Words and music by Clay Gold, and featuring Maddy Sakakini as the Voice in the Attic. First written for 'Touching the Void' exhibition at Crate Space, part of Margate Festival 2017.

Between The Attic And The Basement

Clay Gold's 30 minute improvised piece 'Breathing to Death' is available by following the link.&#13;
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The mini-LP 'Clay Mining' can be downloaded from <a href="http://threelegsduck.bandcamp.com/album/clay-mining" rel="nofollow" target="_blank">http://threelegsduck.bandcamp.com/album/clay-mining</a> and includes a 6 page booklet in pdf format.&#13;
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Clay Gold's album 'The Slow Light Down', presented here in full, combines auto-improvisation, music concrete and electroacoustic non-repetitive real-world rhythm. The title track is a live manipulation of various microphones feeding-back through the digital effects of a Yamaha M7CL mixing desk. Other tracks use unedited field recordings as a percussion track and rhythm template. Subtle piano, synth and drums complete an album to be enjoyed at room temperature, such that the listener will be unsure as to what is real, recorded or imagined. You can download by following the link above.&#13;
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Clay Gold's activity as a recording artist has heard him contribute work in stereo, quadraphonic and 5.1 for European Acoustic Heritage, SoundFjord Gallery in London, Sonic Art Oxford and Dragonfly Festival in Sweden.&#13;
His 5.1 audio piece 'Airtight Orange Plastic Coffin' was presented in a completely dark cinema environment at the Walter Reade Theater / Film Society of Lincoln Center in New York City, alongside works by Raime, Demdike Stare and Felix Kubin as part of 'UNSOUND', a festival of experimental music and sound art, in March 2011 and continues to tour theatres in the U.S. as part of ((audience2)) http://au.dience.org/&#13;
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www.claygold.co.uk