Krásný, silný moment....nádherné....

Music by Nic Evennett and Philip Dupuis (Classical Glass)
Lyrics by Nic Evennett
For more by us as Cellar Door https://soundcloud.com/cdoor
For more music by the wonderfully talented Nic: https://soundcloud.com/wingless-night
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You don't have to be right,
you don't have to be.
there's every chance the world is upside down.
in strange jaws
and broken mouth
though how the tongues are soaked but never drown...

don't worry yourself,
don't worry.
the ocean doesn't judge with all it knows.
say sorry to your tired limbs and lay them on the shore
the body won't stop pulsing under clothes

the colours of the massacre that opened up my throat
and dripped down to the floor
there's a pool of barely spoken, hardly thought , and never wrote,
and stains forever more.
who are we breathing for?
who are we breathing for?

are you brave enough to follow between the stolen sounds?
are you wise enough to know what cuts in two?
can you rise to the challenge whilst you fall to the ground?
am I asking you in me or me in you?
are you brave enough to follow between the stolen sounds?
are you wise enough to know what cuts in two?
can you rise?

Pulsing (Nic Evennett and Classical Glass as Cellar Door)

Lable: Sonder house
Mastering: Case mastering

spotify link:
open.spotify.com/track/6J7M2LFGNX…NYRxKtu_FnDwMKmA

Photo. Jessica Lindgren Wu

Ostinato

A small sketch from my book of piano ideas

Many thanks go to David Dunham for mastering my track. @david-dunhamuser589535203

Dirge for Summer (Piano Improvisation)

The pic is from unplash, the author Aaron Burden https://unsplash.com/photos/-TYvt5pmKng
The string instrument used in the first part of the track is "The harmonic Flights"   created bySage Reynolds for the PIANOBOOK
https://www.pianobook.co.uk/packs/harmonic-flights/

I had a track called "Drops" by then, I kept going back to it and was never satisfied with the changes I did to improve certain parts in it I took the scissor and CUT.., So yes, not a true metamorphosis but close enough ...,  :) ! Hope you enjoy anyway

Metamorphosis, Birth Of A Butterfly

"Autumn to Winter" was composed for the Piano Soundboard "Four Key" challenge on Facebook, and is my first piece using the new Soundpaint from 8Dio, featuring their 1928 Scoring Piano.

The photo in the cover art is from 8moments on Pixabay:  https://pixabay.com/users/8moments-4532813/

Autumn to Winter

AUTUMN TO WINTER

"Letters to the Lost" transforms into a deeply emotional piano ballad, emphasizing the solo piano's ability to convey the profound depth of unsent letters to a former lover. This arrangement highlights the delicate and poignant nature of the music, with each note resonating with the weight of words left unspoken and emotions unexpressed. The song's lyrics intertwine with the piano's tender melodies to create a reflective and intimate atmosphere, perfect for listeners who are drawn to the raw honesty and vulnerability of solo piano music. This track serves as a moving exploration of love, loss, and the search for closure within the quiet confines of personal reflection.

Letters To The Lost

Sing in Blue  for the Voice of the Sea….    

Like a bird on the road, that has flown too far
feathers stiff, stuck in the gun-metal tar
like a ship out to sea where the people have fled
leaving food warm and waiting, words left to be said

I went walking one day on the turn of the tide    
felt a seeping of blood warming up from inside
Sing in Blue Sing in Blazing, in Sky Colours too
for the voice of the sea holds a memory true

There are faces there dreaming, just beyond reach
voices crooning in golden on a dream-shadow beach
It’s a calling, a drawing, it’s a pink spiral shell
whisper ocean, I hear you in a far away bell

I went walking one day on the turn of the tide    
felt a seeping of blood warming up from inside
Sing in Blue Sing in Blazing, in Sky Colours too
for the voice of the sea holds a memory true

Draw in deeper my darling, draw in wild, draw in wet
for there’s things here a-thriving, that you’ve tried to forget
And they watch as you pass, your body moves by
The yellow-head gannet slides clean through the sky
to the belly of sea and the beat of the sun
running faster we dance as the water colours run..

I went walking one day on the turn of the tide    
felt a seeping of blood warming up from inside
Sing in Blue Sing in Blazing, in Sky Colours too
for the voice of the sea holds a memory true

This is essentially an acoustic track – I was in a bit of a ‘dark celtic’ mode and I’ve been exploring how to play a wooden bass recorder (plus descant and alto) and have also included the ocean as an instrument… I recorded the waves/gulls on the beach where I originally wrote the song – how’s that for synergy??   it was a tricky mix I can tell you!!  The cello added some more grunt… well,  no synths in this piece!!  
That big recorder sure takes a lot of air to play it… but I love that hooty haunting sound… what do you think?  


Sing In Blue... for The Voice Of The Sea

I'm happy to present my first digital mini-album. It's called "alp" and it contains six piano improvisations inspired by nature. The tracks were played in a recording studio with an acoustic piano. You can download alp (which includes this track)on bandcamp: http://ariad.bandcamp.com. 
Music video: https://www.youtube.com/watch?v=_hsObHgzN1U

On The Move - Oliver Patrice Weder

4 years ago I wrote this composition in remembrance of the dreadful event in Nice on the 14th of July....Jeff Torres has been so kind to add his own orchestration to it, and hope you will enjoy listening to it....
my sincere thanks go out to him....

To listen to more by Jeff, please follow this link....
@jtcmposr

Art picture by Tom Morel on Unsplash

Une pensée pour Nice....Jeff Torres-Liz Dicker

Chaconne in Blue

“A painter paints pictures on canvas but musicians paint their pictures on silence.” -  Leopold Stokowski

A member of Cellar Door which you can find here: https://soundcloud.com/cdoor

"The most powerful and magical language is music. The reason for this is that music is the original language. Music is not ornamented poetry, and poetry is not ornamented prose. Poetry is fallen music, and prose is fallen poetry. Prose is not the original language; it is poetry made practical. Even poetry is not the original language; it is music made speakable, it is the words of music separated from their music. In the beginning was music." (Peter Kreeft, Philosophy of Tolkien)

Pulsing (Nic Evennett and Classical Glass as Cellar Door)

Classical Glass

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