THIS IS A STUDY piece for my OCTET Project. It's inspired by the WEBERN-BACH Ricercare a 6 voci, one of the hardest pieces I've ever conducted. The challenge is to find and develop a resonant, vocal style of playing as ensemble. And that in a composite texture which is at once simple & complex, at once open [naked] & dense. The problem is that each individual has to know the whole, which is generally not the case if we rush or "end-gain" a piece to concert performance, or become dependent on a conductor. The only really factor keeping us from working this way, it seems to me, is "time" or its contemporary equivalent, "money." If each of the eight players learns to study the score, and the BACH original, by singing all the voices, playing it on a keyboard, making multitrack recordings, etc., a new sense of ensemble sound and performance will very quickly unfold. 

WEBscore is at: http://www.cs-music.com/octet/octet_bach-c-sharp_1.html
DOWNLOAD score pdf is at: http://www.cs-music.com/octet/octet_bach-c-sharp-minor.pdf
DOWNLOAD parts at: http://www.cs-music.com/octet/octet_bach-c-sharp_parts.pdf
DOWNLOAD performance model mp3 at: http://www.cs-music.com/octet/octet_c-sharp-minor.mp3

The idea is to OCTET Project is to set a new standard. LISTEN, for example, to this recording of the WEBERN-BACH below. In my view, with all due respect to the great musicians playing, it's imbalanced in almost every way. Just a mess, really. See what you think....What I'm critical of is NOT the individuals playing, but rather the performance practice itself, as a whole.

♫ BOULEZ plays WEBERN-BACH Ricercare a 6 voci (1935), London http://bit.ly/1zU2lv9 


from OCTET PROJECT, "Arr. BACH fugue in c# minor [no. 4 book I] performance model

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Composer. Writer. Photographer. Former conductor & founder of the ASKO ensemble.

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from OCTET PROJECT, "Arr. BACH fugue in c# minor [no. 4 book I] performance model

Cliff Crego