Fix You

Faded Summer Storms & Lullabies

In The Room

Stadsbilder (”City Images”) is the first collaborative album between Swedish musicians Jakob Lindhagen and Dag Rosenqvist. The composers have both made names for themselves within the contemporary music scene – Jakob as an award-winning film composer with solo music streamed in the millions on digital platforms, and Dag as a highly prolific musician and sound artist, having over 50 releases over the last 15 years in a vast array of constellations, both solo works and as part of the duo From The Mouth Of The Sun, as well as film composing and music for dance performances.

The music on Stadsbilder intertwines layers of organic and electronic sounds, with minimal piano melodies meeting vintage synthesizers, found sounds, harmonium, banjo, kantele, Fender Rhodes and saxophone, as well as cello (played by Sebastian Selke of CEEYS).

Stadsbilder will be available in two distinct vinyl versions. The first comes in a limited, handmade edition of only 50 individually unique copies, each with hand done analog collages made from original vintage prints of views of the American southwest, antique interior design prints, and cut out, 100 year old industrial engravings and other paper ephemera. Each of these is mounted on the front of heavyweight, recycled kraftboard record jackets. On the back of each jacket is a corner mounted, double sided, art deco interior design print, and the album text is printed on separate corresponding pages from the same 1930’s book that the front collage materials came from. Each jacket then comes in a heavyweight outer poly sleeve.

There is also a standard vinyl version in an edition of 150 copies in a full color printed jacket. Both versions come with 180gm clear vinyl. The release will also be available digitally at the Time Released Sound Bandcamp page, and on numerous streaming platforms worldwide.

BC:
https://timereleasedsound.bandcamp.com/album/stadsbilder

Spotify:
https://open.spotify.com/track/4yeKL6dkVWfknKd9uNcw7t?si=335dc93fdc074ec1

Jakob Lindhagen & Dag Rosenqvist - Gamla Drömmars Stad

This is a bit different from my usual 'style', whatever that is :-), but I felt inspired by a dear friend, Milco Huisman [a brilliant and talented flute player], and said that I would try to create a piece whilst I have lost partial hearing [temporary we hope!], and see what the outcome was. This is it. I can 'hear' it, but only just enough to know the feeling I wanted to convey, though not even sure if I did this

I played by feeling more than hearing and just 'prayed' that volumes, mixing and sounds were ok, LOL

So a BIG Thank You Milco! :-)

(and also for the wonderful support from Erik Tavis [Melotone], Ian Gray [The Subwave Network, UK], Miles [Strange Meat] and of course John Styles [OneVision CrossWorlds], who have also offered to help out,  while I either adapt to this hearing impairment, or get it back - thank you so much, and others, too many to mention!) :-)

Thus, I would truly value your feedback :-)
… and wish me luck in regaining my full hearing soon! So I can hear everyone's creations properly too! I am looking forward to it!  :-)

Moths to A Flame - Megs McCarthy

Piano M 7966 4:48 06-08-2025

Deep Sleep Eleven 432Hz

1169 — Piano

Video: https://vimeo.com/benoitcourti/samling

SAMLING

A complementary composition to "Entering Narnia" inspired by the magical world in C.S. Lewis' Narnia Chronicles.

Entering Narna

https://soundcloud.com/classicalglass-1/entering-narnia-classicalglass-and-nic-evennett

Leaving Narnia

Variation on "Tomorrow Song" (Olafur Arnalds)

Made with the Hyundai U852 by Samual P Davies available for free at Pianobook

https://www.pianobook.co.uk/library/hyundai-u852/

Photo by Natalya Letunova on Unsplash

Tolstoy's Waltz

“A painter paints pictures on canvas but musicians paint their pictures on silence.” -  Leopold Stokowski

A member of Cellar Door which you can find here: https://soundcloud.com/cdoor

"The most powerful and magical language is music. The reason for this is that music is the original language. Music is not ornamented poetry, and poetry is not ornamented prose. Poetry is fallen music, and prose is fallen poetry. Prose is not the original language; it is poetry made practical. Even poetry is not the original language; it is music made speakable, it is the words of music separated from their music. In the beginning was music." (Peter Kreeft, Philosophy of Tolkien)

Variation on "Tomorrow Song" (Olafur Arnalds)

Classical Glass