DJ WolleXDP exploring new paths?

“ #DeepTechno ”? “ #HypnoticTech ”? “ #DarkTrance ”? – whatever it is. I honestly have no idea whether this already qualifies as its own genre (maybe some of you do?), and as many of you know, I’ve never cared much for those kinds of labels anyway.

Here’s the backstory: a few weeks ago, I went to #Sisyphos with my girlfriend to finally experience my dear DJ dude #OliverHuntemann live again – someone I deeply admire. For me, Oliver is one of the most consistently reliable DJs when it comes to delivering exactly the kind of journey I love creating myself behind the decks: a beautiful trip where I can dissolve entirely into (collective) trance.

He didn’t disappoint.
But what struck me most was how he made me experience the #Hammerhalle in a completely new way.
I was genuinely blown away.
The last time I heard him play was at “#BuchtderTräumer” in the summer. I never would have imagined that he could bring that very special vibe of his into the Hammerhalle.
Wow – so that kind of thing really can happen here too?

Now, if you think I simply tried to imitate Oliver – then you don’t know me.
And more importantly, anyone who truly knows us both would understand that we have very different views on what music is – or can be.
Naturally, my track selection and my set dramaturgy are completely different from his.

But maybe what connects us isn’t something you hear – maybe it’s something you feel, from the dancefloor perspective?
For me, it’s always about energy. About depth. About emotion. And sometimes, it’s about that very specific calmness that certain tracks need to really shine.

But enough introduction.

Of course, this mix is still 100% #WolleXDP.
And yet – it’s different.
So different, in fact, that for me it marks something like a milestone.
I’ve been working on this kind of sound in my head for quite some time now.
And on Tuesday morning at Sisyphos, I finally got the chance to try it out – and to play all those tracks I’ve been collecting for years just for myself. Tracks I love – but never had the right context to actually play in public.

Special shout-out to the #lightingoperator – I’m almost certain they really felt the music.
The lighting matched the vibe perfectly and played a big part in what happened that morning.
What a joy!

Have a listen – maybe you can hear it after all?

@Sisyphos PFINGSTIPHOS Hammahalle Closing 2025-06-09

Here is my Recording from the VANTA.NYX @Void Club Berllin from 
June 14th, 2025, 1:00 a.m. - 3:00 a.m. 

Hope you enjoy and leave some love 🖤 

See you soon ! 
xoxo

CHARLIE CHEPPERT @ VANTA.NYX | VOID CLUB 14.06.25

Thanks Späti36 crew for the invite at @feelfestival ❤️💫
Playing this super sweet open air stage for a sundowner set 07pm – 09pm on saturday was a 2025 highlight for me and will resonate for a long time. 🌅

Thanks for this special weekend at Bergheider See – many thanks to the whole Späti36 crew for making me feel welcome at all times! Especially thank you Paul and Stefan for your trust and support! ❤️✨

Enjoy <3
Click the [↻ Repost] button if you like it!

Follow me on FB / Insta / SC <3
www.facebook.com/MIRO.0711/
www.instagram.com/miro.mov/
@miro0711

Miro @ Feel Festival 2025 | Späti 36

Recorded 'LIVE' AT... TUNNEL (Sisyphos/ Berlin) on 03.08.2025.

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Click † Click - LIVE AT... TUNNEL (Sisyphos/ Berlin) :: Aug 03rd, 2025.

Vabu is shaping the sound of Hamburg’s Techno scene since 2017 - and she played an unforgettable opening on our beloved NEST stage.

VABU - MS DOCKVILLE 2025

Alina Maibach @ Sola Festival 2025

Betty Bel | Sisyphos | Quack to the Strand Opening 6.9.2025

name28

Enjoy my debut at the infamous Hammahalle at Sisyphos!
Not only was it the “Nichtgeburstag” but it was also a special day because our club “Myzl e.V.” took care of decorating the hall.

