A marvel of an arrangement - quite right you're chuckling 'oh yeah' at the end. Would have worked fine on Sgt Peppers!

Fabulous guitar playing , and the tone is perfect !

Gorgeous creation Steve, and I was 64th to like! Cool work

What a fabulous performance on this Steve! Interesting and impeccable guitar work throughout. Love the Beatles tune woven in also. Masterful stuff!!!

An outstanding track and production Steve.....Great work and creativity.....

'notimistic dopplegangbang' with Harmful if Followed
https://www.instagram.com/reel/DPAdEmJjP1b/?igsh=MWJvcWJsMW44YTI2OA==
Note: a live porch jam with overdubbed vocals from the UK
Shane: lyrics, vocals
Scotty: guitar, lyrics, vocals, photo 

Babe, fuck a fast car, we ain't goin' nowhere.
The end of us ain't far, and I refuse to care.
We pretend we're par, lost within the glare
of what we feel while high, as if nothing else compares to you. 

Mate it’s great you stay in touch 
Cos just like me I think you smoke a little bit too much
And it’s lovely to believe, there’s another one of me
Living over there but that one’s got more hair

notimistic dopplegangbang (with Harmful if Followed)

lyrics

You talk about me yeah
You said that I was the problem
You told your friends that
You said that I wouldn't holla
We texted everyday
We talked whenever
You talk about me yeah
You talk about me
They believe the words you say
They believe I'm not here to stay
They believe the words you say
I'm packing my bags today

I thought you loved me
I really thought
I thought you loved me

When I can't sleep at night
It's you I'm yearning for
Why can't we get this right
I'm trying to not walk out that door
Stop talkin bout me
Stop saying the bad things that you say
Stop talkin bout me
Stop saying that things won't go our way
Let's try one more time

I thought you loved me
I really thought
I thought you loved me

I Thought Wrong

'strike two'

scotty: acoustic pearl export, epiphone casino, fender squire 3/4 bass. Just blowing off some steam, y'all. 

strike two

I used a phrase from a comment I received from Stars Mighty Fine as the title.
First, I see a chaotic array of tones, and then I try to create some kind of structure from that chaos. I think the process of composing is simply trying to control the song and sound with all my might.

We Control with All My Might (357)

Ready For Liftoff (2025) Remastered

Years ago, my brothers and I had spent several weeks getting my dad's house ready to sell after he had passed. I was in the realtor's office ready to sign the paper work when the prospective buyers asked why I wasn't buying the house I grew up in.  I said (not thinking) "Too many ghosts".  The realtor immediately jumped in and said, "he means memories" to which I smiled confirming the needed clarification:)  It does beg the question however, how many "ghosts" haunt our lives; bad decisions, fractured relationships, things we did or failed to do.  I have found hope and forgiveness in the Christian faith, others have found healing in the passing of time, others still carry a heavy burden of what could have been or should have been.  Peter explores the theme in poignant verse to Seagull's quixotic soundtrack.  I am honored to  contribute a few colors to the tapestry;)
Acoustic guitars left & right; David Dunham; @david-dunhamuser589535203
Superb Poetry/Lyrics, Narration; Peter the Poet; soundcloud.com/user-264930040/tracks
Master of the music, lead guitar solo, mix & production;  Seagull @farout-music-studio
Wonderful voice: Clara Sorace
Track art: Bing images
Ghost of a Sense:

Yes, I know you.
I can feel your presence.
I can touch you, smell you.
I see you not by sight of eye
And yet I ken that you are I
That vespered wraith that writhes within
To test my faith, try my sin
Push the bounds to cause offence
A moral, soul thing, ghost of a sense recalls myself, so well defined
Entrenched, walls behind, built so sound of dust that crowned the pity, falling soft amiss,
Deep inside the tears I cry as here I find my self-abyss.

Whispers bringing shadows, filled of secrets therein held,
Memories, morose, piece me still, to wear in time, my wasted face.
And now reside, cast aside, to forge and ever meld,
Of haunting, ringing echoes, that will alone their chime erased.

