Awards winning musicians & developers. BEATSURFING, RANDOM, PLAYGROUND, BEATFADER...
Founded in 2003, Herrmutt Lobby have released music on various labels – DUB, Studio !K7, Vlek, Eat Concrete, Thin Consolation, Catune, Detroit Underground – and across genres.
Alongside music, they’ve also devised and built various softwares, controllers, and apps that help musicians perform live with the freedom to express at the moment’s inspiration/instinct.

All Inquiries: 
nate@middlewestmgmt.com
BOOKING: 
(US) Jackie Nalpant webinfo@paradigmagency.com
(EU) tom.dodd@codaagency.com

DIVINE ECSTASY OUT JANUARY 28th VIA Dovecote Records (US) and Memphis Industries (EU)

RELEASES:

"Whispers in the Dark out  on Dovecote Records: http://www.insound.com/Whispers-in-the-Dark-Vinyl-LP-Supreme-Cuts/P/INS109070/

Supreme Cuts and Haleek Maul Mixtape … http://mishkanyc.bandcamp.com/album/chrome-lips

Chrome Lips Instrumentals FREE DL = http://tinyurl.com/ajyh6m2

"Trouble" EP
Buy here: http://smallplates.bigcartel.com/product/supreme-cuts-trouble-ep
For all inquiries, contact <a href="mailto:supremecutsmusic@gmail.com" rel="nofollow" target="_blank">supremecutsmusic@gmail.com</a>

Chandler Jay is a second generation native New Yorker who started his musical career playing woodwinds as a teen. Although he was able to read music, his interests fell shy of composing scores and leaned toward writing lyrics early on. "I remember sitting on the school bus on the way to school, and hearing Snoop's: What's My Name on the radio. Something about the samples, Snoop's flow and the way New York looked outside the bus window at the time told me that I should do this..." He attended the Ethical Culture Fieldston School, joining an elite group of musical alumni including the late, great Gil Scott Heron. 
On January 1st of 2012, where as a large population of the world was expecting the Mayan Prophecy to come true, Chandler was blessed with a beautiful son, Logan, and vowed from that day forward to focus on creating something original and artistic that they could both be proud of. He has dedicated hours to writing screenplays, comedy sketches and countless songs. Influenced by the deep tradition of Jazz with touches of everything from African rhythms to classical themes and eclectic soul sounds, Chandler blends together a versatile range of genres to form a unique sound, bringing us a kind of hip-hop that has yet to be heard.
In addition to striving to put his own dreams into fruition, he has acted as an advisor and confidant to various up and coming independent artists. Chandler's intention is to use his talents in collaboration to produce music and art that will enlighten people of all types around the world to reflect, uplift and rise up.

Booking: tribewildmusiq@Gmail.com
                imacapital@gmail.com

Other Inquiries:
       IG   : @TribeWild_Musiq

'This Is How You Do It' album out now on 2LP / CD / DIG


Bandleader Lance Ferguson and his nine piece Melbourne outfit The Bamboos have come a long way since forming in 2001. Initially inspired by the instrumental raw funk of the late ‘60s and early ‘70s, they made waves internationally and were quickly labelled as one of the greatest funk and soul bands of our time. But while many would be happy to simply soak up the praise and keep on keeping on, The Bamboos have proven that they are more than meets the eye; over five acclaimed albums, their evolution in sound and style has consistently confounded and exceeded expectations, pulling the rug from under the feet of those who like to pigeonhole. 

The band signed to respected Brighton (UK) indie label Tru Thoughts in 2005, where they remain a cornerstone of the roster. Across their five studio albums to date - ‘Step It Up’ (2006), ‘Rawville’ (2007), ‘Side-Stepper’ (2008), ‘4’ (2010) and 'Medicine Man' (2012) – the metamorphosis of The Bamboos has been full of twists and turns, and it continues apace. A seasoned DJ, solo producer (aka Lanu) and all-round insatiable music obsessive, Ferguson's myriad influences and passion for pushing things forward ensure that each new release is a discovery for devout fans and newcomers alike.

Their fifth long-player ‘Medicine Man’, released in June 2012 was a watershed - a forward-looking record brimming with fresh ideas, stellar turns, classic songwriting and a brand of multi–layered pop they can truly call their own. Guest vocalists Aloe Blacc, Tim Rogers (You Am I), Megan Washington, Daniel Merriweather, Bobby Flynn, alongside resident singers Kylie Auldist and then newcomer Ella Thompson helped make the album their biggest at home to date. Lead single "I Got Burned" feat. Rogers was a sizeable radio hit, made it to #54 on radio station Triple J's Hottest 100 listeners poll (the biggest publicly voted song poll in the world) of the top songs of that year.

Like its predecessor, the band's sixth album 'Fever In The Road' was co-produced by ARIA- nominated, multi-instrumentalist studio wizard John Castle – whose work with the likes of Washington, Josh Pyke, Gossling, Pez and Kate Miller-Heidke has ranked him amongst the first-call producers in Australia. The new record (the first on Ferguson's own Pacific Theatre label) sees Castle and Ferguson venturing into sonic landscapes The Bamboos have previously touched on but never fully inhabited. There is a sense that the music is leaner and more muscular, yet upon closer inspection the tracks reveal themselves to be densely multi-layered in a 'Wall Of Sound' style. And it's this aural complexity and depth that allows darker moods to roam through the album, taking their sound to a new place. The songs career from the wondrously anthemic ('Avenger', The Truth', 'Rats', 'Jump My Train'), to the dreamy and psychedelic ('Looking West', 'Harbinger') and the darkly fragile ('Killing Jar', 'Before I Go'). Choosing this album to reflect the band as it is on stage, the vocals are split between Kylie Auldist and Ella Thompson. And each bring contrasting styles that complement each other magically, but show The Bamboos to be utterly unique.

Their songs have been regularly on playlists of national radio stations in Australia, the UK, France, the US, Japan and beyond. The unshakable charm of their songs has also seen them licensed to hit movies including Crazy Stupid Love, the soon to be released  Adore - Naomi Watts & Robin Wright. and TV shows such as Grey’s Anatomy, CSI New York, One Tree Hill, Ugly Betty and Australian shows such as Underbelly, House Husbands, Offspring, Packed To The Rafters.

Claud Fatu is following