éclat Des Gouttes De Pluie by The Lumina Orchestra is a hauntingly beautiful and melancholic ballad for piano and violin, capturing the reflective stillness of rain as it gently falls. The piece evokes the glistening, delicate beauty of raindrops, each note shimmering like a droplet on the surface of water, leaving behind a trail of bittersweet emotion.

The piano sets the tone with soft, tender melodies, while the violin weaves in and out with emotional depth, its strings mirroring the delicate ebb and flow of rainfall. The piece builds layers of longing and nostalgia, each phrase lingering like the sound of raindrops on a quiet night, creating a sense of quiet introspection.

L'Éclat Des Gouttes De Pluie is a deeply evocative work, where the simplicity of the rain's quiet beauty is reflected in the rich, emotional textures of the piano and violin. This piece resonates with the listener, capturing the fragility and power of melancholy.

Contemporary Classical - The Essential Collection

L’Éclat Des Gouttes De Pluie

"Closing Time" is a raucous and witty comic opera track that perfectly captures the universal chaos of a pub's final call. With jaunty rhythms and sharp, humor-laden lyrics, this piece takes listeners on a boozy journey from the last hurried sips of beer to the kebab-laden stumble home.

The playful verses weave a tapestry of late-night camaraderie, complete with impatient landlords, questionable food choices, and the eternal quest for "just one more." From the absurd stampede out the door to the greasy glow of Stavros' kebab shop, every detail is drenched in comedic flair and relatable antics.

Beneath the hilarity lies a nod to the bittersweet ritual of nights spent chasing fleeting joy, ending with the promise of tomorrow's inevitable repeat. Lighthearted yet grounded, "Closing Time" is a delightful blend of operatic whimsy and pub culture hilarity, making it a track to sing (or shout) along to with a pint in hand. Cheers! 🍻

BRITS

Closing Time

Closing Time - Feat: Emily Arden

Chopin’s Revenge – II. "The Piano Hasn’t Been Drinking" by Tom Connell

A playful yet masterful variation in the Chopin’s Revenge suite, The Piano Hasn’t Been Drinking nods to Tom Waits with its wry humor while delivering a dazzling display of pianistic brilliance. Full of fluid arpeggios, whimsical flourishes, and expressive rubato, the piece playfully teeters between classical elegance and a more intoxicated, jazz-inflected charm.

While firmly rooted in Chopin’s virtuosic style, this composition dances through unexpected harmonic turns, impressionistic dissonances, and off-kilter rhythms, creating a uniquely mischievous and unpredictable character. Both technically outstanding and rich in personality, The Piano Hasn’t Been Drinking is a witty and captivating addition to the suite.

Chopins Revenge

Chopins Revenge - II. "The Piano Hasn't Been Drinking"

Chopin’s Revenge – III. "Joanna’s Regret" by Tom Connell

The third piece in the Chopin’s Revenge suite, Joanna’s Regret is a deeply expressive solo piano work that captures a sense of longing and introspection. Rich with Chopin-esque virtuosity, delicate arpeggios, and sweeping flourishes, this composition also ventures into haunting impressionist jazz harmonies, adding a unique modern touch.

The piece unfolds with a melancholic yet graceful elegance, weaving moments of tenderness and passion through intricate passagework and dynamic contrasts. With its heartfelt melodies and evocative harmonies, Joanna’s Regret tells an emotional story—one of nostalgia, sorrow, and unresolved yearning.

A showcase of both technical brilliance and profound emotion, this piece is a must-listen for lovers of expressive, virtuosic piano music.

Chopins Revenge - III. Joanna's Regret

Chopins Revenge - III. "Joanna's Regret"

Leaves on the Line – An Operatic Ballad About the British Commute

From BRITS, Tom Connell’s satirical deep dive into British life, comes Leaves on the Line—a beautifully dramatic ballad about the daily struggles of the UK’s famously unreliable rail system. Featuring the stunning mezzo-soprano of Emily Arden and performed by the London Contemporary Opera Society, this piece transforms every commuter’s frustration into a sweeping operatic lament.

With soaring melodies, heartfelt despair, and a touch of British irony, Leaves on the Line captures the absurdity of train delays, signal failures, and weather-induced cancellations with grandeur and grace. It’s a must-listen for anyone who has ever stared helplessly at a departure board, waiting for a train that may never come.

Leaves On The Line

The Last Laugh

Frederic Chopin - Valse Nº 2, Opus 69 (Por Maria João)

Frédéric Chopin - Valse Nº 2, Opus 69 (Por Maria João)

Franz Schubert - Piano Trio In E Flat, Op.100

Classical Music is a diverse and vibrant SoundCloud profile dedicated to celebrating the full breadth of classical music across all eras and genres. From the timeless compositions of the Baroque period to the emotional expressiveness of the Romantic era, and from the impressionistic soundscapes of the early 20th century to the bold, experimental voices of contemporary composers, Classical Music brings together works that span centuries of musical evolution.

The profile features a wide range of classical compositions, including iconic orchestral works, intricate chamber music, virtuosic piano pieces, and modern symphonic innovations. It showcases masterpieces from legendary composers such as Johann Sebastian Bach, Ludwig van Beethoven, Frédéric Chopin, Claude Debussy, and Igor Stravinsky, while also embracing the contributions of 20th and 21st-century composers who continue to redefine the genre.

Classical Music is a platform where classical enthusiasts and newcomers alike can explore the emotional depth, technical brilliance, and unique beauty that defines classical music in all its forms. Whether you're drawn to the grandeur of Beethoven’s symphonies, the delicate melodies of Chopin’s piano works, or the groundbreaking innovations of contemporary composers, this profile offers a rich and varied listening experience.

In addition to showcasing beloved classics, Classical Music also highlights lesser-known gems and fresh interpretations that offer new perspectives on traditional works, making it a space for both discovery and deep appreciation of the genre's enduring power and relevance.