a beautifull journey with your composition

A musical metaphor of new dawning in the introduction. Gorgeous.

Oooh ... this harmony is so delicate here. The stabs of synth brass are excellent.

What a masterpiece Philip...really enjoy this track

So beautiful and complete calming. Thanks for such a gorgeous piece of music.

Little by little the playlist "November 2021" fills up with great songs of outstanding artists...

November 2021

Voici une pièce que j'ai faite il y a un certain moment avec Gary Courtland-Miles (Anomon).  Il m'a demandé si je pouvais ajouter des orchestrations sur une de ses magnifiques pièces de piano.  Sur le thème de l'Amour et l'importance de sa place dans nos vies.

Here's a piece I did some time ago with Gary Courtland-Miles (Anomon).  He asked me if I could add orchestrations on one of his beautiful and heartfelt piano pieces.  This is all about Love and the importance of it in our lives.

https://soundcloud.com/gary-courtland-miles

It's Something Like This - with Anomon

Unreachable.

I've started this song last autumn.

I wanted to express the repetitive attempt to touch what remains out of reach. Physically. Mentally. Locked from the outside. Locked from the inside.  When the words are missing. When the meaning is nowhere. 
To go on. Try. Again and again.

oxox
Enso

Unreachable

For song and album art visit Wou-Wou & the Wormling at:
https://www.facebook.com/wouwouandthewormling

This is the third song posted from the album Bitzone, Stricknice, Wou-Wou & the Wormling, and I have been working on together with a number of other friends on SoundCloud. The first song shared was the late 80s indie American underground inspired song, Ghosting Out, that include Bonetender joining with his transistor organ and guitar. The second song released was late 90s inspired Alternative Rock and Hip Hop song The Show / The Shrike Pt. 3 with Carlos Vivanco and Belial Pelegrim joining in the mix. 

All of the songs were written during the beginning of the COVID-19 Pandemic when the United States went into lockdown and Black Lives Matter protests where having a major impact. I think you can especially hear the influence of those times in this song. 

I am honored that My Hot Air Balloon accepted my invitation to join this track and that Eddie Shook was willing to add a radio spot into the mix. It is always a pleasure to work with the extremely talented Jonathan Beckenstein and Jamie Rhind. And huge thanks to Bitzone and Stricknice for adding so much creativity and music to this entire project! And as always, Wou-Wou rocks! I have made so much music with Wou-Wou over the years, it is incredible!

My Hot Air Balloon: Additional Lyrics and Vocals
https://soundcloud.com/welcometotheamericas
https://soundcloud.com/badmerlot
https://soundcloud.com/feralsleepstudy
Eddie Shook: Radio Jockey Vocals
https://soundcloud.com/eddie-shook
https://eddieshook.bandcamp.com
Jonathan Beckenstein: Guitar
https://soundcloud.com/jonathan_beckenstein
Jamie Rhind: Clavinet
https://soundcloud.com/jamie-rhind
Stricknice: Samples, Production, and Outro
https://soundcloud.com/j-nice-6
Bitzone: Drums, Additional Clavinet, Mix and Master
https://soundcloud.com/bitzone
Wou-Wou & the Wormling: Bass, Guitar, Keys, Drums, Samples, Original Demo Track, Song Art
https://soundcloud.com/wouwouandthewormling
https://wouwouandthewormling.bandcamp.com
the Couch King: Lyrics, Vocals, Production
https://musiciselation.bandcamp.com

Lyrics: 
I'm so tired of waiting at the edge of the world

They say the world is spinning ball
But you know
It’s always been flat to me
I still say the sun circles the globe
But uh
No one ever listens to me

When I tell ‘em 
World’s coming to an end
When I’m yellin’ 
Better make your amends 
When Gods callin’
They say the good shall ascend 
But uh
We’ll just have to wait and see

I'm so tired of waiting at the edge of the world

Gotta love God ’n liberty
But Hey
Don’t you dare tread on me
Don’t say I never warned you now
But uh
No one ever listens to me

When I tell ‘em 
World’s coming to an end
When I’m yellin’ 
Better make your amends 
When Gods callin’
They say the good shall ascend 
But uh
We’ll just have to wait and see

Just Have To Wait And See

My Hot Air Balloon, Eddie Shook, JBeckenstein, JRhind, Snice, Bzone, Wou - Just Have To Wait And See

Lets Go (To  The House)

That feeling of taking off to gain ground, & then enduring acquired slips or variant forms of struggles, & thee exhilaration of the achievement--No matter how flawed or flawless the trip was.
*You still have obtained the experience./'
Sometimes in this life, the most beautiful things and people are flawed, but from experience they can be the most loyal. 
Ever try to climb a mountain side, & want it to be as quick and easy as a trip to your microwave? Sometimes people throw things away because they don't understand potential or obscure value. There are those who have things come so easy to them, that they cannot relate to something difficult...  they can't conceive of or cannot get in touch with sensitivity.  Mountain climbing makes one get in touch with their strengths & their weaknesses...And it is about adjustments for the journey, not scrapping it, unless you are broken or injured.

