Far From the Madding Crowd

Music supporter for underrated talented artists
I am not weird, I am just neurodivergent person...

Thank you  for visiting my world, I'm happy to share! 
I 've been composing electronic music for more than 23 years but only started this new project 3 years ago, when the band in which I played bass splited.

 A large amount of the music I love was recorded in the 70's. Among these revered groups , Yes, Genesis, Pink Floyd, Jethro Tull, Ange or King Crimson stand out. Over the years, I've also been very fond of many diverse bands and songwriters (The Doors; The Beatles; Bowie; Neil Young; Deep Purple; Led Zep; Patti Smith; U2; The Police; Massive Attack; Chemical Brothers; Killing Joke; Marillion; Morphine; Nirvana; The Young Gods; Dominique A; Noir Désir, Conil, Aurora ...). 
More related to my own synth music production, one could find influences from Vangelis, Jarre, Björk, Oldfield, Numan, Kraftwerk, Schultze and other pioneers. Finally, I should mention the great soundtrack composers such as Ennio Morricone, Wendy Carlos or Hans Zimmer.
Above all those great musicians stands the beloved statue of Ludwig van Beethoven, the visionary, the prodigy, the most sensitive man.

My desire is to be a tiny part of the admirable family of human composers and musicians in order to explore the infinity of musical combinations that our mind offers... To achieve this goal, I will continue to mix my own set of diverse influences in my own imperfect human way, without surrendering to any type of AI composer. My approach questions the astonishing way in which skills, sensitivity, aesthetic and personal history provide the fuel and oxygen for our creativity, while chance, curiosity and current feelings provide the spark. What matters the most is the process, not the result, the “product”.
My pieces will always reflect the result of hundreds of micro-choices I made, consciously or unconsciously, that's what makes it fun, right?
Feel free to comment or criticize my plethoric prod because reading your feedbacks is the only reward I expect.

Bandcamp: https://loyajirga.bandcamp.com/
Spotify: https://open.spotify.com/intl-fr/artist/0bohy1SDB37BBZLksRM9GY

“A painter paints pictures on canvas but musicians paint their pictures on silence.” -  Leopold Stokowski

A member of Cellar Door which you can find here: https://soundcloud.com/cdoor

"The most powerful and magical language is music. The reason for this is that music is the original language. Music is not ornamented poetry, and poetry is not ornamented prose. Poetry is fallen music, and prose is fallen poetry. Prose is not the original language; it is poetry made practical. Even poetry is not the original language; it is music made speakable, it is the words of music separated from their music. In the beginning was music." (Peter Kreeft, Philosophy of Tolkien)

Experimental Vocals.

All music is written, performed and produced by Wildsilences. All Rights Reserved.

[ Remixes welcome, but PLEASE don't turn my vox into a chipmunk or a demon :) ]

Guilherme Cé Pagliari

´´Médico e Músico todo mundo tem um pouco''.

Médico especialista em Radiologia e Diagnóstico por Imagem pelo Colégio Brasileiro de Radiologia.

Compositor de longa data.

Produção musical por necessidade de se expressar com e pela música.

Hey everyone! My name is Emerson Marçal. I’m not a professional musician, but I’ve always loved soundtracks, they’ve been my passion since forever. I play a bit of keyboard and started messing around with some compositions a long time ago, on my first keyboard, a Roland Prelude. That was about 14 years ago! Actually, those old songs are still here on SoundCloud, in a playlist I kept.

Nowadays, I’ve decided to create a few new soundtracks, but it’s all very simple, just to bring some emotion to a story I’m writing together with my friend Rafael R. Oliveira on the Inkspired platform. The book is called Aequus, and it’s a huge saga we’re building together. It’s a long-term project, probably more than 5 years of work. The links to the story are in the description of each song.

Some tracks have small audiobook excerpts, with dialogues and monologues from the story’s characters. But there are also versions without audiobook, for those who prefer to listen to just the music, no narration. However, these audiobook snippets are very short, just a small sample that doesn’t take over the entire track. Usually, they’re only at the beginning.

I really believe in this story and I’m trying to share it with anyone who might be interested. If you enjoy any of the songs, I invite you to check out the Aequus Saga, because these tracks exist because of it.

Thank you so much to everyone who’s been listening and enjoying the songs. And if you can, leave a comment, it helps a lot.

Contact:
Email: emersonmarshall@gmail.com

All tracks are Originals Written/Composed/Played/Produced by Martin Jackson...email - marti369000@hotmail.com
(c) Martin Jackson Thank you

Welcome to my SoundCloud!
Here to make meaningful connections through music.

Peace.

Dan

Soundscapist or maybe even an escapist... 
 
Thank you for your kind support on my musical journey!
Follow me on Spotify: https://open.spotify.com/artist/0u00Y3ou7k8C6vJQp50ChX

Far From the Madding Crowd

Classical Glass