Christian Herchenröder, Bariton,
Lutz Pfingsten, Klavier

03 Och Modder, ich will en Ding han!

Christian Herchenröder, Bariton
Lutz Pfingsten, Klavier

02 Da unten im Tale

01 Volkslied

YAB220924 Hungarian Swing (Original Mix)

Chesterfield ft Yvng Jorge

Franz Liszt - Variations on 'Weinen, Klagen, Sorgen, Zagen', S. 179

Der Münchner Pianist und "Musikdurchdringer" Jürgen Plich stellt jeden Dienstag um 20 Uhr große klassische Musik vor. Er teilt seine Hör- und Spielerfahrung und seine persönliche Sicht auf die Meisterwerke. Er spielt selbst besondere, unbekannte Aufnahmen, erklärt, warum die Musik so und nicht anders klingt und hat eine Menge aus dem Leben der Komponisten zu erzählen.

Sonntags um 10 Uhr in der Wiederholung.

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2024

Eine Stunde Klassik! Der Weihnachtsbaum von Franz Liszt

Liszt - Siloti Benediction de Dieu dans la solitude. Alexander Siloti 1923 On Duo - Art 6636.
Reproduced by VViljanen Feb 13, 2025 from reconstructed, and then digitally simulated original reproducing piano roll, using on its replay and recording a Petrof Mistral 284 modeled grand, revoiced, econfigured and the rec. setup made  by VV.
ANY KIND OF COMMERCIAL USE PROHIBITED.
Photo: Photo: A detail from book cover of 'Alexander Siloti Collection'  (of Bach transcriptions collected byCarl Fischer)
Alexander Siloti was was one of the greadist pianists of the early half of the 1900's, conductor and composer. He didn't leave any known audio recordings but a few played on reproducing piano rolls. One of his teachers was Franz Liszt.

Info of the original piano roll:
BENEDICTION OF GOD IN SOLITUDE from "Harmonies, Poetic and Religious" (revised and abbreviated by Siloti)
Roll Number: 6636, 6636-4
Composer/Creator: Liszt
Pianist: Siloti
Roll System: Duo-Art
Country: US
Date: June, 1923
Category: popular, salon
Original Price: $3.00
Info source: Player Piano Group web page (by permission)

Liszt-Siloti Benediction de Dieu dans la solitude. Alexander Siloti 1923 on Duo-Art 6636

Liszt-Siloti: Benediction de Dieu dans la solitude. Alexander Siloti 1923 on Duo-Art

Franz Liszt Sonnet of Petrarch No.104. Carolyn Cone Baldwin ca 1925 on Ampico 66413.
Recorded by VViljanen Feb 14-15, 2025 from playback of digitally simulated reconstructed original reproducing piano roll (by permission) l, using on its recording  a Petrof Mistral 284 modeled grand, revoiced & reconfigured by VV, as well as was made  its rec. setup.
Photo: Carolyn Cone Baldwin (1894-1946) was a renowned concert pianist from the 1920s until the time of her death. She was a highly acclaimed master interpreter of many classical composers, including Chopin, Brahms, Liszt, and others, as well as a capable performer of modern music of the day. She regularly played with major symphony orchestras in cities across the country and around the globe.
ANY KIND OF COMMERCIAL USE OF THIS TRACK IS PROHIBITED.

Petrarca Sonnet No 104

Franz Liszt: Sonnet of Petrarch No.104. Carolyn Cone Baldwin ca 1925 on Ampico 66413

Llevo una profunda tristeza en el corazón que de vez en cuando debe estallar en sonido. (Franz Liszt)

Techno rapsodia (Liszt hysteria remix)

Composed by Franz Liszt.  #3 from his 6 Grandes études de Paganini, composed in 1851

Franz Liszt - La Campanella

Franz Liszt – Preludium i Fuga C-dur z Kantaty BWV 21 Johanna Sebastiana Bacha

Today on the occasion of these composers' birthdays, we’re going to explore organ music composed by Franz Liszt and Howard Hanson. Find complete information about this episode at https://www.kingofinstruments.show/2016/10/23.

