Grandiose, this exquisite feeling with every played note!

I added this performance to Peaceful moments Piano gens playlist 👏👏👏

Bach Cello Suite No.1 - Prelude (Tina Guo)

This is a studio recording from 2012 for the BBC film 'Loving Miss Hatto'. A biopic penned by the British comedian Victoria Wood about pianist Joyce Hatto.

The character piece is like the art song's fun-loving cousin who always shows up to the party with a bottle of emotional perfume. It's perfect for those intimate gatherings or solo rendezvous with your piano. Thanks to the piano's rise to fame in the 1800s, character pieces were popping up everywhere, and composers were flaunting their creations at the hottest recital events of the time. Basically, character pieces were the 19th century's version of a hot new single. If you thought Franz Liszt's music was boring, think again! This guy was all about giving his character pieces creative and whimsical titles, like "Sposalizio" and "Vallée d'Obermann". But don't worry, he didn't forget about those of us who like our music titles to be a little more straightforward - he also composed plenty of works with no-nonsense names like "Album Leaves" and "Klavierstücke". With his "Consolations" (a.k.a. "Six Poetic Thoughts"), Liszt took a page out of Chopin's book and delved into the world of nocturnes. And let me tell you, the third Consolation in D-flat major is pure Chopin - even the key is pianist-friendly, unlike those pesky "easy" keys like C major. Looks like Liszt knew a thing or two about pleasing his audience! If you're a Chopin fan, you're gonna love Liszt's "Consolation No. 3"! I mean, talk about a tribute - this piece is basically a carbon copy of Chopin's Opus 27, no. 1. And while it might not have the same flashy piano solos that Liszt is known for, it more than makes up for it with its dreamy, slow-moving melodies. Plus, it's in the same key as Chopin's original, so you know it's gotta be good.

Despite the unusual title, the Consolations were inspired by both poetry and religious contemplation, just like Harmonies Poétiques et Religieuses. Some say the title comes from an 1830 poetry collection by Sainte-Beuve, while others think it's based on a poem by Lamartine called A Tear (or Consolation). Either way, it seems like Liszt was in a pretty contemplative mood when he wrote these pieces. But don't worry, Liszt didn't completely forget his roots - he snuck in a little Hungarian folk song as the primary theme, which he later used in his "Hungarian Rhapsody No. 1". So even though this piece might not match the wild, hair-flailing image we have of Liszt, it's still got a little bit of that old-school flavor. Liszt's "Consolation No. 3" wasn't just a musical masterpiece - it was also a major turning point in the composer's life. And let me tell you, Liszt's early life was a doozy - it was basically one big, crazy party. But don't take my word for it, just ask his first mistress (and mother of his three children) Marie d'Agoult, who wrote all about it under the pen name Daniel Stern. And if you're feeling really adventurous, you can even watch the 1975 film "Lisztomania" for all the juicy details. Talk about living the dream! Liszt's life was like something out of a Hollywood movie - seriously, this guy was breaking class barriers and performing like a superstar. But as he got older, he decided to trade in the limelight for a little bit of privacy. He started conducting orchestras and composing more, and even started teaching aspiring pianists from around the world. I guess you could say he was the original piano man!

My SoundCloud Channel: https://soundcloud.com/archie-chen
Official Website: http://www.archiechen.com
Youtube DIPF https://www.youtube.com/c/PianofestivalIe
Youtube Archie https://www.youtube.com/c/ArchieChenPianist
Festival Website: http://www.pianofestival.ie
Teaching Website: http://www.pianoacademy.ie

Piano: Yamaha C7
Piano Technician: Martin Walsh
Recorded at Cauldron Studios, Dublin
Recording Engineers: Ciarán Byrne & Michael Manning
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An NFT of this track will be available from the artist soon!

Franz Liszt Consolation no. 3 in D flat Major, S. 172

My take on Chopin's saddest little prelude.  Two and a half minutes of ache.


Chopin Prelude No. 4 In E Minor, Op. 28

Antonin Dvorak - Humoresk

Solo Piano.  Created LIVE in Real-Time at St. Wenceslaus Church, St. Louis MO.

Year of Music: May 8, 2025

You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

Mendelssohn Venetian Gondola Song Op 30 No 6

https://www.aleksandramikulska.com​

https://bio.to/aleksandra​

European Melodies

Andante Spianato et Grande Polonaise Brillante in E-Flat Major, Op. 22

Chopin - Andante spianato et grande polonaise brillante in E-flat major, Op. 22 (Live)

Tom Boyd performing live March 27, 2012 at APU.

