Fading lives,
Fading memories,
Fading senses,
All fades...

On All Saints' Day and All Souls' Day, let us remember those who have passed away and surround with love those who are slowly leaving us.

Simple improvisation turned into track with only 6 instruments:
Arturia Analog Lab V – Mini V3/Stage-73
Arturia Pigments
Arturia Augumented Brass
Heavyocity Foundations Emotive Choir (NI Kontakt Player) (free)
Spitfire Originals Intimate Strings

I hope You like it.

This piece was created by a human without the use of any generative A.I.

Cover photo from Freepik

As You Slowly Fade Away

“Silent Compassion” by Luke 

3rd piece of my Relaxing Trilogy series..
In case you missed the first two songs👇🏼
1- “Restless Memories”
2- “Anxious Visions”
3- “Silent Compassion”


Keys & Piano & Synthesizers by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
I use Open A.i for Album art pictures 

                           Beats by Luke©️
                         S c h ü ß m a n n©️

“Silent Compassion”  by Luke

base

Share your thoughts below!

Composed, produced & performed by Srouly Frank

Playful balance

Witness

This is a rework of our 2019 remix "Glimmer". When we started our collaboration in early 2019, this was one of the first remixes we realized as "Child of Nature"💖💖💖

Based on Amanitalinda's production notes from the same year, we have now succeeded in restoring the song to its originally intended form in November 2025. We are now happy and proud to present this new rework to you.

Enjoy listening🎶🔊🙌

Repost, like and share 🙏  🍀  🌻
Your Child of Nature ✨🌟❤️🌟✨


Video 1: https://www.youtube.com/watch?v=kATnFmBN6pE

Video 2: https://www.youtube.com/watch?v=qSDoKpUx-wE

Rework 2025

Glimmer (Rework)

Glimmer (Rework 2025) & Video Link

Cover fo Eric Clapton's version written by Bob Dylan/H.Springs 1978

Bass, drum, vocal & mix : Little Man
All other instruments : PdB Orchestra

If I Don't Be There In The Morning

Into The Void Remastered (Unloved)

I had an immense pleasure of collaborating again with the incredibly talented David De Michele who created a sublimely beautiful musical palette for my piano piece "But". 

More of David’s marvellous music is available here: @user-92820487

Thank you so much for your attention to this work. We do hope you will enjoy listening!

Credits:

Composition & piano performance: Anastasiya Ihnatovich
Arrangement & orchestration: David De Michele

But (Ft. David De Michele)

C Fragments

C — the Roman numeral for 100.
A complete measure.
A fixed frame.

C Fragments exists within this order as a sequence of fragments.
Not as a narrative, not as development,
but as a state.

The Roman reference does not stand for power or grandeur,
but for measure, structure, and timelessness.
The fragments remain contained within a closed whole
whose meaning is left open.

Sonically, the piece combines a restrained grand piano
with deep strings, sustained orchestral layers,
subtle percussive elements,
textural sound layers,
and distant choral surfaces.

A very subtly blended female vocal texture from ACE Studio
was added as an additional sonic element —
not as a lead voice and not as a replacement for a real singer,
but purely as a tonal presence within the overall structure.

Instruments & Used VSTs

🎹 Piano
Native Instruments – The Maverick

🎻 Strings
10 Phantom Rooms – Low End Strings
EastWest – Hollywood Fantasy Strings
EastWest – Symphonic Orchestra

🥁 Percussion / Drums
EastWest – Hollywood Fantasy Percussion

🎶 Choir & Voices
Spitfire Audio – Originals: Epic Choir
EastWest – Hollywood Fantasy Voices
ACE Studio – female vocal texture (very subtle)

🎼 Textures & Sound Layers
Conflux

🎼 C = Cinematic · C = 100
🎵 Genre: Epic Neo-Classical / Cinematic / Ambient
🎧 Mood: dignified · restrained · timeless · contemplative

C Fragments

C — die römische Zahl für 100.
Ein vollständiges Maß.
Ein festgelegter Rahmen.

C Fragments bewegt sich innerhalb dieser Ordnung in Bruchstücken.
Nicht als Erzählung, nicht als Entwicklung,
sondern als Zustand.

Das Römische steht hier nicht für Macht oder Pathos,
sondern für Maß, Struktur und Zeitlosigkeit.
Die Fragmente existieren innerhalb eines geschlossenen Ganzen,
dessen Bedeutung offen bleibt.

Klanglich vereint das Stück ein zurückgenommenes Grand Piano
mit tiefen Streichern, orchestralen Sustains, texturalen Schichten,
dezenten perkussiven Elementen
und weit entfernten Chorflächen.

Eine sehr dezent eingesetzte weibliche Stimmtextur aus ACE Studio
wurde ergänzend hinzugefügt – nicht als Gesang,
sondern als subtile klangliche Präsenz innerhalb der Gesamtstruktur.

Instrumente & verwendete VSTs

🎹 Klavier
Native Instruments – The Maverick

🎻 Streicher
10 Phantom Rooms – Low End Strings
EastWest – Hollywood Fantasy Strings
EastWest – Symphonic Orchestra

🥁 Perkussion / Drums
EastWest – Hollywood Fantasy Percussion
(subtile, tief platzierte Drums)

🎶 Chor & Stimmen
Spitfire Audio – Originals: Epic Choir
EastWest – Hollywood Fantasy Voices
ACE Studio – weibliche Stimmtextur (sehr dezent)

🎼 Texturen & Klangflächen
Conflux

🎼 C = Cinematic · C = 100
🎵 Genre: Epic Neo-Classical / Cinematic / Ambient
🎧 Stimmung: würdevoll · reduziert · zeitlos · kontemplativ

💿 Credits
Music, composition, arrangement, mix & master: DestKorn (Matthias K.)
Artwork: DestKorn

℗ 2025 DestKorn
© 2025 DestKorn
All rights reserved.

C Fragments

It was indeed a pleasure to work again with the incredibly talented artist Nic Evennett.  For more of Nic's amazing music:

https://soundcloud.com/wingless-night

Blue

Curl gently in this midnight blue,
The wild ones have all passed through.

Today it was every spring,
And I saw the birds colouring,
Did you, did you?

There's nothing but inside out,
Everything to shout about
When silence isn't golden.

They came, they saw, they stole, they squandered.
Squandered.
And tied up all the long roads we'd wandered.

Curl gently in this midnight blue,
The wild ones have all passed through.

The voice, the words, the windows quiver.
Quiver.
The place that you go
Makes the lonely sun shiver.

Curl gently in this midnight blue.

Blue (Classical Glass and Nic Evennett)

“A painter paints pictures on canvas but musicians paint their pictures on silence.” -  Leopold Stokowski

A member of Cellar Door. You can find us here: https://soundcloud.com/cdoor

"The most powerful and magical language is music. The reason for this is that music is the original language. Music is not ornamented poetry, and poetry is not ornamented prose. Poetry is fallen music, and prose is fallen poetry. Prose is not the original language; it is poetry made practical. Even poetry is not the original language; it is music made speakable, it is the words of music separated from their music. In the beginning was music." (Peter Kreeft, Philosophy of Tolkien)