Two pieces from my THE LITTLE CLAVIER, 633 pages black & white photography, with poems, essays, rants, meditations, and miniatures, etc. Available online at: THE LITTLE CLAVIER by Cliff Crego (Paperback) - Lulu http://bit.ly/1gtE62i [PHOTO: A happy Mt. Toad  coupling (Bufo borealis) at 2300 meters, July, the WALLOWA, Oregon]

BUY eBook on iTunes

Retronyms - Notation:  a set of 2 miniatures, w/ Mt. Toad chorus

Sine sole sileo / Without sun I am silent. The main theme in this dialogue circle tape.

SEE my related NEW ENERGY MANIFESTO at http://picture-poems.com/photoweek/poster_new-energy-manifesto.html

NEW DIGITAL AWARENESS, or the failure of education & ethical responsibility. . .

IMAGE: Climate Breakdown basecamp, the WALLOWAS, OREGON

Photo / text of poem is at bit.ly/f5czpb

WATCH…“i’m too poor in this world, and yet not poor enough…after RILKE” https://vimeo.com/845195766

I’m too poor in this world, and yet not poor enough…after RILKE, a soundpoem

Special thanks to my good friend, Simone de HAAN, Australian new music trombonist extraordinaire…I couldn’t have done this project without his help.

“What Israel is doing today cannot be condoned, and to invoke the horrors of the past to justify those of the present is gross hypocrisy.”

TEXT of Bertrand Russell’s Last letter used here is at http://www.picture-poems.com/pdfs/russells-last-letter.pdf

Feel free to make your own, I am sure, much better performance of the text. The track for the orchestral background (minus voice) is here:  http://picture-poems.com/mp3/russell_no-voice.wav

IMAGE: Bertrand RUSSELL, 1957

RUSSELL’S 1970 LAST LETTER, a call for peace in the Middle East

A set of FIVE METAPHYSICAL MINIATURES...soundscape includes a found gong, walking on crusty snow with snowshoes, powerful snowmachines that circle my winter camp, and most especially, a February love duo of two owls, counter-singing in the middle of the night. Recordings...made in the Wallowas, just outside the Eagle Cap Wilderness, Northeast Oregon.

VIEW a set of 100 MINIATURES at: www.picture-poems.com/100

Freedom - Limit - Right Action - Money - Economy: a set of 5 miniatures

PHOTO: YUM CHENMO--"Great Wisdom Mother" at EWAM, Garden of 1000 Buddhas, Jocko Valley, Arlee, Montana

SEE TEXT at: http://picture-poems.com/photoweek/1000-buddhas_9-29-10_8bw.html

RETWEET #buddhism A QUESTION OF #NONVIOLENCE, OR NON-EXISTENCE—a meditation pdf [140k] http://bit.ly/1nkSlvg mp3 [3.7Mb] http://bit.ly/1nkSjDB

A QUESTION OF NON-VIOLENCE, OR NON-EXISTENCE,  a meditation . . .

PHOTO: Arinica (Arnica montana) & Butterfly, the Alps

POSTER is at: http://www.cs-music.com/features/cards/poster_sonnet-XIV-2.html

POSTER pdf is at: http://www.cs-music.com/features/cards/poster_sonnet-XIV-2.pdf

DOWNLOAD: #FreeFriday RILKE IN THE WALLOWAS 80 new tr. & 120 photos, by CLIFF CREGO pdf 212 p/ 208 Mb http://bit.ly/mA3Ly7

RILKE: Sonnets to Orpheus, XIV [second part], German/English, tr. Cliff Crego

A 17 seventeen-step poem is a kind of generalized HAIKU. How it is notated in the score isn’t relevant. Only the 17 steps as we hear/sense/feel them as a dance, a pattern of movement, is important.

A SEQUENCE strings 17 of these seventeen-step poems together, like strings of lights on a Christmas tree. Each string has a different color or theme or center.

There are 17 SEQUENCES. Here, we hear the first nine.

Each numbered pattern we hear is a single image or experience from a bike packing pilgrimage made through the mountains of IDAHO and OREGON. 120 days / 80 camps. Many more, new special places and new friends.

TEXT of SEQUENCES I through XI… (rough draft…) is at http://www.picture-poems.com/pdfs/lost-in-idaho.pdf

IMAGE: My bike packing rig, MISSOULA. I cache the bike, and periodically change over to boots and backpack for wilderness photography work, and then hike back out to my bike.

LOST IN IDAHO, A pilgrim’s notebook….Sequences I through IX

THIS IS A set of metaphysical MINIATURES from the picture-poems.com 2014/2015 CALENDAR. All b & w photography, pdf [22.9Mb] is at: http://bit.ly/1F9R54K

MUSICAL header & coda is from the STONEPINE SONATA, violin & piano, for the young performer, on Soundcloud at: http://bit.ly/1D7Ni1S score pdf http://bit.ly/1D7NrT9 This is the piece I hope to have played on a fiddle made of whitebark -- or stonepine --wood. [SEE BELOW....]

PHOTO: Old-growth Whitebark pine, or Stonepine, on solid rock, at 2500 m., Eagle Cap #Wilderness, OREGON. I'm working on a photobook project, WHITEBARKS OF THE WALLOWAS. Whitebarks of the polar bears of trees, both the oldest and most important keystone species of the high alpine zone, and also the most endangered of species, threatened on all sides by beetles, and, most especially, a hotter, drier climate. SEE MORE AT: http://picture-poems.com/photoweek/whitebark_on-rock.html



Natural Justice - Freedom & Limit - Dialogue - Religion - Square of False Rationality, 6 MINIATURES

FIREFLY/STARLING Project Proposal: One of the species of music I do is algorithmic composition.

