Philip your music powerfully captures the deep pain of that tragic event in history.  It’s truly amazing how through sound you express these feelings.

Beautiful displayed soundscape of a most  tragic time, expense & loss of life. So well written/played, Philip!!!

Very nice cinematic drone music. Atmospheric.

Beautiful cinematic atmosphere, very well done !

Heartbreak of loss, superimposed on bleak desolation, with some flashes of memory of brigth spirits. Evocative as only Classical Glass can do.

A commemorative concept for this terrible, infamous battle in Belgium, where human stupidity knew no bounds. With this creation, you have perfectly evoked this tragic moment. The transposition is very moving ....

Lost in Celestial Haze

I had these two little blues pieces – in E and C – and an arrangement for When I’m 64, and they seemed to fit, and voila! The whole piece runs for 100 bars, but subtracting the repeated two blues sections the piece adds up to 64 bars. I swear this was an accident!

Credits: When I’m Sixty Four by John Lennon & Paul McCartney, 1967. (McCartney wrote the song.)


Sixty-four Bar Blues

Choirboy's Confession

Music : Janne Hennie & Little Man
Lyrics & vocals : Janne Hennie

I have to ask myself
Is it all your fault, is it just you?
If I need someone to blame
It's easier to turn away
Feel big for one more day

But I am here to learn
And see myself for how I am to you

Are you the only one who did wrong?
If I need someone to blame
I don't see myself, only you
But I can make mistakes
It's easier to turn away
Feel big for one more day

But I am here to learn
And see myself for how I am to you

Am I the only one who can see..?
We are both to blame
You also make mistakes, like me
If we need someone to blame
It's easier to turn away
Feel big for one more day

But I am here to learn
And see myself for how I am to you..

I am here to learn..

I am here to learn...

I Am Here To Learn

We breathe...in and out...
And as we do so, we are breathed
In and out ourselves!

::

Original music & haiku poetry by Bob Weathers

Breathed

Danser toute la nuit
Les lumières de la ville brillent si fort (Ooh, ouais !)
Rêves de néon Nuit électrique (Ooh, oh !)

Neon Nights

Out of the desert heat and arriving home.

The Sands

와서 가장 인기 있는 구매 상품을 확인하세요

쇼핑몰 쇼핑 101

Pour Lya 🩷

Nos promesses à jamais 
Souvenirs envolés 
Nos promesses et l’ivresse
souvenirs engloutis 

Baby won’t you let me
Étreintes éphémères 
C’est la vie tu sais
C’est la vie qui ne sait
C’est la vie qui nous emporte
C’est la vie électrique 
C’est le vent qui nous porte

Amour synthétique
C’est la vie qui nous emporte
C’est la vie électrique 
C’est le vent qui nous porte
Amour synthétique

C’EST LA VIE 3

The Battle of Passchendaele was a major World War I campaign fought by the Allies against the German Empire on the Western Front from July to November 1917.  It is widely remembered as a vivid symbol of the horrific fighting conditions, particularly the deep mud, and immense casualties for minimal strategic gain. The village of Passchendaele was eventually captured by Canadian troops on November 6, 1917, and the nearby ridge was secured by November 10, when the campaign ground to a halt. The advance was a mere five miles, achieved at an enormous cost of an estimated 275,000 to over 400,000 Allied casualties and around 220,000 to 400,000 German casualties. The ground gained was ultimately abandoned by the British in the face of a German offensive the following year. The name "Passchendaele" has since become synonymous with the brutal and often futile nature of trench warfare during the First World War.

Passchendaele

sequestered

“A painter paints pictures on canvas but musicians paint their pictures on silence.” -  Leopold Stokowski

A member of Cellar Door which you can find here: https://soundcloud.com/cdoor

"The most powerful and magical language is music. The reason for this is that music is the original language. Music is not ornamented poetry, and poetry is not ornamented prose. Poetry is fallen music, and prose is fallen poetry. Prose is not the original language; it is poetry made practical. Even poetry is not the original language; it is music made speakable, it is the words of music separated from their music. In the beginning was music." (Peter Kreeft, Philosophy of Tolkien)

Passchendaele

Classical Glass

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