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الرفيق المفضل لبدايات المراهقة وصباحات المتوسطة والافطار والدراسة والتنقل بين بيت واخر..

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This is a studio recording from 2012 for the BBC film 'Loving Miss Hatto'. A biopic penned by the British comedian Victoria Wood about pianist Joyce Hatto.

The character piece is like the art song's fun-loving cousin who always shows up to the party with a bottle of emotional perfume. It's perfect for those intimate gatherings or solo rendezvous with your piano. Thanks to the piano's rise to fame in the 1800s, character pieces were popping up everywhere, and composers were flaunting their creations at the hottest recital events of the time. Basically, character pieces were the 19th century's version of a hot new single. If you thought Franz Liszt's music was boring, think again! This guy was all about giving his character pieces creative and whimsical titles, like "Sposalizio" and "Vallée d'Obermann". But don't worry, he didn't forget about those of us who like our music titles to be a little more straightforward - he also composed plenty of works with no-nonsense names like "Album Leaves" and "Klavierstücke". With his "Consolations" (a.k.a. "Six Poetic Thoughts"), Liszt took a page out of Chopin's book and delved into the world of nocturnes. And let me tell you, the third Consolation in D-flat major is pure Chopin - even the key is pianist-friendly, unlike those pesky "easy" keys like C major. Looks like Liszt knew a thing or two about pleasing his audience! If you're a Chopin fan, you're gonna love Liszt's "Consolation No. 3"! I mean, talk about a tribute - this piece is basically a carbon copy of Chopin's Opus 27, no. 1. And while it might not have the same flashy piano solos that Liszt is known for, it more than makes up for it with its dreamy, slow-moving melodies. Plus, it's in the same key as Chopin's original, so you know it's gotta be good.

Despite the unusual title, the Consolations were inspired by both poetry and religious contemplation, just like Harmonies Poétiques et Religieuses. Some say the title comes from an 1830 poetry collection by Sainte-Beuve, while others think it's based on a poem by Lamartine called A Tear (or Consolation). Either way, it seems like Liszt was in a pretty contemplative mood when he wrote these pieces. But don't worry, Liszt didn't completely forget his roots - he snuck in a little Hungarian folk song as the primary theme, which he later used in his "Hungarian Rhapsody No. 1". So even though this piece might not match the wild, hair-flailing image we have of Liszt, it's still got a little bit of that old-school flavor. Liszt's "Consolation No. 3" wasn't just a musical masterpiece - it was also a major turning point in the composer's life. And let me tell you, Liszt's early life was a doozy - it was basically one big, crazy party. But don't take my word for it, just ask his first mistress (and mother of his three children) Marie d'Agoult, who wrote all about it under the pen name Daniel Stern. And if you're feeling really adventurous, you can even watch the 1975 film "Lisztomania" for all the juicy details. Talk about living the dream! Liszt's life was like something out of a Hollywood movie - seriously, this guy was breaking class barriers and performing like a superstar. But as he got older, he decided to trade in the limelight for a little bit of privacy. He started conducting orchestras and composing more, and even started teaching aspiring pianists from around the world. I guess you could say he was the original piano man!

My SoundCloud Channel: https://soundcloud.com/archie-chen
Official Website: http://www.archiechen.com
Youtube DIPF https://www.youtube.com/c/PianofestivalIe
Youtube Archie https://www.youtube.com/c/ArchieChenPianist
Festival Website: http://www.pianofestival.ie
Teaching Website: http://www.pianoacademy.ie

Piano: Yamaha C7
Piano Technician: Martin Walsh
Recorded at Cauldron Studios, Dublin
Recording Engineers: Ciarán Byrne & Michael Manning
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An NFT of this track will be available from the artist soon!