The intention is to side-step traditional metric notation altogether, and generate electronic sounds directly from their mathematical description.

TWO projects I’m working on involve the movement of sounds in objective or real space. Inspired by the Varèse, Xenakis, and Le Corbusier 1958 World's Fair Philips Pavilion—we did a reconstruction of this with the ASKO SCHOENBERG Ensemble years ago—I am hoping to implement a grid of a 40-voice sound source distributed over 400 light/speakers.

The simplest and most flexible way to do this would be an APP that audience members could download in situ that flashes colored lights on and off, while at the same time playing pitched percussive sound. This means that there are three versions of a piece: light only, lights + sound, and sound only. All versions could be performed in- or out-of-doors.

The first two pieces I’d like to realize both use simple swarm algorithms abstracted from Nature: (1) FIREFLY (2) STARLING.

FIREFLY: The primary parameter is how the 40 relatively autonomous voices—simple percussive, say, woodblock sounds—move in and out of synchronicity using complex, non-periodic rhythms. Secondary parameters are random spatial and random pitch distribution (a simple 4 octave C2 to C6 1/4-tone field). Other variables are total duration and max/min temporal density limits. 

STARLING: Here, there are two equal primary parameters, with an one octave ‘swarm’ of 1/4-tone pitches at high to low density over a six octave field—always maintaining coherence with the same simple percussive woodblock sound with clear spatial transients—that ‘flies’ around in pitch space. 

WORK PLAN: Start simple with laptop models: scale down to 4 voices in monophonic rendering; then, stepwise, scale up to 40 voices. Once optimal temporal and pitch densities are worked out, scale to spatial distribution adding a dynamic / amplitude 7-step scale ppp=far away // fff=very near, as well as stereo headphones output; from there, scale up to the next level with simple single-purpose smartphone wi-fi/cellular APP.

That’s it. Each piece would last about 10 minutes. They wouldn’t be written down, but generated anew each time.

If you’d like take part the FIREFLY/STARLING Project (pro bono) in any way—whether as coder, mathematician, AI specialist, or APP designer— or offer support in any way, you can email me at cliff@picture-poems.com

AVIAN soloist: An Oregon Rock Wren, recorded in MAY

IMAGE: Whitebark pine atop EASGLE CAP (Lost) GLACIER PEAK in background

FIREFLY / STARLING Project Proposal:—Algorithmic  ‘SWARM’ spatial composition played LIVE!

This is the sound track for: Watch “THINK OF A RIVER, a flowform meditation” on #Vimeo https://vimeo.com/841380035 

MAGE: Rolling Thunder Falls, Eagle Cap Wilderness, Northeast #OREGON

I'VE BEEN MEDITATING a lot recently on Thoreau's little 7-beat aphorism, "There are a thousand hacking at the branches of evil to one who is striking at the root." We are, after all, marking the 50th anniversary of APOLLO 8 & the great EARTH RISE photograph. Yes, "When we went to Moon, but discovered the Earth." And yet, reactionary forces everywhere continue their mindless attack on our planet home.

"THINK OF A RIVER (as something powerful)" was first composed in preparation of a 56-day double circumambulation of the WALLOWAS I do every year. This is a vast and rugged wilderness area where I work in the US, about 1/6th the size of Switzerland, running from alpine peaks above 3000 m. all the way to the great Hells Canyon and the Snake River at 600 m., where we can almost smell the Pacific Ocean. I do the outer circle on Mt. bike, and the inner circle--all the way round what I sense as the neutral, motionless "hub of the wheel" of the living mandala of Eagle Caps--running all the many rivers on foot.

The idea is simple: If you want to understand a watershed, walk it. And always running parallel, "If you want to understand, to "strike at the root of evil," observe as an intense form of meditation in Nature your own thought and thinking.

The two streams, that of the river, and that of consciousness, are for me one, inseparable. To understand one is to understand both. A revolution of consciousness IS a revolution in the nature of our relationship to water. And a revolution in our relationship with water IS a revolution of consciousness.

The rhythm of the piece is measured i what I call "flowform time." I prefer not to write this down in western musical notation. If you'd like to perform the piece, feel free to simply learn the movement of the text by heart, and play it by ear, from there.

TEXT, in a slightly different version, is at: bit.ly/1JARAEs Another recording, made a few years back, is on Soundcloud at: Cliff-crego – Think-of-a-river-as-something

THINK OF A RIVER, a flowform meditation...

Composer. Writer. Photographer. Former conductor & founder of the ASKO ensemble.

On a bike/ski/hike trek of the Pacific Northwest studying native plants & climate breakdown 🌲 from sagebrush sea to whitebark pine. Composing off-grid the whole way.

#Sun2Sound 🌕 on X

THINKING LIKE A STONEPINE, a soundpoem manifesto https://vimeo.com/844665859

“LOVE & WATER, three thought poems w/ coda, PHAROS for small orchestra, “Nightwind”” https://vimeo.com/847079690 

CURRENTLY on mt bike/ski/climbing trek through Pacific Northwest, working on a photobook about WHITEBARK PINE COLLAPSE and CLIMATE CRISIS. BASES in the WALLOWAS | AMSTERDAM | ALPS. 

WEEKLY photo/poetry updates at www.picture-poems.com & THE CIRCLE IN THE SQUARE new music, poetry & dance performance project at www.cs-music.com

ALWAYS ON THE LOOKOUT for progressive, tech-savy, instrumental virtuosi interested in dialogue & collaborative undertakings.

CONTACT cliff@picture-opoems.com
Or on SKYPE or FACETIME @cliffcrego

MUSIC? The one thing humans do,
that makes the rest of nature jealous.

FIREFLY / STARLING Project Proposal:—Algorithmic ‘SWARM’ spatial composition played LIVE!

Cliff Crego

Related tracks