Ah! But you won't twist me, nor bind me fast, to the sandy doctrines of the misty past,
With its beards and staffs and crinkled testaments.
My future's sprinkled here present with your crass irrelevance and matters not that sat right there,
The blackest chasm in my simpling world so spare,
Where space and time have overspilled the leaking psyche of a crippled mind,
That barely copes, unfulfilled, a crooked, limpid moral health of broken shrines
That hopes to find ....
.......some worthwhile inner self.

Ghost of a Sence (Seagull, Peter, David)

Just Who Is That Kat?

Cast of Characters:

Mistermark-- @user-432503709 -- Mark –- VST Middle Eastern instruments (Duf Drum, Daire drum, Darbuka, Riq, Qanun, Zurna horn, Ney flute, strings), female vocal sample, 'ululation' (high pitch yodel), and composition
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Custom fretless 5-string bass 
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics
J.J. Terrell– @j-j-terrell – saz, shakuhachi, and synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken — cymbals and Chinese percussion
TexMex Shaman– @texmex-shaman –Stephen — traditional gourd-body sitar and mastering.
From me, 
 "My heart breaks for the people of Palestine, who are experiencing a genocide in real time. They had such amazing music there, too, which I fear may die out along with the population. I also love my Jewish brothers and sisters, too. And my true hope is that they all can allow their children to grow up without perpetuating the same cycle of hate that has devastated Palestine and caused so much suffering in Israel, as well." --Me
  Josh had the idea for doing a traditional Palestinian song, as he is an avid fan of their music. He wanted to raise awareness of this music and tie it to the idea it may cease to exist as a living musical tradition sooner than later. Everyone in the band was immediately on board with this idea, and set about to make it happen. 
  Mark, who is an expert percussionist, learned a basic traditional Palestinian drum pattern, in a very authentic fashion. He laid it down, along with an Arabic sounding modal melody line portrayed by the quanun, which is a kind of zither. Josh found this pattern fascinating, and added his five string fretless bass to the it shortly after. Carl jumped in very shortly thereafter, and came up with some really amazing vocal melodies, as well as wonderfully prescient lyrics. He even learned more than several phrases in Arabic, which he sang in there, too. We were all very impressed by this, of course.
  JJ was next up, adding his magical, melodic, and exotic saz, shakuhachi, and synth to the mix. Ken threw in next, adding his perfectly timed brass and Chinese percussion to the mix, too. Last, but certainly not least, Stephen recorded his subtle, exotic, traditional sitar to the piece. 
  Once we had it all recorded, we turned it over to Mark for a mix, as the whole thing is really his baby. Stephen mastered it, though, as he is our resident professional producer.
  Our hope is that this song inspires you to dig into Palestinian music, and through that, you recognize the magic and the humanity of millions of Palestinian people who are suffering unimaginably right now. But most of all, we hope you enjoy listening to this as much as we enjoyed creating it.
Original lyrics by The Beautiful Dark:

Sisters and brothers
Daughters and Sons
We would give you food
But the road is blocked to sun
Proud Palestine
Brave brethren
Our hearts are with you
Our souls are weeping

Inhumane blockade of bread
Pains collective minds 
We want gone this dread
Let's find our kind
Please be strong
As we right this wrong
Hope prays that day will not be long

We pine with your God
To find a normal truth
Where your kids can grow and learn good youth
Sisters and Brothers
Daughters and Sons
We are with you Palestine
Sending love through song

The eye sees but the arm is short ( العين ترى والذراع قصيرة )

We are in the same boat ( نحن في نفس القارب )

Winds do not blow as the ships wish ( لا تهب الرياح كما تشاء السفن )

Being alone is better then being with someone bad (أن تكون وحيدا أفضل من أن تكون مع شخص سيء )

What is hidden is more then what has happened ( ما هو مخفي أكثر مما حدث )

Every problem has a solution ( لكل مشكلة حل )

Good intentions count for as much as good actions ( النوايا الحسنة لها نفس أهمية الأفعال الحسنة )

All is well that ends well ( كل شيء على ما يرام إذا انتهى بشكل جيد )

Oh My Darlin Palestine (Eclectic Collective)

Cast of Characters:
Mistermark-- @user-432503709 -- Mark –- VST Middle Eastern instruments (Duf Drum, Daire drum, Darbuka, Riq, Qanun, Zurna horn, Ney flute, strings), female vocal sample, 'ululation' (high pitch yodel), and composition
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Custom fretless 5-string bass 
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics
J.J. Terrell– @j-j-terrell – saz, shakuhachi, and synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken — cymbals and Chinese percussion
Llanpsych - Fluffer for the keyboardist and key grip
TexMex Shaman– @texmex-shaman –Stephen — traditional gourd-body sitar and mastering.

