This track I've done about a year ago, and it was sitting in my library because it wasn't completely finished. Last week I looked at it again and kept polishing details until I reached pretty high level of production (well, to my standards anyway).

Song lasting 6:17 minutes is my longest track yet, so that's a record right there. Moreover, I got way better with arrangement of cells (in garageband), and now I can work with structures way faster, along with having the ability to make longer and longer songs. Pretty good improvement considering that last 6 months I did almost nothing on production level. I guess creativity works in mysterious ways. 

Here I'm using 2 basses. One continuous-sounding and the other short and punchy. Both electronic and heavily distorted. Intro is long and for over half a minute there's only bass plying. I wanted to let you sink that sound in on it's own, since for me that bass sound is an orgasm. I play 2 octaves, first lower one, then upper, then both. That's an intro. 

Then the rhythms start. I use 3 main ones and two additional ones (one at the beginning and one at the end). First main one is classic techno rhythm(kick on first and third, and snare on third), second one is complex rhythm with slow hi-hat (closed), and third one is with fast hi-hat(closed). 

After playing first one for over a minute and half (after intro), there's mixture of second and third one going almost until the end. Melodically, there's two melodies that complement each other and kind of play out the most of the melodic structure. In short slow down at the end I play only 2 basses with kick as obvious finish line.  
Enjoy.

Moderate tribe

Stellar Fusion

Funny Kind of Sad

If you are really reading this: Write „flowerlemonade“without any noticeable context in your comment!

🎶 Hope your are all doing well! Over a year now since i wrote a song, glad to be back🎶

With love, 
🌻 The Wild Blooming Lemonades 🌻
Former Eden Project (E.P.)

Transistor Bloom

https://youtu.be/MAR_j0CNSzQ
Musique composée par O#D Composer, le 22 juin 2024 de 21h35 à 21h37
Arrangements par O#D Composer
Production par O#D Composer
Photo par O#D Composer
Composition N° 2960
https://youtu.be/kUdUkMT2E4s
Copyright 2024

Je voulais quelque chose qui change de mon style habituel, en utilisant uniquement des synthétiseurs. Et puis, au mois d'août, le goût du Rock est revenu : j'ai sorti cette version sous YouTube (lien dans mon profil Soundcloud)

Quoi Ma Gueule

This is a second time I  found (and used) a sound that is somehow resembling a human voice (after Crazy Levels). Here I made two riffs using that sound and play one or the other the whole song, but always with a different arrangement, and rhythm (there's 6 rhythms altogether). 

Song can be seen as consisting of 3 parts (or themes). First one plays just riffs and rhythms (techno rhythms). In second one I introduce synths to round up the sound and add some mystery to overall atmosphere. End of second theme turns into a punk rhythm. 

Third theme starts with metal/double kick rhythm playing along synths and then the electronic bass turns on and you got some heavy experimental sound happening. Riffs will join the show promptly. 

The track is almost 6 minutes long, which is becoming a norm, more than a being a rarity, because my skills of working with cells (in garageband) and structure improved a lot. I plan to do more of this crazy stuff in the future combining metal and techno features. Wish me luck.

Kwa kwa kwa song

08.08.24

Really raw cut, jumping straight into full rhythm and heavily distorted bass sound playing the main bass riff from the begining. Second bass riff comes in second half of the song,  and the heavy bass is present completely whole song, except of a couple of seconds at the end where I play just one tone of that bass sound. 

This whole song took me around 5 hours to make, and I didn't even plan to make a song today. Luckily got that bass riff in my head all morning and couldn't get rid of it. And funnily I opened a file with one melody in it - it's the  main one ( or the chorus if you will), which I made long time ago (don't even remember doing it). All the rest I made on the spot.

I played with kick sound for about 20 minutes, chose kind of earthy echo kick by combination of 3 different hit sounds. Then I played with bass sound for another 20 minutes. This time I went raw into all the knobs available and tried to shift them up and down. I came into pretty magical button "release" which made a magic around at around 50%, and the rest is 2 hours of listening to one loop of bass and kick (and lots of dancing to it)

Then I came back to that old melody, finished it, made a relatively simple variation and designed a pretty neat structure where all riffs kind of click and keep the show going. All piano and nothing else.  

Towards the end I introduce new bass riff with new bass sound. I do a very short dip at that point, where I switch off and reintroduce snare, hi-hat and then old  bass sound - but this time not playing the riff, but only one tone - E2 with last four being the octave (E3).

At the very end I reintroduce the bass riff from beginning for only four times and then I play pure E2 with the first bass sound. I wanted a party from the go and as long as possible, so I didn't do any intro. Although there's only one rhythm playing whole song, it's very energetic, upbeat and good reason to boogie. 

Moreover, the end and the beginning are pretty good fit, so if you play this song on the repeat, then it sort of sounds like a never ending song. So I hope you enjoy that, and leave a comment if you feel like it. 

See you next time.

Floating keys

Daydreams Of Coconut Grove

Pray Rain

Video
https://www.youtube.com/watch?v=eFu_0H5jNdc

Tribute to Ennio Morricone

▪︎Compositor 
▪︎Produtor Musical
▪︎Músico instrumentista 

🎹🥁🎻🎺 🎸 💻🎧 🎶

08.08.24

Tripulante Sideral 🚀

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