Franz Liszt Consolation no. 3 in D flat Major, S. 172

Chopin Heroic Polonaise Op.53 A Flat Major - Played by Valentina Lisitsa

This seldom heard work by Claude Debussy is from my new CD album:
 'Debussy-Nature Myth Legend'

YouTube link:
http://youtu.be/fX1fqb3bJLA


Debussy-Nature Myth Legend

Nocturne, L. 82

'Nocturne' by Claude Debussy

Email: info@romantic-piano.co.uk
Website: www.romantic-piano.co.uk
Facebook: www.facebook.com/pianomusicforweddings
Tel: 0121 323 3154 / 07742 880 186


Nocturne in E Flat Major Op.9 No.2 – Frédéric Chopin

La fille aux cheveux de lin is a musical composition by French composer Claude Debussy. It is the eighth piece in the composer's first book of Préludes, written between late 1909 and early 1910. The title is in French and translates roughly to "The Girl with the Flaxen Hair". The piece is 39 measures long and takes approximately two and a half minutes to play. It is in the key of G♭ major.

The piece, named after the eponymous poem by Leconte de Lisle, is known for its musical simplicity, a divergence from Debussy's style at the time. Completed in January 1910, it was published three months later and premiered in June of that same year. The prelude is one of the most recorded pieces of Debussy's, both in its original version and in subsequent various arrangements.

Claude Debussy - The Essential Collection

3 Prèludes, Livre 1: I. La fille aux cheveux de lin

Tidal

244 — Piano

"Tones sound, and roar and storm about me until I have set them down in notes."
-Ludwig van Beethoven



Ludwig Van Beethoven - Sonata No. 17 In D Minor For Piano, Op. 31 - 2 (The Tempest)- III. Allegretto

Classical Favoriyes

Pavane pour une infante défunte, M. 19

Pavane for a dead princess

Written in 1890, Debussy's Reverie was one of his first solo piano works to make an impact. Even at this early stage in his career, when he was still working out what kind of composer he wanted to be (he was apparently a fervent debater when it came to Wagnerism), it's clear to see traits of that signature Debussy sound.

However, the young Debussy had not quite developed the style and tricks that would earmark him as one of his generation's most notable talents. There are no fireworks here, no sudden explosions in texture that would come to characterise his later works - this is more of a meditation, the perfect precursor to exploring those later works.

The gently repetitive theme that opens the work feels like a descent into sleepy dream-world (as the title suggests), and as the textures become ever richer the dreams only become more lush and addictive. A fantastic early sign that this Debussy fellow was one to watch…

Source:

ClassicFM
http://www.classicfm.com/composers/debussy/music/debussy-reverie/

Retailers:

Debussy Amazon
https://www.amazon.com/Claude-Debussy-Essential-Collection/dp/B00I6CEZQO/

Debussy Spotify
https://open.spotify.com/album/0Mmayh49XRWTXp53uf3jtF

Best of Debussy iTunes
https://music.apple.com/gb/album/claude-debussy-the-essential-collection/819582576

Debussy Compilation
https://listen.tidal.com/album/26275698

Claude Debussy
https://www.deezer.com/us/album/7429526

Best of Debussy Playlist
https://www.youtube.com/watch?v=eXtAfPp-70I&t=76s

Napster
https://us.napster.com/artist/claude-debussy/album/claude-debussy-the-essential-collection

Tidal
https://listen.tidal.com/album/26275698

Also check out the very best in R&B & Pop Music 2020 from IndyPop Records!
www.youtube.com/c/indypoprecords

Rêverie, L.68

The Two Arabesques (Deux arabesques), L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891.

Although quite an early work, the arabesques contain hints of Debussy's developing musical style. The suite is one of the very early impressionistic pieces of music, following the French visual art form. Debussy seems to wander through modes and keys, and achieves evocative scenes through music. His view of a musical arabesque was a line curved in accordance with nature, and with his music he mirrored the celebrations of shapes in nature made by the Art Nouveau artists of the time.

Arabesque No. 1. Andantino con moto

This arabesque is in the key of E major. The piece begins with parallelism of triads in first inversion, a composition technique very much used by Debussy and other Impressionists which traces back to the tradition of fauxbourdon. It leads into a larger section which begins with a left hand arpeggio in E major and a descending right hand E major pentatonic progression.

The second quieter B section is in A major, starting with a gesture (E-D-E-C♯), briefly passing through E major, returning to A major and ending with a bold pronouncement of the E-D-E-C♯ gesture, but transposed to the key of C major and played forte.

