Beethoven - Symphony No. 9 ( FULL )

Pièce pour deux flûtes et piano, extrait de l'opéra Lakmé

Leo Delibes, Duo des Fleurs

Frederic Chopin Valse A minor

Giulio Caccini - Ave Maria

"Closing Time" is a raucous and witty comic opera track that perfectly captures the universal chaos of a pub's final call. With jaunty rhythms and sharp, humor-laden lyrics, this piece takes listeners on a boozy journey from the last hurried sips of beer to the kebab-laden stumble home.

The playful verses weave a tapestry of late-night camaraderie, complete with impatient landlords, questionable food choices, and the eternal quest for "just one more." From the absurd stampede out the door to the greasy glow of Stavros' kebab shop, every detail is drenched in comedic flair and relatable antics.

Beneath the hilarity lies a nod to the bittersweet ritual of nights spent chasing fleeting joy, ending with the promise of tomorrow's inevitable repeat. Lighthearted yet grounded, "Closing Time" is a delightful blend of operatic whimsy and pub culture hilarity, making it a track to sing (or shout) along to with a pint in hand. Cheers! 🍻

BRITS

Closing Time

Closing Time - Feat: Emily Arden

Who Likes A Bit Of Deep Fried Then? – A Hilarious Operatic Tribute to British Cuisine

From BRITS, Tom Connell’s satirical exploration of British culture, comes Who Likes A Bit Of Deep Fried Then?—a grand operatic parody celebrating (and poking fun at) the UK’s deep-fried obsession. Performed by the London Contemporary Opera Society and featuring the magnificent voice of Julian Westbrook, this track transforms Britain’s love of battered and fried delicacies into a dramatic, full-throttle operatic spectacle.

With sweeping melodies, exaggerated vocal flourishes, and a tongue-in-cheek libretto, this piece fuses high art with low cuisine, proving that even a battered Mars bar can be worthy of a standing ovation. Witty, theatrical, and undeniably British, Who Likes A Bit Of Deep Fried Then? is a must-hear for lovers of satire, opera, and fish and chips alike.

Who Likes A Bit Of Deep Fried Then?

Wasted – A High-Drama Operatic Ode to Getting Stoned

From BRITS, Tom Connell’s satirical take on British culture, comes Wasted—a tongue-in-cheek operatic ballad about rolling joints and getting stoned. Featuring the rich mezzo-soprano of Emily Arden and lyrics by Darin Bainbridge, this piece transforms a hazy pastime into a grand, theatrical spectacle. Performed by the London Contemporary Opera Society, it’s both beautiful and utterly ridiculous.

With soaring melodies, expressive drama, and a knowing wink, Wasted elevates late-night indulgence to high art. But maybe Emily should cut back on the smoking—those vocal cords are national treasures! A must-listen for fans of musical satire, operatic brilliance, and, well… a good roll-up.

Wasted

Wasted 🚬

Let it all Go

Lovely - Croissant

MICHAEL SPYRES A FOOL FOR LOVE, Tenor Arias

“Michael Spyres has a lovely, liquid tenor, all honey for love duets and some metal for cries of outraged honor.” – John Yohalem, from Opera Today

You may well be hard-pressed to name a classic opera that lacks a love-story – or a tenor as the main romantic hero. Accordingly, emerging American tenor Michael Spyres has come up with a fresh and fascinating pretext for A Fool for Love: his new collection of tenor arias on Delos.

A Fool For Love: Track 4: L'elisir d'amore (The Elixir of Love) - Una furtiva lagrima

Franz Schubert - String Quartet No.13 in A minor, 'Rosamunde', D.804 - I. Allegro Ma Non Troppo

Tom Connell — composer, arranger and classical music producer.

This profile represents the official catalogue of Tom Connell’s classical and classical-crossover works, including original compositions, transformative arrangements, and releases issued under his recognised pseudonyms.

Writer IPI: 671594418
Publisher: Tom Connell Publishing (from 1 January 2026)
Publisher IPI: 1316555262
ISNI (Writer): 0000 0005 2866 3209

This profile includes commercially released recordings and curated selections that reflect the full scope of the catalogue.

Closing Time - Feat: Emily Arden

Classical