Thanks for the awesome energy on the dance floor and to all my friends who accompanied me on this journey!

putC @ Sisyphos "Nichtgeburtstag" • Hammahalle • 2025

Indefinite Pitch PREMIERES. Edition 827

Na Nich - Nothing To Breathe

Contour Without Form
[FSR011 | Fur:ther Sessions]

Production | Na Nich
Mastering | Giovanni Conti at Artefacts Mastering
Lacquer Cut | Simon at The Exchange
Artwork | Frank Weidenfelder

Format | 12" Vinyl, Digital

Released by Fur:ther Sessions from Bad Kohlgrub, Germany
Release Date: October 24, 2025

Na Nich

https://soundcloud.com/sunchase
https://instagram.com/nanich_sunchase
https://facebook.com/nanich.ukraine

Fur:ther Sessions

https://soundcloud.com/furthersessions
https://instagram.com/further_sessions
https://facebook.com/furthersessions
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Indefinite Pitch. Yantai

https://www.indefinitepitch.com

Contour Without Form

Nothing To Breathe

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Indefinite Pitch PREMIERES. Na Nich - Nothing To Breathe [Fur:ther Sessions]

Support us: osmium-lab.bandcamp.com

Parallax Matter EP by Alex Gordiy
Artists: Alex Gordiy
Tracks:
01. Alex Gordiy - Call
02. Alex Gordiy - Granul8
03. Alex Gordiy - I Can't Take It
04. Alex Gordiy - Plastic
05. Alex Gordiy - I Can't Take It (SLANY Remix)
06. Alex Gordiy - Granul8 (Ponygirl Remix)

Label: OSMIUM
Genre: #Electronic
Style: #Techno
Catalogue number: OSMEP004
Date release: 10.10.2025
Format: Digital
Mastering: @farkas_erdoben
Artwork: @Frieder_S

Support the Artist(s):
SoundCloud: @alex-gordiy
Instagram: instagram.com/alex.gordiy.off/

SoundCloud: @djslany
Instagram: instagram.com/slany___/

SoundCloud: @ponygirl909
Instagram: instagram.com/ponygirl_official/

Support

Alex Gordiy - Call

Click | Click's Upcoming Dates

Sat 21. Dec, 24
Zum Rufer, Neuburg, Germany

Tue 31. Dec, 24
NIPS, Tbilisi, Georgia

Thu 02. Jan, 25
OXI, Berlin, Germany

Sat 11. Jan, 25
For Those Who Know, Secret, Germany





Most of us come under the spell of the electronic cosmos sooner or later, but doing so at the tender age of 4 years rather seems highly exceptional. And even if this might appear almost impossible at first glance, this was indeed the case for young Christoph alias Click | Click, when he heard Kraftwerk for the very first time on the radio back then. Therefore, it is no surprise that this experience was going to change his life significantly.

His name thereby originates from his earliest musical roots when he was still forfeited to the more minimal sounds of Techno and in which time he also started his first own label Kassette Records in the year 2006. And even if much has happened since and a lot changed musically, Click | Click always remained true to his roots by keeping his name. Through his musical transformation from Minimal Techno to Jackin' House, also the labels changed in the course of time, on which we have been able to pursue his musical talent over the years.

In 2013, he already established his second labels Palms & Flamingos, meant to provide room for exactly such projects, which had developed over the years. Of course it did not take long, until many reputable labels of the scene got wind of his artistic refinement. Like this, Click | Click already put out numerous releases on imprints like Green Velvet/ Cajmere's Cajual, Shir Khan's Exploited Ghetto, Mihalis Safras' Label Mr. Carter/ Material and Riva Starr's Snatch! Records, which not only lead to countless chart positions on relevant platforms, but also caused further international interest in his music.

Productions like Teenage Killerfunkband (2010), Ducks In The Kiddie Pool (2013), Girls Girls Girls (2013), The Muzic Box (2015) or Birdhain (2017) made their way into the crates of scene pioneers like Magda, Jamie Jones, Green Velvet or Claude VonStroke. This diversified and respectable appreciation of his creative doing naturally provided him with numerous national and international performances in the best clubs and most important festivals of the world as well.

Like that, he already played in such reputable venues like the Watergate Berlin, Ministry of Sound London or D-Edge Sao Paulo, as well as the meanwhile relocated to Portugal BPM Festival Mexico or the Monarch/ Great Northern in San Francisco. Also his successfully completed tours through varying countries like Brazil, Mexico, USA, China, South Korea or Thailand make unmistakably clear, that the name Click | Click should not be forgotten too quickly.