Opera

Classical

Cello

CLASSICAL

classical

Classic

ClaSol

Classique

Bach Cello Suite No.1 - Prelude (Tina Guo)

AVAILABLE on SPOTIFY: https://open.spotify.com/track/6rQketv2CIAYbge7ZyQVOs

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BEETHOVEN - Moonlight Sonata (Soul Machine Remix) - NEW VERSION 2022!!

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Beethoven - Moonlight Sonata (Soul Machine remix)
Beethoven - Sonate au Clair de Lune (Soul Machine remix)

Beethoven - Moonlight Sonata (Soul Machine Remix) - NEW VERSION 2022!!

© 2014 David Hollandsworth
Recorded with Additive Keys "Wide Upright" piano VST

A Wink and A Smile

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Nightcall

Little boots - meddle (old money edit)

I was just practicing tonight and felt like recording one of the pieces.  Beethoven's Sonata No. 14 in C# minor Op. 27 No. 2, or otherwise known as 'Quasi una fantasia' or the 'Moonlight Sonata'.  I recorded this on a Steinway D and mastered it in my mastering studio www.alpinemastering.com  

Hope you all enjoy. 

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Classical Piano Pieces Volume I

Moonlight Sonata

Free Download

Beethoven - Moonlight Sonata (Glenn playing on a Steinway D)

Standchen- Franz Schubert

http://en.wikipedia.org/wiki/File:JOHN_MICHEL_CELLO-BACH_AVE_MARIA.ogg

"Ave Maria composed by Charles Gounod. Ave Maria was composed based off of the harmony and texture of Johann Sebastian Bach's Prelude No.1 in C Major from Well-Tempered Clavier Book I (BWV 846). Originally composed in 1859. http://www.garageband.com/artist/cello

Contemporary Performer: John Michel, a cello professor at Central Washington University.

OTRS Wikimedia 	The permission for use of this work has been verified and archived in the Wikimedia OTRS system.
It is available as ticket #2007090610014151

JOHN MICHEL CELLO-BACH AVE MARIA

Gabriel Fauré - Après un rêve
Claudius Popp - Cello

Buy here

Gabriel Fauré - Après un rêve

1-07 Bach  Cello Suite #2 In D Minor

Pyotr Tchaikovisky - Violin concerto in D major - I mov. Allegro

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Clair de Lune - Debussy

Bach - Suite No. 1 in G for Cello - Mischa Maisky

Something Biblical

Mumford & Sons - Tessellate (alt-J cover)

Mumford & Sons covered http://soundcloud.com/alt-j's Tessellate in the BBC Radio 1 Live Lounge.

http://www.thebluewalrus.com/2012/09/28/remix-roundup-with-alunageorge-duologue-daft-punk-the-knocks-mighty-mouse/
http://descrier.co.uk/music/

Mumford & Sons - Tessellate (alt-J cover)

Music (c) Madeleine Hanover 2013 
Photo: http://www.flickr.com/photos/fatmandy/6159956846/

Reflections (Original Piano Composition)

El árbol desnudo

Tchaikovsky - Valse sentimentale 
First raw try for my plan of recording all the Tchaikovsky pieces for cello
by playing all the parts myself.

Tchaikovsky - Valse sentimentale

Bach - Cello Suite No. 1 - Prelude

Bach - Cello Suite No. 1 - Sarabande

Bach Cello Suite No. 2 - Sarabande

Preview track of the planned album of mine. All voices played by myself. Enjoy!

Through the rain

Sample of a new recording of mine
Composer: Sulchan Zinzadse
Piece: Arobnaya

Arobnaya Sample

HOLY SONS
MY ONLY WARM COALS

IMPREC372   CD

RELEASE DATE: April 23rd 2013


"My Only Warm Coals" neatly sums up a fifteen year span of  Emil Amos' (Grails/Om) basement home-recording in nineteen songs. Using the 4-track like a mirror in LSD therapy sessions, Amos disassembles himself and leaves the puddle on the floor for the listener to contemplate without easy resolution.
The record also arcs a period of 'lo-fi' recording technique and sonic experimentation that has largely gone undocumented in the larger underground culture, while epitomizing a supremely alienated sound from a person who wouldn't set foot on a stage for most of these 15 years.