The King of Instruments, ep. 38 - October 23, 2016 - Howard Hanson and Franz Liszt

Rom 1839, Palazzo Poli: eines von Liszts römischen Konzerten hat musikgeschichtliche Bedeutung gewonnen. Ein prominentes Publikum von hohen kirchlichen und weltlichen Würdenträgern lauschte Liszts Darbietungen. Merkwürdigerweise unternahm Liszt gerade in diesem Konzert das Wagnis, einen neuen Typ von Programm einzuführen, denn er beschloss, zum ersten Mal von der Mitwirkung anderer Künstler abzusehen und ganz allein den Abend künstlerisch zu gestalten. Es war dies der erste „Solo-Klavierabend“ oder, wie Liszt scherzend meinte: „Der erste meiner langweiligen musikalischen Monologe, die ich nun in Zukunft überall halten will. Le Concert c’est moi!“ Die vorliegende CD von Kateryna Titova vereint in diesem Sinn sowohl Live-Mitschnitte als auch Aufnahmen, die im Rahmen einer neuen Ausstellung unter demselben Titel in Liszt’s Geburtsort Raiding entstanden, darunter die sog. Dante-Sonate, zwei der Liebesträume, zwei Paganini-Etüden und der erste Mephisto-Walzer.

Kateryna Titova - Consolation Nr. 3, S. 172

The King of Instruments is a weekly show about the music of the classical organ. This episode is from June 22, 2025 and features organ music on instruments from in and around Detroit, the location of the annual gathering of the Hymn Society in America and Canada this year. Find complete information about the program at www.kingofinstruments.show/2025/06/22/.

The King of Instruments, ep. 315 - June 22, 2025 - A Day in Detroit

In this episode we have aural biography of one of Canada’s great organ builders - Joseph Casavant. Find complete information about everything in this episode at https://www.kingofinstruments.show/2017/01/22

The King of Instruments, ep. 51 - January 22, 2017 - Joseph Casavant

The pupils of Franz Liszt
HANS BRONSART VON SCHELLENDORF (1830 - 1913)
Concerto for Piano and Orchestra in F sharp minor, Op. 10	
I. Allegro maestoso (Excerpt)
Oliver Triendl. piano · Staatskapelle Weimar · Eugene Tzigane, conductor
Capriccio CD C5483 [11/2025]

Bronsart von Schellendorf: Piano Concerto Op. 10

This week we hear music played on organs in Japan. Find complete information about this episode at https://www.kingofinstruments.show/2017/09/17/.

The King of Instruments, ep. 85 - September 17, 2017 - Organs of Japan

Pasjonat muzyki organowej i instrumentów organowych.

🇧🇷 house producer, 28

dopaccino@gmail.com

Als österreichischer Ableger des tschechisch/englischen Schallplattenproduzenten gleichen Namens wurde Gramola im Jahr 1924 in Wien gegründet und ist seit damals in allen Tätigkeitsbereichen rund um die Klassische Musik aktiv. Der Schwerpunkt hat sich in den letzten Jahren auf die CD-Produktion verlagert und Gramola ist mit etwa 30 Produktionen jährlich schon seit einiger Zeit Österreichs Klassikproduzent mit der höchsten Produktionsrate. Gramola hatte zunächst natürlich die großen Komponisten der Wiener Klassik, wie Haydn, Mozart, Beethoven und Schubert, im Focus. Im Vordergrund der Produktionsaktivitäten steht jetzt aber auch die Förderung junger österreichischer Musiker und nicht zuletzt die Zusammenarbeit mit "Exilarte", die sich der Musik ermordeter und exilierter Komponisten widmet.