Arbeit der Liebe

Der Aufstieg

This tune is added to my album "AlgoRhythm".
You can download it freely!!

<< Free download from MediaFire >>
https://www.mediafire.com/file/wd3cf0mzskmp9ep/Negative_Headphone_-_AlgoRhythm.zip/file

<< Free Download from Bandcamp >>
https://negativeheadphone.bandcamp.com/album/algorhythm



[ Other Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Free Album!

Magnets

REBOOT

North Shore

Perfect Day by Colin Towns
Arranged by Debra Buesking
Many thanks go to David Dunham for mastering my track. You can hear his beautiful guitar music @david-dunhamuser589535203

Perfect Day (by Colin Towns)

This composition was inspired by the poem "Day is Done" by the American poet Henry Wadsworth Longfellow (1807-1882).  

Day is Done

The day is done, and the darkness 
Falls from the wings of Night, 
As a feather is wafted downward 
From an eagle in his flight. 

I see the lights of the village 
Gleam through the rain and the mist, 
And a feeling of sadness comes o'er me 
That my soul cannot resist: 

A feeling of sadness and longing, 
That is not akin to pain, 
And resembles sorrow only 
As the mist resembles the rain. 

Come, read to me some poem, 
Some simple and heartfelt lay, 
That shall soothe this restless feeling, 
And banish the thoughts of day. 

Not from the grand old masters, 
Not from the bards sublime, 
Whose distant footsteps echo 
Through the corridors of Time. 

For, like strains of martial music, 
Their mighty thoughts suggest 
Life's endless toil and endeavor; 
And to-night I long for rest. 

Read from some humbler poet, 
Whose songs gushed from his heart, 
As showers from the clouds of summer, 
Or tears from the eyelids start; 

Who, through long days of labor, 
And nights devoid of ease, 
Still heard in his soul the music 
Of wonderful melodies. 

Such songs have power to quiet 
The restless pulse of care, 
And come like the benediction 
That follows after prayer. 

Then read from the treasured volume 
The poem of thy choice, 
And lend to the rhyme of the poet 
The beauty of thy voice. 

And the night shall be filled with music 
And the cares, that infest the day, 
Shall fold their tents, like the Arabs, 
And as silently steal away.

Day is Done

Fenton - No Fear 2002

This came out of a piece I'd been developing over a couple of weeks, searching for variations around a central theme on felt piano. After a couple of less than successful attempts at developing the track with a fixed bpm I ended up freestyling it as an improv with some subtle drones from Spitfire labs Foghorn, a unique and free library of sounds derived from recordings of the Sumburgh head Foghorn on Shetland. 
One of the options in the labs library is a selection of engine room noises from the two diesel engines that power the foghorn, I wondered whether the engine room could stand in for percussion on the track and here is the result. Thanks for taking time out to check it out.

the engine room

Here's the next drum n bass type track that I did together with my lovely Annie !
We hope you'll enjoy!

@annie-smart-1.for more lovely music 🎶 ❤️

If Only I Could Fly (Wane of Summer & Annie Smart)

"Tears of Solace" is a heartfelt composition that begins with a poignant synth introduction, setting a somber tone. As the piece progresses, the delicate melody unfolds on a Steinway piano, accompanied by the rich tones of a Felt C7 for the lower harmonies. Soft and soothing female choirs join in, adding gentle layers and a touch of tenderness. With a BPM of 108, the music captures a sense of solitude and melancholy, evoking emotions of sadness and reflection.

Tears of Solace

Watch/Stream

Tears Of Solace

Amazing how fast the years fly by ! it's all good.......

Music composed and performed by J.B.F.

4 / 28 / 24  9 AM

30 Years With You !

River Styx

River Styx (Piano Solo)

“A painter paints pictures on canvas but musicians paint their pictures on silence.” -  Leopold Stokowski

A member of Cellar Door which you can find here: https://soundcloud.com/cdoor

"The most powerful and magical language is music. The reason for this is that music is the original language. Music is not ornamented poetry, and poetry is not ornamented prose. Poetry is fallen music, and prose is fallen poetry. Prose is not the original language; it is poetry made practical. Even poetry is not the original language; it is music made speakable, it is the words of music separated from their music. In the beginning was music." (Peter Kreeft, Philosophy of Tolkien)

When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

North Shore

Classical Glass

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