In the middle of the recapitulation of the A section, the music moves to a higher register and descends, followed by a large pentatonic scale ascending and descending, and resolving back to E major.

Source:

Wikipedia:
https://en.wikipedia.org/wiki/Deux_arabesques

Debussy Amazon
https://www.amazon.com/Claude-Debussy-Essential-Collection/dp/B00I6CEZQO/

Debussy Spotify
https://open.spotify.com/album/0Mmayh49XRWTXp53uf3jtF

Best of Debussy iTunes
https://music.apple.com/gb/album/claude-debussy-the-essential-collection/819582576

Debussy Compilation
https://listen.tidal.com/album/26275698

Claude Debussy
https://www.deezer.com/us/album/7429526

Best of Debussy Playlist
https://www.youtube.com/watch?v=eXtAfPp-70I&t=76s

Deux Arabesques, L.66: No.1 Andantino con moto

Apple Music

Hey 👋 Making classical music is thirsty work, I could sure use a beer right now! Buy me a pint if you can! Cheers!

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🍺 Buy me a Beer! 🍺

A delightful collection of Claude Debussy's most notable works.

Debussy Amazon
https://www.amazon.com/Claude-Debussy-Essential-Collection/dp/B00I6CEZQO/

Debussy Spotify
https://open.spotify.com/album/0Mmayh49XRWTXp53uf3jtF

Best of Debussy iTunes
https://music.apple.com/gb/album/claude-debussy-the-essential-collection/819582576

Debussy Compilation
https://listen.tidal.com/album/26275698

Claude Debussy
https://www.deezer.com/us/album/7429526

Best of Debussy Playlist
https://www.youtube.com/watch?v=eXtAfPp-70I&t=76s

Suite bergamsque, L. 75: IV. Passepied

Piano Classic Demo Music for the Sound Fazioli

Classic Piano

Ludwig van Beethoven : Piano Sonata No. 8 in C minor, Op.13 "Pathetique": II. Adagio cantabile

Dedico esta grabación con gran cariño a mis padres.

https://itunes.apple.com/us/album/debussy-deux-arabesques-single/id1109105473

Debussy: Deux Arabesques

Arabesque No. 1 in E Major, L. 66: Andante con moto

Claude Debussy: Première Arabesque

I produced this track using midi and EW Gold Pianos in order to perfection the performance as I imagine it.

Franz Liszt - Liebestraum - Love Dream

Claude Debussy (1862–1918)
Claude Debussy was a French composer and one of the most influential figures in classical music, widely regarded as the father of Impressionism in music. Born on August 22, 1862, in Saint-Germain-en-Laye, France, Debussy’s innovative use of harmony, texture, and tone revolutionized the landscape of classical music, pushing the boundaries of traditional forms and paving the way for modernism.

Debussy’s compositions are renowned for their rich, evocative textures and lyrical expressiveness, often inspired by nature, art, and literature. His most famous works, such as Clair de Lune, Prélude à l’après-midi d’un faune, La Mer, and Arabesque No. 1, showcase his mastery of orchestration and his ability to evoke mood and atmosphere through sound. With a preference for ambiguity and fluidity, Debussy often broke conventional structures, opting for unusual scales such as the whole tone scale, and creating music that defies simple categorization.

A key figure in the late Romantic and early Modern periods, Debussy’s music bridged the gap between the lush emotionalism of the 19th century and the more dissonant, experimental styles of the 20th century. His approach to rhythm, harmony, and tonality has had a lasting influence on generations of composers, including Maurice Ravel, Igor Stravinsky, and contemporary film score composers.

Debussy’s health was often fragile, and he faced personal and financial struggles throughout his life. Despite these challenges, his music continued to gain recognition, and he achieved a prominent position in the French music scene. He passed away on March 25, 1918, but his legacy endures as one of the most innovative and beloved composers in the classical canon.

The Claude Debussy profile on SoundCloud is dedicated to sharing his extensive catalog, offering listeners an opportunity to experience the depth and beauty of his works in a variety of interpretations. Whether through orchestral pieces, solo piano works, or new arrangements, this profile brings together the diverse facets of Debussy’s music for both longtime fans and new listeners to explore.

Rêverie, L.68

Claude Debussy

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