  Josh had the idea for doing a traditional Palestinian song, as he is an avid fan of their music. He wanted to raise awareness of this music and everyone in the band was immediately on board with this idea, and set about to make it happen. 
  Mark, who is an expert percussionist, learned a basic traditional Palestinian drum pattern, in a very authentic fashion. He laid it down, along with an Arabic sounding modal melody line portrayed by the quanun, which is a kind of zither. Josh found this pattern fascinating, and added his five string fretless bass to the it shortly after. Carl jumped in very shortly thereafter, and came up with some really amazing vocal melodies, as well as wonderfully prescient lyrics. He even learned more than several phrases in Arabic, which he sang in there, too. We were all very impressed by this, of course.
  JJ was next up, adding his magical, melodic, and exotic saz, shakuhachi, and synth to the mix. Ken threw in next, adding his perfectly timed brass and Chinese percussion to the mix, too. Last, but certainly not least, Stephen recorded his subtle, exotic, traditional sitar to the piece. 
  Once we had it all recorded, we turned it over to Mark for a mix, as the whole thing is really his baby. Stephen mastered it, though, as he is our resident professional producer.
  Our hope is that this song inspires you to dig into Palestinian music, and through that, you recognize the magic and the humanity of millions of Palestinian people who are suffering unimaginably right now. We hope you enjoy listening to this as much as we enjoyed creating it.

From Carl...
Music is our key to permanant peace on planet Earth in my view. If written thoughfully, it is our unimposing tool where we can share our different cultures like EC have done here to celebrate with our Palestinian friends stylistically the light of their music. I don't speak Arabic so I hope I don't offend anyone but I learned the Arabic as best as I could phonetically. It's done with the best of intentions . The eight Arabic lines are famous proverbs and show us how similarly all of our truths evolve from our hearts and souls

Peace and Love to everyone


Original lyrics by The Beautiful Dark:

Sisters and brothers
Daughters and Sons
We would give you food
But the road is blocked to sun
Proud Palestine
Brave brethren
Our hearts are with you
Our souls are weeping

Inhumane blockade of bread
Pains collective minds 
We want gone this dread
Let's find our kind
Please be strong
As we right this wrong
Hope prays that day will not be long

We pine with your God
To find a normal truth
Where your kids can grow and learn good youth
Sisters and Brothers
Daughters and Sons
We are with you Palestine
Sending love through song

The eye sees but the arm is short ( العين ترى والذراع قصيرة )

We are in the same boat ( نحن في نفس القارب )

Winds do not blow as the ships wish ( لا تهب الرياح كما تشاء السفن )

Being alone is better then being with someone bad (أن تكون وحيدا أفضل من أن تكون مع شخص سيء )

What is hidden is more then what has happened ( ما هو مخفي أكثر مما حدث )

Every problem has a solution ( لكل مشكلة حل )

Good intentions count for as much as good actions ( النوايا الحسنة لها نفس أهمية الأفعال الحسنة )

All is well that ends well ( كل شيء على ما يرام إذا انتهى بشكل جيد )

Oh My Darlin' Palestine (Eclectic Collective)

I had these two little blues pieces – in E and C – and an arrangement for When I’m 64, and they seemed to fit, and voila! The whole piece runs for 100 bars, but subtracting the repeated two blues sections the piece adds up to 64 bars. I swear this was an accident!

Credits: When I’m Sixty Four by John Lennon & Paul McCartney, 1967. (McCartney wrote the song.)


Sixty-four Bar Blues

Meditation in the Garden of Transformation

Sprawling Mantra

I like Soundcloud because it's a friendly community for sharing our music. When I comment on a track, I like to say something about how you wrote, performed or produced it. I have musically diverse interests: pop/rock, jazz-rock fusion, prog & alternative rock, blues, classical and neoclassical, to mention some. Main instrument is guitar; I'm not a keyboard player or singer, but hopefully I can do enough there to make my work sound ok.

Sixty-four Bar Blues

Steve Matthews

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