I create Press & Promotional campaigns to promote new music releases. Predominantly 'Underground House', 'Techno', bit of 'Balearic' and my beloved 'Disco'.   I'd like to think I have a very personal approach, working with friends & contacts simply sharing great music over a chat. I choose only to work with music I adore, so you can be sure I'll be passionate when I am promoting your stuff . I strive to get your release placed, mentioned and played in all of the 'relevant' places as well as getting the 'right people' to endorse it. I'll provide you with good quality feedback to help drive the sales of your release pre launch as well as placing physical records into the hands of VIP players.  As with these things.. it's hard to predict exactly what we will achieve... but what I can promise is that I'll throw a hell of a lot passion and enthusiasm at it and that, coupled with my track record so far,  the result shouldn't be  too shabby. In my opinion it takes a lot of love, time and hard work crafting your release. Investing in what I do, pushes it into the spotlight, giving your release the best possible chance to succeed..

You can contact me on: sa@shinemusic.co.uk
Please send the music, some info on you, and your desired release date for a fast response.

Simon is one half of The Back Room with long-time friend Luke Stereo, a 21st-century Balearic acid-disco project connecting sci-fi disco, dub, acid house, balearica, afrobeat, post-punk disco and eastern rhythms. Together they run a venue at Glastonbury Festival and have played Bugged Out, The Egg London, Boomtown, Motion and more.
He is also part of Shimmy Discotheque, the Shindig Festival offshoot offering a house- and disco-led soundtrack. The team delivered the Saturday night set at this year’s Shindig Festival and Lake Paradiso.
A resident for Empathy, one of Bristol’s longest-running club nights, Simon has played with Nick Warren, Sasha & Digweed, Laurent Garnier, Danny Howells, Jody Wisternoff, and Bushwacka. He also appears nationwide with Balearic Burger’s eclectic parties.


Production
https://open.spotify.com/track/6VWwHRpHJfqNzJQYOtmxxo?si=6ac4e68d50d243b4
https://soundcloud.com/simon-lloyd/sets/simon-lloyd-productions

Mixes:
https://soundcloud.com/simon-lloyd
https://www.mixcloud.com/TheBackRoomBristol

Freemasons / Russell Small

'EARWORM' Album Out Now: https://bfan.link/earworm-fm030

Management: martinsouthon@me.com

We’re not just a label, we’re a collective. Founded in 2015, with our first records dropping in 2017 Eclectics is about shared experiences and the music that binds us. Whether you were on the front lines of acid house or got your groove on with the Balearic beat, we're talking your language. 25 EPs and countless collaborations. We believe in the power of inclusivity and authentic creativity. Listen out for Grant Williams' "Resident Rockers" side project and his "Love Under Will" Radio Show on 1BTN. It's all connected.

Terry Farley is a bona fide UK house legend. Having been on the dancefloor since day dot, he has produced some of house music’s most enduring cuts under various guises, including Roach Motel and Bocca Juniors, as well as with Pete Heller as Heller and Farley. A bastion of knowledge when it comes to acid and deep house, as well as dance culture, soul boy trends, and more besides, Terry is also much lauded for having launched house music fanzine (and label and party series) Boys Own with Andrew Weatherall, Cymon Eckel and Steve Mayes back in the day: it was something that very much went on to document and dictate the trends of the time.

A fascinating character with a real passion for dance music and its cultural roots, Terry is a learned selector with old school values who can really make dancefloors move with a whole range of sounds. He does so everywhere from fabric and Ministry of Sound in London to festivals around the world on a regular basis and always educates as much as he entertains. Now very much a scene curator and archivist as much as an enduring DJ talent, when Terry Farley’s in the house, everybody listens, as his essential recent compilations, Acid Rain and Acid Thunder, have proven in spades.

