Très beau ! Merci pour le partage ! 👍🏻 👏 🎶

Composer: Gérald Olivieri
Violin and viola by https://soundcloud.com/violin1756
String sessions online: http://www.stringsessionsonline.com/
Mastering : https://soundcloud.com/thecourt

Petit Thème

Discover a piano piece for 3 or 4 hands that is both dynamic and melodic, blending classical influences with a modern touch. Captivating rhythms and rich harmonies come together to create a vibrant musical experience. Perfect for piano enthusiasts looking for a composition that is both energetic and refined

Echo

https://soundcloud.com/utopia-paul-anderson/remembrance-part-two
https://soundcloud.com/utopia-paul-anderson/remembrance-part-3

Remembrance

L.v. Beethoven: Menuetto & Trio.  {Allegretto). Mvt 3 of Str.trio Op.3 transcr.ibed for2 pianos by VV.
A pair of Bösendorfer 280 modeled grands, revoiced & reconfigured by VV were used on its recording. A reading into a sequence generated by HFesefeldt*, was used as source material after having reviewed, and rewritten  on its articulations, dynamics, tempos etc by VV.
*Harm Fesefeldt (1942-2019) was a German nuclear physics researcher & music software developer, who read & generated the nost part od essential classical chamber music into sequences with his own music software, and also made these publicly available.

L.v. Beethoven: Menuetto & Trio.  Mvt 3 of String Trio Op.3 transcribed for2 pianos

L.v. Beethoven: III. Menuetto - Trio.  Mvt 3 of String Trio Op.3 transcribed for2 pianos

Franz Liszt Sonnet of Petrarch No.104. Carolyn Cone Baldwin ca 1925 on Ampico 66413.
Recorded by VViljanen Feb 14-15, 2025 from playback of digitally simulated reconstructed original reproducing piano roll (by permission) l, using on its recording  a Petrof Mistral 284 modeled grand, revoiced & reconfigured by VV, as well as was made  its rec. setup.
Photo: Carolyn Cone Baldwin (1894-1946) was a renowned concert pianist from the 1920s until the time of her death. She was a highly acclaimed master interpreter of many classical composers, including Chopin, Brahms, Liszt, and others, as well as a capable performer of modern music of the day. She regularly played with major symphony orchestras in cities across the country and around the globe.
ANY KIND OF COMMERCIAL USE OF THIS TRACK IS PROHIBITED.

Petrarca Sonnet No 104

Franz Liszt: Sonnet of Petrarch No.104. Carolyn Cone Baldwin ca 1925 on Ampico 66413

Solo Piano.  Created in Real-Time at the Midwest Music Conservatory, St. Louis MO.

Year of Music: March 14, 2025

Skur Dev

Rain On Code

Pietro Nardini: III.Larghetto of Sonata n.2 D major. Transcribed for two pianos by VV
Photo: A local lakeview by VV Apr 15, 2025

Pietro Nardini: III.Larghetto of Sonata n.2 D major. Transcribed for two pianos by VV

1018 — Piano

Watershed

Please welcome to join Syntaleta community on www.patreon.com/syntaleta
Remastered by Houman (https://soundcloud.com/houmans)

Winter Came Suddenly

My warmest thanks to everyone stopping by for listening to my  'REVIEW   OF THE PAST TIME PIANISTS' INTERPRETATIONS ON THE HISTORICAL PIANO ROLLS, and also to a minor LIST of MY MY OWN RENDITIONS, all of the latter representing a variety of piano music & some pipe-organ classics, - and  TO THE Growing LISTS OF (just lately done and reproduced)  TRANSCRIPTIONS OF VARIOUS CHAMBER MUSIC CLASSICAL PEARLS FOR TWO PIANOS.
A HEADSET IS RECOMMENDED for optimal sound experience!
This kind of 'touching' on these old pre-sound-rec. era works by the great performers of the past, and giving my sound to these old 'punch rolls',  makes me feel  deep humbleness, .and I wish that this modest attempt to bring these  performances alive will satisfy you listening to them!
To introduce myself...
I am a Finnish M.D., PhD. and Hand Surgeon (now retired), previously when young with 10 years of professionally orientated piano studies at Turku Conservatory in 1965-1975, partly  along with medical University studies. 
The digital sound techniques have become very familiar to me already from 1980's along with my university research work  
and my musical activities.
As continuation to my musical and professional experience, I have, during the last few years of my retirement, adopted a music historical challenge
to bring the past time major and minor pianists, prior to sound-recording era, onto the same 'start line' with the present pianists, by making their presentations, played onto 'punch rolls' i.e. piano rolls, audible with modern digital techniques. This wouldn't be possible without the pioneering  efforts of Richard Stibbons, Wayne Stahnke, Terry Smythe, Warren Trachtman, Spencer Chase, and others, who developed the optical digitizing techniques of the piano rolls, and digitized them.

The main part of my recordings here in SC consists of selection recorded by me from optically digitized piano-rolls** (from 1910's on or earlier, classical and 'vintage era'). These recordings of mine are not and will not be commercially unavailable. - The rolls were first optically scanned and converted into a digital form by diverse operators** (see also to the info of each piece). The pieces here were partly (minor part) picked from various open net sources, publicly available, but mainly from the huge archive (n=ca.5000) of digitized copies copies of the original reproducing piano rolls, made available to me by one of the pioneers of roll digitizing tehchniques (willing to keep anonymous), and then recorded from this archive mainly with virtual grand piano (called by me 'Bluethner Model One') modified/re-designed by me, as well as the rec settings. 
Also a minor selection of my own renditions among my records can be found here, included on my playlist 'Bach Goes Virtual', the name of the list telling something about the techniques used for getting the end result... The list includes various organ works by J.S.Bach and others, and also a few piano renditions of mine. Then there are included also various pieces which have been in my repertoire, but here played mainly by the  'guest' great players of the past (before the sound recording era).
MY MOST HUMBLE THANKS TO THE NOBLE DONOR  OF THIS INVALUABLE PIANO ROLL MATERIAL FOR MY USE!!!
My Sincere Thanks also to The Player Piano Group, UK, for providing me their permission to use the information about the piano rolls collected and provided on their web page ( https://rolls.playerpianogroup.org.uk ),  and for simplifying my short historical presentations of these renditions on their re-publication here!
AND LAST BUT NOT LEAST, MY MOST HUMBLE THANKS TO EVERYONE  OF YOU FOR LISTENING, AND FOR YOUR 'LIKES' & COMMENTS !
YOUR LISTENING & FEEDBACK IS TRULY APPRECIATED..!!.
Use of good headphones or speakers will make your music experience more enjoyable!
Best wishes, all the best
Veikko
These recordings are not commercially available, and ANY KIND OF THEIR COMMERCIAL USE IS PROHIBITED.

Franz Liszt: Sonnet of Petrarch No.104. Carolyn Cone Baldwin ca 1925 on Ampico 66413

Veikko Viljanen

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