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Noir, Lomez, Atnarko - Lost Again ft Symbol (Raw Club Cut)

Heart it on Hypem :) - http://hypem.com/track/21rkk/

another feel good jam

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Elizabeth Rose - The Good Life (option4 Remix)

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Magic City by Dan Clare

OUT NOW:

DJ Edits:
Beatport: tinyurl.com/lcexlc2

Album Version:
Itunes: tinyurl.com/lc55szp 
Amazon: tinyurl.com/m3j6o7y

When it comes down to all the hype, his name says it all. He is Worthy. With an in-depth knowledge of production, mixing, and performance, Worthy has the insight to play for his audience, cultivating intense positive energy on the dance floor. From salty aired islands to dark club basements, over the past 10 years, Worthy has paid reverence to the traditional form of classic house while tripping off the mark and sinking into the euphoric less-charted territories of booty-clapping bass.

For the past two years Worthy has been locked up putting the final touches on his debut full-length album.  Disbehave, is a genre-defying rebellion against the house producers status quo. This album cannot be confined to a category, nor can Worthy be caged in with his colleagues. Breaking down rules and boundaries, Worthy has sought to set himself apart from the mundane world of expectation, striking out to release something unexpected.  Liberated and unchained, this album is the ultimate expression of his being.

As one of the four founding fathers of Dirtybird, you will find some homage to the Dirtybird sound on tracks like I Get. But this album departs from his usual booty tech beats, into a broader sonic experiment as he forges new alliances with future bass, downtempo, breakbeat and deep house. You can hear the broadness and complexity of sounds on tracks like On The Floor feat. Kevin Knapp (Off, Hot Creations) with its heavy bass to the beauty of swelling chords and swirling vocals on tracks like The Words feat. Audio Angel. Reminiscent of the early days of the electronic sound movement that were less imbued with genre stereo-typing, Disbehave is an emotional departure into a complex cavern of atmospheric rhythm, eluding to the many moods of the dance music sphere.


On The Floor Feat. Kevin Knapp

Beatport - http://btprt.dj/TIV03l
ITunes - http://bit.ly/itunes_wayyoudance

Early support..
Crookers - “Super sick 100% Support” 4/5
AC Slater - “This is so sick” 5/5
His Majesty Andre - “Nice”
Christian Martin - “Insane basslines dudes!!! Both are going to cause some mayhem.” 4/5
Treasure Fingers - “Purely next level. Cannot wait to bang these” 5/5
CRNKN - “<3” 5/5
Sam Devine (Defected) “ Sounds cool” 5/5
Golden Features - “The Way You Dance is fire. Full Support!” 5/5


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Go Freek - Free Taylor

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Ben Remember - Running Out ft. Jack Summers (Knightley Remix)

Barbatuques is a Brazilian collective that produces music mainly through their bodies, like beatboxing, clap of hands, whispers, finger claps, hitting their chests, tap dancing etc. resulting in stunning sounds. Now hot Italian producers Milangeles and The Clerk have teamed up to rework Barbatuques´epic "Baiana" anthem in contemporary bass style. 



Download

Barbatuques - Baiana (The Clerk & Milangeles Edit)

CATEY SHAW: "Human Contact" (FRENCH HORN REBELLION REMIX)

Give this jam a heart on Hype Machine! ->   http://bit.ly/1B9oKJQ

Remix Produced by French Horn Rebellion (Robert and David Perlick-Molinari)for Ensemble Records and Peace Bisquit

French Horn Solo: Robert Perlick-Molinari

Mixed and Mastered at YouTooCanWoo Studios, Brooklyn
Remix A&amp;R / Coordination: Angelo "Pepe" Skordos and Bill Coleman

FOLLOW CATEY SHAW: 
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Catey Shaw - Human Contact (French Horn Rebellion Remix)

Out now on Beatport: http://bit.ly/jjmomentum

Producing "Momentum" with Kill Frenzy was a really cool learning experience for me. The idea for the song came together while Seb and I were kicking it on my living room couch playing weird sounds off of our laptop speakers, just having fun. When we sat down to properly produce the track, I kept on trying to add unnecessary ideas and overcomplicate the track. Sebastien helped me realize how simple an 8 minute song can be without getting boring - it's all in the details, although that's easier said than done. Finding the subtle changes that actually work was a long trial-and-error experience for me, but it was insanely gratifying once everything fell into place.