"Bed of Nails" by Holy Sons IMPREC372

Beethoven - Moonlight Sonata (FULL)

Wow, 1.000.000 plays reached! Thanks a lot!

Claudius Popp - Cellist and teacher

Claudius Popp was born in Weimar, Germany in 1982. He began playing the cello at the age of four, receiving instruction from his father, Professor Gotthard Popp, a cellist himself. At age six, his talent became known as he won First Prizes in the prestigious "Jugend Musiziert" and at the International Cello Competition in Liezen, Austria. Considered a prodigy, he was accepted by Professor Karine Georgian and Heinrich Schiff as a student and continued his studies dually in Detmold, Germany and at the Mozarteum Salzburg, Austria. His precocious musicianship continued to thrive as he pursued advanced studies at the Hochschule for Musik Hanns Eisler in Berlin with David Geringas, graduating with a diploma in 2004 and a masters with distinction and honors in 2007. Whilst a student, Claudius continued his winning streak in world competitions, taking top prizes at Tchaikovsky Competition Moscow (2002), Osaka International Music Competition, ARD International Music Competition (Barenreiter Prize), the International Concertino Prague Competition, and the Competition of the Deutsche Musikrat (2003). He is a scholarship holder of the Oscar and Vera Ritter Foundation, Studienstiftung des Deutschen Volkes and the Werner Richard-Dr. Carl Doerken Foundation. 

Claudius made his concerto debut as a soloist at age nine. Since then, he has performed with leading orchestras such as NDR Sinfonie, Berlin Staatskapelle, Mozarteum Orchestra Salzburg and the Chamber Orchestra of the Berlin Philharmonic, playing in renowned halls such as Berlin Philharmonie, Cologne Philharmonie, Konzerthaus Berlin, Suntory Hall in Tokyo, Rudolfinum in Prague, Tchaikovsky Hall and Great Hall of the Tchaikovsky Conservatory in Moscow, the Tonhalle in Dusseldorf and the Musikforum in Weimar under the baton of greats such as Daniel Barenboim and Eiji Oue.

Claudius is an in demand avid chamber musician as well. He plays throughout Europe's most prestigious festivals including the Rheingau, Mecklenburg Vorpommern, the Schleswig-Holstein, Heidelberg Fruhling, and the Music Festival Cervo. He has held recitals with Elena Bashikrova, Alfredo Perl, Daniel Barenboim, Joerg Widmann and Paul Rivinius.  

Through collaboration and performance, he receives artistic direction and aesthetic cues from world acclaimed musicians such as Yo-Yo Ma, Lynn Harrell, Harvey Shapiro and Daniel Barenboim, with whom he enjoys a special working relationship. In 2003, in rather unprecedented fashion maestro Barenboim made Claudius, who was then only 21 years of age, principal cellist of his home orchestra, Staatskapelle Berlin overnight. Claudius frequently plays chamber concerts with him; while relishing the romantic repertoire for piano and cello, together their concerts insightfully elaborate upon modern music as well. In 2009, the NY Times hailed his interpretation of Elliot Carter's cello sonata, and concluded this "extremely modern" piece had become "entirely accessible" through his impassioned and dynamic performance, "a musician that can lend even new music new notes." The latest of many collaborations with Daniel Barenboim was a highly successful concert tour with Strauss' Don Quixote in 2014.

Next to his solo and orchestra work, Claudius Popp holds a teaching position at the School of Music 'Hanns Eisler' in Berlin.

Gabriel Fauré - Après un rêve

claudiuspopp