For bookings or further information, please contact MN2S Management on:

Tel +44 (0) 207 378 7321 Fax +44 (0) 207 378 6575
Web: www.mn2s.com Email: lindsay@mn2s.com

Deeply prolific Bristol-based house connoisseur Andy Compton has released over 50 albums and over 200 EPs (either under his own name or as part of his legendary group The Rurals, COMPTON or L.A.M.P, Blue Dream) on his essential Peng label and imprints like Motown, Universal, EMI, Sony, Ralf GUM’s GOGO Music, Chicago’s LARGE Music, Seasons, Viva, Hed Kandi and many others.
South Africa has embraced Andy's deep house sounds, and because of his popularity over there, and albums released via EMI, SONY, WEA, and now Universal. He has done over 20 South African tours in the past 10 years.
Since discovering house music in the early ‘90s Compton has released a dazzling array of music and worked with an army of artists. He’s been featured on the cover of the seminal DJ Magazine and had his music used in TV show Six Feet Under, while tunes like “Sweeter Sounds” have become bona fide anthems at spots like NY’s Shelter. He has worked with top class vocalists Celestine, Marie Tweek, Diviniti, Kafele, Rowan, Ladybird, Sabrina Chyld and many others!
Compton's Dj skills have turned heads and twisted bodies worldwide, with his thumping brew of electronic beats swathed in coolly-crafted melodies, with Peng becoming one of the premiere labels on the planet, garnering support from house big-hitters like Louie Vega, Larry Heard, Mark Farina and Osunlade (to name a few).
All this has solidified Compton’s reputation as one of the most respected house music players on the planet.

Small time producer with big time goals....


It all started for me at around 13 years old as a secondary school boy, when I became fascinated with Electronic Music. I was a big Depeche Mode, Yazzo and Tears for Fears fan, so I liked modern bands using technology. I used to go to Trax Records in Greek Street with my best pal at the time Charlie,  and we'd spend the day in Soho Record shops, and listen to the music they played. One of the first tracks I bought was the beautiful Balaeric classic, 'Song for Denise' by Piano Fantasia in 86' when I was just 13 years old. From then I was hooked and passionately in love with this new electronic sound with a beat.

I'd scraped money working in the school holidays to buy my 1210's and a vinyl addiction continued.

I got my first DJ residency in 93' at Labrynth,which was all down to my new friend at the time Vinyl Matt (a resident DJ at the club). It was filled to capacity every Friday and Saturday at the infamous Four Aces club (orignally a Reggae venue) in Dalston Lane and ran by the enigmatic Joe Wieczorek & lovely Sue, who I idolised at the time. 

A rave club at heart, however having house music secondary rooms where I played my first sets. I used to also visit all the record stores within the M25 making sure Joe's Labrynth flyers were stocked up. and giving out the free comps he'd give me for store managers and owners, picking up obscure but brilliant music along the way.  I was in heaven during this period of my life!

After finishing at Labrynth, and missing DJ'ing to a crowd badly, I started putting on my own parties in 95'. These were small local nights, hiring restuarants and bars and filling them up with friends and their friends. some of my pas played at various London nights such as Release the Pressure and Just Can't Get Enough. I also managed to get CJ Mackintosh play for me as he was a lifetime friend of a pal of mine ar the time. 

After moving upwards with bigger venues, I took the plunge in 98' and hired a proper club with a bigger capacity, Imperial Gardens, and Kinky Malinki was born. 

I had to lie blatantly to Raymond at Imperial to even hire the club as I had no big venue history at all.  These were the days before social media existed.  It was sacks and sacks of letters getting franked at the post office and lots of weekends without much sleep giving out the 60,000 flyers we'd had printed.

Together with co-promoter Paul, we put on nights at Imperial Gardens., The Glasshouse, Aquarium, The Ministry of Sound, The Cross, Turnmills, El Divino and my favourite parties at our monthly residency at Pacha London (where we were the longest running residency). 


We were also guests around the UK at some of the most popular nghts of that era, such as Ultra Vegas, Eye Candy, Hotdog and many, many others.

I stepped away from running the parties years ago for personal reasons, but the passion for house music never, ever fades. 

I'm still as in love with the music 35 years later, as I ever have been ❤️ My music? it's underground baby!

Kinky Malinki 25th Anniversary Part 2 30.11.2024 at 93 Feet East 

Details of all Kinky Malinki events at www.kinkymalinki.com


DJ / Producer 
🇬🇧 UK based 

Mgmnt: AlteredLanes@yahoo.com

Hit me up on one of my socials 👇
Instagram - 
instagram.com/antondecksofficial

TikTok -  
tiktok.com/antondecksofficial

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