Momentum w/ Kill Frenzy [Pets Recordings]

'King Tong', a bassy cap tip to the Radio One ledge, is a slick, dancefloor-ready banger with a menacing robotic vocal line, and it'll work as a treat when your deep house set has gone a bit soft and needs some oomph.

Download 

Download: SLUGGERS 'King Tong'

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▶ @FutureGarage

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Purchase

NiQW - Future

Buy Links:
<a href="http://lwx.so/V42Y">The New Years Special on Beatport</a>

At the end of every year most labels and publications look back and reflect on what has come before, re-packaging old tracks together or making top ten lists. I’m always trying to find some big new records at the end of the year so I can go play something fresh, so I’d like to present the DIRTYBRD New Years Special. 

Here are seven new bangers for your holiday DJ sets. The tracks are all new & most of them are by new talents on the label. Fresh faces include veteran German producer David Keno, an all new act called Jaded, Sirus Hood from Paris, My Cat Snoop, Mikey V, Wood Holly & Sage Armstrong. Of course we have a few guys who have been on the label before, Ardalan, Genghis Clan, and Nick Olivetti.

All the tracks work great in the club which was the main criteria for the compilation, no headphone b-sides here (although we still love those too!). Happy holidays to everyone.

Peace & Love, 
VonStroke

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.dirtybirdrecords.com'>DIRTYBIRD</a>

My Cat Snoop - Bong Cant Stop

The Greasy Beat (feat. Bootsy Collins)

http://www.bowjia.com
'Great White Balloon' ft. Emma Aurelia off our release, Ballooniverse.


Great White Balloon feat. Emma Aurelia

AN ECOSYSTEM OF SOUND 
www.thebeatforest.com

Submit demos: https://www.label-worx.com/demo/dirtybird
--------------------------------------------------------
Claude VonStroke created a small underground record label called Dirtybird in 2005 and grew it into a full-fledged events, clothing and music brand over the last 15 years. During this time, he has also managed to release 4 artist albums and some of the most iconic house music tracks of the last two decades. 
 
Most people know Claude VonStroke for his smiling DJ persona touring every major city, festival, and basement after-party around the world. But Claude has also influenced the very fabric of the dance community, A&Ring an impeccable roster of acts like Justin Martin, Fisher, Shiba San, Catz n Dogz, Riva Starr, Tim Green, Breach, Eats Everything, Walker & Royce, Shadow Child, and countless others. (And even naming a few of these artists.) Today, his Dirtybird label continues to surprise and innovate in the underground dance scene, releasing an enigmatic combination of house, funk, dirty bass, and electronica.
 
VonStroke has released four original artist albums, a remix album, and a live album recorded when he closed the famed Movement Festival in his original hometown of Detroit, Michigan. Some other music highlights include working on records with Bootsy Collins, Rihanna, Disclosure and Kevin Saunderson, as well as a few #1 and #2 hits on Beatport.  His partnership with Green Velvet as “GET REAL” has been one of the most rewarding friendships as Claude originally modeled his career off the quirky enigmatic style of his mentor and now good friend from Chicago. 
 
In 2015, VonStroke brought his first festival to light called Dirtybird Campout, a unique boutique festival based on the games and activities associated with American Summer camp mixed with the best underground house and bass music in the world.  He continues to innovate and curate new events with 2 additional multi-day festivals mirroring his Birdhouse radio show in Los Angeles and Chicago, and his record BBQ event series that has been going since 2003!
 
VonStroke also loves art; most notably pop-surrealist artwork that he has commissioned for the last 7 years on Dirtybird for all of the releases.  Each year he hires a new artist and has had the pleasure of working with renowned artists such as Jeremy Fish, Dulk, Graham Carter, Dan May, Charlie Immer, Raoul Deleo and Felicia Chiao. Walking through the Dirtybird HQ in Los Angeles is like walking through an art gallery in the Wynwood district of Miami. 
 
A lot of his success can be attributed to a good attitude. Claude does not scowl or look mean while he DJs. He does not pretend to know everything and he truly loves his fans. He is grateful to be curating, creating and performing music for a living and he knows that the reason people go to parties is to shake their booty and have fun.

The Greasy Beat (feat. Bootsy Collins)

Claude VonStroke

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