Classical

Aram Khachaturian arr. Aleksey Krasavin - Sabre Dance

Dies Irae

Vivaldi Double Cello Concerto Mvt 1

VITTORIO MONTI ~ Csardas
(Performed by  the Budapest  Symphony Orchestra)

Csárdás (or Czardas) is the only famous composition of Vittorio Monti. A rhapsodical concert piece written in 1904, it is a well-known folk piece based on a Hungarian csárdás. It was originally composed for violin, mandolin or piano. Nowadays, it is usually played on the violin, but can also be played as a piano solo, saxophone solo, on the accordion, or as an orchestral arrangement. The duration of the piece is about four 

VITTORIO MONTI ~ Csardas

Franz Liszt must have really been blown away by the cities of Venice and Naples on his travels with Marie d'Agoult, because he ended up composing four pieces named after them: Venezia e Napoli. But apparently, the original four pieces weren't good enough for old Franz, so he went back and revised them until only the last two were left: the Andante placido (aka Gondoliera) and the Tarantelles Napolitaines (aka just plain ol' Tarantella). Then he stuck a sad song called Canzone in between them and voila! The triptych known as Venezia e Napoli was born. It was published as a supplement to Deuxième Année in 1861, so if you want to check it out, you better hit up this recording!

Liszt must have been feeling pretty darn romantic when he composed Gondoliera, because it's based on a love song by Giovanni Battista Peruchini called "La biondina in gondoletta." But unlike the original version, Liszt's revision starts off with a fancy introduction in the key of F-sharp minor. The music sounds all calm and serene, like a peaceful Venetian canal (or at least what I imagine one would sound like). And then, once it hits that F-sharp major chord, it's like BAM! The melody comes in and it's all lovey-dovey and stuff. And let me tell you, it's so sweet and soft, it'll make your teeth hurt. But don't worry, there's some fancy flourishes in there to keep things interesting.

The Canzone that comes after Gondoliera (or "Gondolier's Song") is actually part of a larger piece, and it leads directly into the Tarantella without missing a beat. It's based on a song called "Nessun maggior dolore" from Rossini's opera Otello, which is weird because the opera is set in Venice but it premiered in Naples. Anyway, Liszt messed around with the melody and rhythm a bit, and he also changed the key from G minor to E-flat minor, which makes it sound all dark and moody. It starts off with some creepy tremolo, and then the melody comes in and it's all woe is me. But don't worry, it's not all doom and gloom, because there's some fancy piano stuff in there to keep things interesting. And at the end, the music gets all happy and major-key-y, so it's not a total downer.

The Tarantella is like a firework show on piano. It's based on some themes by a French composer named Guillaume-Louis Cottrau, who lived and worked in Naples. It starts off with a Presto tempo, and the introduction leads you from the E-flat key of the Canzone to the G minor key of the first theme. And let me tell you, this thing is full of energy! The music shifts between different meters, so it's like a never-ending party. Then the second theme comes in, and it's like BAM! Fortissimo! And then the music goes to the relative major key, but it doesn't stay there long because it sidesteps into D-flat major with a funny little passage in contrary motion. And then it's back to G minor, and the first theme returns, and it's like a three-part design or something. And then the music closes in B-flat major, and there's a pause, and then there's a new theme in E-flat major, and it's all lyrical and stuff. And then there's some fancy flourishes and variations, and then it goes to E major, and then to G major, and then there's a coda and it's like WHAM! Prestissimo! And the music is rushing towards the end, and it's all virtuosic and impressive.

I. Gondoliera
II. Canzone
III. Tarantella

Recorded live from Dublin City Gallery - The Hugh Lane on July 27th, 2014 as part of the concert series of the Dublin International Piano Festival & Summer Academy.

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Official Website: http://www.archiechen.com
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Festival Website: http://www.pianofestival.ie
Teaching Website: http://www.pianoacademy.ie

Piano: Bluthner Model 1
Piano Technician: Martin Walsh
Recording Engineer: Darby Carroll
Piano provided by Bluthner UK

Franz Liszt Venezia e Napoli, s. 159

Song To The Moon, Rusalka, Antonín Dvořák. Performed live by Olga Vilenskaia on Januari 2015 in Belgium. Together with Frascati Symphonic with conductor Kris Stroobants.

Song To The Moon, Rusalka, Antonín Dvořák

Johann Sebastian Bach - The Goldberg Variations BWV 988

To watch someone you love marry another against their will

first love

Lyrics by ButaOjiChan, music composed by SUNO AI.

同志老婆よ、敵を撃て。(orchestra)

Santa got classick

Johann Sebastian Bach: Violin Concerto in A minor, BWV 1041

Thomas Gould, violin
Senesino Players

Johann Sebastian Bach: Violin Concerto in A minor: 1.

A. VIVALDI: Concerto for Strings and B.C. in G minor RV 156, Bach Consort Wien

Sounds Magnificent: Malcolm Archer Plays the Organ of Wells Cathedral

Toccata

All facets of this diamond copyright their respective owners.
Recomposed by Max Richter 
ANTONIO VIVALDI
The Four Seasons
Die vier Jahreszeiten

Vivaldi - Four Seasons (Recomposed By Max Richter)

Extrait de "Amandine Beyer / Portrait"
J.F. REBEL, C.P.E. BACH, N. MATTEIS, R.de VISEE
J.S. BACH, A. VIVALDI, A. CORELLI
Amandine Beyer, violin

Buy here: http://www.outhere-music.com/en/albums/portrait-zzt-325
ZZT 325

BACH : Concerto in E major BWV 1042 / Gli Incogniti, Amandine Beyer

Gorzow Philharmonic Orchestra performing live the 7th Symphony by Beethoven under Piotr Borkowski conducting. September 2011.

A. VIVALDI: Concerto for Strings and B.C. in G minor RV 156, Bach Consort Wien

Φως-music# 2

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