(kind of suspended the account...)
Surrism-Phonoethics is a Offenbach, Germany based non-profit netlabel specializing in Experimental music. Some of their releases could be classified as Electronic art music/Electronic music, industrial or experimental music with sub-genres like Electro-Acoustic, Improvisation & Cut-Up. Their official launch occurred in 2008, with a release for Undress Béton ‘Tarentaliogy Defloration’. All their releases are free for download under Creative Commons or Copyleft licenses.

suRRism was initiated by Jaan Patterson & Acedia Nuit, formalized after the publication of their Surrism Manifesto to the Internet Archive as lettrrism_0000 in November 2007. The release labeled as ‘sPE_0001’ ‘Caged?’ in February 2010 by Igor Jovanovic (Lezet) consists of 10 Prepared Piano pieces, was the first Artist, besides the founders who released to their catalogue of suRRism-Phonoethics which is now run by Jaan Patterson.

All tracks on this page can be downloaded from our official page at http://freemusicarchive.org/label/suRRism-Phonoethics/

mail@phonoethics.com for consideration.
best wishes,
Jaan Patterson

My interest lies in tweaking soft synths so they can show their real power. Just swimming in that cruel ocean of wobbling bass, groovy beats & harsh leads, reaching out for my own pleasure.
You call it noise? Negative, that’s MY MUSIC! Care 4 your ears, dudes.

Ben Presto's musical career definitely took off with the band Larsen Lombriki.
Larsen Lombriki was founded in Rome, Italy in 1997 by combining multimedia projects by public art and urban actionism. 
What began as an idea to put music to the fanzine “RoToR” soon became the creation of innumerable illusory groups and a phantom label, the Rotor Audio Club. 
At the present time, Ben Presto lives in Rovereto, Italy and plays in different improvisation / avant / noise groups and collectives and as a solo project he deals mainly with plunderphonics and electroacoustic music.

https://paralleluniversepsychoparanoidflowerpowerelectroshitsongcompany.bandcamp.com/
http://www.myspace.com/larsenlombriki
https://myspace.com/larsenlombrikijr
http://www.myspace.com/catholicmosquito
http://www.myspace.com/iplacca1
https://myspace.com/ppfpessco
https://archive.org/details/ca035_psycho
https://archive.org/details/tofu_bibles
http://ancolmit.bandcamp.com/
http://www.1nd3x.com/larsenlombriki/rotor/index.htm
http://studiricerchecontemporanee.blogspot.com/
http://www.inventati.org/scarph/clorofolk1.htm
http://www.inventati.org/scarph/clorofolk

Classwar Karaoke is operated by Anthony Donovan & Jaan Patterson.

As a project, classwar karaoke is based around a series of ongoing, quarterly surveys, the first of which, dubbed '0001 survey', was released in May 2008. Each survey is different - in terms of personnel, number of personnel, and in terms of theme. Participation is fairly open - so long as those interested in being involved work intelligently within the broad context of experimental music and do not seek to use the project as just another on-line shop-window for their material. So far, the inclusive nature of classwar karaoke has worked wonderfully-well in terms of quality of material. See and hear for yourself by checking out our internet archive pages. Indeed, the label itself was envisaged, from the very start, as an experiment in the positive power which inclusivity can have upon artworking if included in meaningful ways. That said, we reserve the right to maintain the quality of both the art which is offered and the community from which it comes. Our ambitions for the label do not stop at periodic on-line releases. In the short time it has been running, we have already had one classwar karaoke live showcase; which featured as 0005 survey. More events are planned. Similarly, physical releases - of CDRs and DVDs - are forthcoming.

If you like what you hear and see, please leave a comment; and if you'd like to be included in a future survey, get in touch, and we can discuss that possibility.

Best wishes,
Anthony Donovan & Jaan Patterson

French duo of sonic manipulators and circuit benders.

I like to be introduced as a "MUSICAL TRAVEL-AGENT".
ONSTAGE I'm mostly playing an Easel K (Buchla Modular Synth) and The Pipe (from SOMA Lab) which allows mouth-synthesis... I also manipulate unique vinyls with my sounds/musics, assaulting turntables to take advantage of the vinyl material to fondle released sounds, raking the needle across the record's grooves, rubbing their stylus on paper, cardboard, metal to process unusual noises and textures. I have a physical relation to my recordings and envision my live sets like performances. 
Gesture is also a very important part of my compositional process... While composing I am also relying on the use of real instruments such as Cymbalom, Pianos, Guitar and Percs that I play like a kid discovering a new toy, improvising and attaching great importance to gesture and stressing dynamics. My moves aren’t consensual, not cozying up potential listeners. A Punky approach even if throughout the past years I have been following courses of Composition + Electroacoustic Music at the Conservatory, specializing in Modular Synthesis. 
Pushing further my research in bringing together the Human and its Machine into a tapestry of sound which creates a deep sound assemblage of exotic Musiques Concrètes which guarantees to grow on you with repeated listens, slowly revealing its detailed richness…

Classwar Karaoke is following