My warmest thanks to everyone stopping by for listening to my  'REVIEW   OF THE PAST TIME PIANISTS' INTERPRETATIONS ON THE HISTORICAL PIANO ROLLS, and also to a minor LIST of MY MY OWN RENDITIONS, all of the latter representing a variety of piano music & some pipe-organ classics, - and  TO THE Growing LISTS OF (just lately done and reproduced)  TRANSCRIPTIONS OF VARIOUS CHAMBER MUSIC CLASSICAL PEARLS FOR TWO PIANOS.
A HEADSET IS RECOMMENDED for optimal sound experience!
This kind of 'touching' on these old pre-sound-rec. era works by the great performers of the past, and giving my sound to these old 'punch rolls',  makes me feel  deep humbleness, .and I wish that this modest attempt to bring these  performances alive will satisfy you listening to them!
To introduce myself...
I am a Finnish M.D., PhD. and Hand Surgeon (now retired), previously when young with 10 years of professionally orientated piano studies at Turku Conservatory in 1965-1975, partly  along with medical University studies. 
The digital sound techniques have become very familiar to me already from 1980's along with my university research work  
and my musical activities.
As continuation to my musical and professional experience, I have, during the last few years of my retirement, adopted a music historical challenge
to bring the past time major and minor pianists, prior to sound-recording era, onto the same 'start line' with the present pianists, by making their presentations, played onto 'punch rolls' i.e. piano rolls, audible with modern digital techniques. This wouldn't be possible without the pioneering  efforts of Richard Stibbons, Wayne Stahnke, Terry Smythe, Warren Trachtman, Spencer Chase, and others, who developed the optical digitizing techniques of the piano rolls, and digitized them.

The main part of my recordings here in SC consists of selection recorded by me from optically digitized piano-rolls** (from 1910's on or earlier, classical and 'vintage era'). These recordings of mine are not and will not be commercially unavailable. - The rolls were first optically scanned and converted into a digital form by diverse operators** (see also to the info of each piece). The pieces here were partly (minor part) picked from various open net sources, publicly available, but mainly from the huge archive (n=ca.5000) of digitized copies copies of the original reproducing piano rolls, made available to me by one of the pioneers of roll digitizing tehchniques (willing to keep anonymous), and then recorded from this archive mainly with virtual grand piano (called by me 'Bluethner Model One') modified/re-designed by me, as well as the rec settings. 
Also a minor selection of my own renditions among my records can be found here, included on my playlist 'Bach Goes Virtual', the name of the list telling something about the techniques used for getting the end result... The list includes various organ works by J.S.Bach and others, and also a few piano renditions of mine. Then there are included also various pieces which have been in my repertoire, but here played mainly by the  'guest' great players of the past (before the sound recording era).
MY MOST HUMBLE THANKS TO THE NOBLE DONOR  OF THIS INVALUABLE PIANO ROLL MATERIAL FOR MY USE!!!
My Sincere Thanks also to The Player Piano Group, UK, for providing me their permission to use the information about the piano rolls collected and provided on their web page ( https://rolls.playerpianogroup.org.uk ),  and for simplifying my short historical presentations of these renditions on their re-publication here!
AND LAST BUT NOT LEAST, MY MOST HUMBLE THANKS TO EVERYONE  OF YOU FOR LISTENING, AND FOR YOUR 'LIKES' & COMMENTS !
YOUR LISTENING & FEEDBACK IS TRULY APPRECIATED..!!.
Use of good headphones or speakers will make your music experience more enjoyable!
Best wishes, all the best
Veikko
These recordings are not commercially available, and ANY KIND OF THEIR COMMERCIAL USE IS PROHIBITED.

Nuestra creatividad nos mueve a sentir amor incondicional hacia el arte. Es por ello que todos los trabajos los comparto abiertamente; son gratuítos. Esto significa que pueden ser descargados y que puedes hacer con ellos todo lo que te parezca correcto.
En un mundo competitivo, posesivo y de consumo despiadado, compartir sin esperar nada a cambio es la opción más sensata.

eSencia (R. Azorín)

New tracks tagged #Franz Liszt