Name: 'Airtight Orange Plastic Coffin' (Stereo Reduction) by Clay Gold
Duration: 9 min 12 s
Description: This is the stereo reduction of Clay Gold's 5.1 audio piece 'Airtight Orange Plastic Coffin' which was presented in a completely dark cinema environment at the Walter Reade Theater / Film Society of Lincoln Center in New York City, as part of 'UNSOUND', a festival of experimental music and sound art, 2011. The piece was commissioned by ((audience)) with a theme of 'HORROR'

@risot-musicianrolna: Thanks for listening!

very interesting piece....i'd be interested in hearing the 5.1 version too....thanks for posting

dude i love this!! dark, spooky and slightly twisted

Harvest - incomplete work

００：１５ AM

Above / Below (Preview from Rehearsal)

This is the stereo reduction of Clay Gold's 5.1 audio piece 'Airtight Orange Plastic Coffin' which was presented in a completely dark cinema environment at the Walter Reade Theater / Film Society of Lincoln Center in New York City, as part of 'UNSOUND', a festival of experimental music and sound art, 2011. The piece was commissioned by ((audience)) with a theme of 'HORROR'


'Airtight Orange Plastic Coffin' (Stereo Reduction)

Composer/ Producer Marina Vesic 

http://marinavesic.com 

Marina Vesic - Noice in 2

Original music by composer Marina Vesic 
performed/produced @ marineromusic studio July 2014.

http://marinavesic.com

Mixtape for new upcoming album by Black Marine. Stay tuned!!!
All Rights Reserved © marineromusic 

Black Marine - So, what if I have no name #MIXTAPE

commissioned by Music We'd Like to Hear, first performance Mira Benjamin (violin),  Anton Lukoszevieze ('cello), Philip Thomas (piano), St Mary's at the Hill London 07.07.17
Recorded and broadcast on BBC Radio 3s Hear and Now 26.08.17

things that happen again (again)

This piece was made for the opening of the Radio Belgrade Electronic Studio on March 2 2018. 

This is my 1st recording of the real-time improvisation with EMS Synthi 100 + my computer setup.

Computer setup was based on the TouchOSC interface, Pure data patch and Ableton live. Improvisational dialogues between Synthi and computer were done through a dynamic interactive interface on my tablet and tweaking of the Synthi sounds live and playing with their parameters. I haven't used Synthi's sequencer (or a computer sequencer), but rather variety of key triggers, joysticks and envelope shaper trapezoids.

Due to a wide frequency range, it's not advisable to listen to this recording through a laptop speaker or similar.

This is my first use of the modular synthesizer in live performance and/or composition.

TV recording of the whole event: https://youtu.be/9tUwHGweUxY
(simultaneous performance in 2 studios of the Radio Belgrade with audience, live TV and radio broadcast)

Radio Concert No.1

Words and music by Clay Gold, and featuring Maddy Sakakini as the Voice in the Attic. First written for 'Touching the Void' exhibition at Crate Space, part of Margate Festival 2017.

Between The Attic And The Basement

Unknown Title

Marina Vesic - Rain Song

BBC Radio drama made entirely of sound effects - no dialogue!

Andrew Sachs-The Revenge

Clay Gold's 30 minute improvised piece 'Breathing to Death' is available by following the link.&#13;
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The mini-LP 'Clay Mining' can be downloaded from <a href="http://threelegsduck.bandcamp.com/album/clay-mining" rel="nofollow" target="_blank">http://threelegsduck.bandcamp.com/album/clay-mining</a> and includes a 6 page booklet in pdf format.&#13;
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Clay Gold's album 'The Slow Light Down', presented here in full, combines auto-improvisation, music concrete and electroacoustic non-repetitive real-world rhythm. The title track is a live manipulation of various microphones feeding-back through the digital effects of a Yamaha M7CL mixing desk. Other tracks use unedited field recordings as a percussion track and rhythm template. Subtle piano, synth and drums complete an album to be enjoyed at room temperature, such that the listener will be unsure as to what is real, recorded or imagined. You can download by following the link above.&#13;
&#13;
Clay Gold's activity as a recording artist has heard him contribute work in stereo, quadraphonic and 5.1 for European Acoustic Heritage, SoundFjord Gallery in London, Sonic Art Oxford and Dragonfly Festival in Sweden.&#13;
His 5.1 audio piece 'Airtight Orange Plastic Coffin' was presented in a completely dark cinema environment at the Walter Reade Theater / Film Society of Lincoln Center in New York City, alongside works by Raime, Demdike Stare and Felix Kubin as part of 'UNSOUND', a festival of experimental music and sound art, in March 2011 and continues to tour theatres in the U.S. as part of ((audience2)) http://au.dience.org/&#13;
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www.claygold.co.uk

'Airtight Orange Plastic Coffin' (Stereo Reduction)

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