Gabriel's Oboe

Written by Handel; Arranged by Caroline Dale
Published by BMG Rights

01 Sarabande

Liebesträume: Dreams of Love – Liszt, also known in English as The Loves of Liszt
Its a romantic song ... tell about Lizt dreams about love after he broken heart..... 
Finally i can playing this song, although i not playing perfectly but it need long time since 2011 ... lol... Enjoying :)

Liebesträume : dREAM About Love - Franz Liszt Solo Piano by @airinaditya

Chopin: Balladen

Fantaisie-Impromtu in C Sharp Minor, Op. 66

Chopin - Fantaisie-Impromptu in C-sharp minor op. 66

Archie Chen is a dynamic leader and accomplished musician with a multifaceted career that spans performance, education, and arts administration. As the current Executive Director of Holy Names Music Center (HNMC) in Spokane, Washington, Archie has demonstrated exceptional leadership, creativity, and a commitment to community engagement. Under his guidance, HNMC, a not-for-profit community music school, has flourished, providing high-quality music instruction and related programs to children and adults. Archie's role at HNMC involves fiscal and administrative management, fostering positive relationships both internally and within the Spokane community, and overseeing program development, marketing, and public relations activities.

In his position at HNMC, Archie provides energetic and creative servant leadership to the Board of Trustees, faculty, and staff. He is responsible for developing the annual budget, implementing development and marketing plans to meet fundraising and enrollment goals, and overseeing the Music Center's physical plant. Archie's ability to work with diverse populations and his working knowledge of board relationships and functions have been instrumental in his success. He actively engages the board, staff, and faculty in long-range organizational planning, ensuring the Music Center's mission and vision are achieved.

Archie is committed to building a resilient business model with sustainable financial results. He collaborates closely with the development team, board, and staff to identify donor prospects, cultivate their interest, and increase donor engagement and financial support. His strategic vision includes considering the need for capital and endowment campaigns and leading their implementation as determined by the board. Archie's oversight of the marketing team's pricing, promotion, and packaging opportunities has uplifted the visibility of HNMC, its programs, and its venue.

Community engagement and educational impact are central to Archie's approach. He serves as the public voice for HNMC in Spokane and beyond, creating and maintaining relationships with local and national arts organizations, producers, and presenters. Archie encourages and supports educational partnerships both at the venue and throughout the community, fostering mutual support and collaboration. He is dedicated to enhancing educational offerings that provide performing arts experiences for a diverse range of demographic communities.

Administrative and operational excellence are also hallmarks of Archie's leadership. He continually examines the organizational structure and capitalization needs, creating plans that address gaps and embrace opportunities. Archie fosters a culture of collaboration and teamwork, sharing necessary information in a timely and transparent manner, which builds upon a culture where everyone feels valued and respected. He develops and implements effective policies that ensure the continued smooth operations of the organization, partnering with appropriate staff to oversee the management and upkeep of the Music Center's facilities.

Archie's musical journey is equally impressive. Described by the Irish Times as a pianist with "daring velocity" and a "fiery temperament," he has graced prestigious stages worldwide, including Carnegie Hall, Lincoln Center, the Gewandhaus, Vatican Auditorium, Benaroya Hall, and the National Concert Hall in Dublin. His performances have captivated audiences across the United States, Asia, the Middle East, and Europe. As a chamber musician, he has collaborated with renowned artists and performed with notable orchestras such as the Spokane Symphony and the RTE Concert Orchestra. His recordings on Sony Classical and Carnegie Artists Records have solidified his place among the leading pianists of his generation.

Archie's dedication to music education is evident in his comprehensive online education program, which offers courses in Piano Pedagogy, Piano Literature, Historically Informed Performance, and Entrepreneurship for Musicians. His mentorship has guided students to win top prizes in international piano competitions and gain admission to leading universities and conservatories worldwide. Archie has served on the faculty of the Royal Irish Academy of Music and TU Dublin Conservatory of Music, and he is the Founder & Artistic Director of the Dublin International Piano Festival & Summer Academy.

In his role at HNMC, Archie is deeply committed to strategic vision and board governance. He provides leadership and direction to the board, Artistic Director, and staff to amplify existing artistic programs, diversify program opportunities, and set a vibrant strategic direction for the organization. Archie's engagement with the community focuses on building relationships, long-range goals, and a vision for HNMC that is embraced by multiple stakeholders. He supports the board in identifying, cultivating, and recruiting new board members while leveraging the deeply committed involvement of existing board members and considering long-term succession planning. Archie's support for board committees empowers staff to function in a collaborative and unified work environment, enhancing and building a deep culture of collaboration, communication, and transparency.

Archie Chen's leadership, artistic vision, and dedication to community engagement make him a valuable asset to any organization. His ability to inspire and connect with diverse audiences, combined with his entrepreneurial mindset, positions him to lead with confidence and achieve significant impact. Archie's comprehensive experience in fiscal management, fundraising, and strategic planning ensures the long-term viability and success of the organizations he leads, making a profound difference in the communities they serve.

Franz Liszt Consolation no. 3 in D flat Major, S. 172

Archie Chen Pianist

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