/;…;/

Louisa

: 박혜진 Park Hye Jin • blk. • COMPUTER DATA • Tom Jarmey • Soul Wun • Tekkla • DJ Houseplants • MarBlu • Zoo Brazil • KARLITA • 1-800 GIRLS • Olivier Verhaeghe • Trip Tease • Kris Berle • Shouse • Martha • Hoshina Anniversary • Demuja • Monolithic • SHEE – 

Clipp.Art

clipp.art : originals

New private playlist

Ecco2k - Time

King's Disease II

YKTV (feat. A Boogie Wit da Hoodie & YG)

House With No Name

Calvin Harris - Summer

http://smartURL.it/CHSummer

Calvin Harris - Summer (Extended)

OPEN

YAYAYA

DRIVE

Yesterday

DJ Cockroach make dem tunes that keep kickin' after the atom bombs drop.

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Join the clipp.art fanclub - https://clipp-art.bandcamp.com/fan-club
Follow clipp.art channels - https://biglink.to/clippart
Send your Music Demos - www.tstack.app/clippart

About clipp.art: clipp.art promises an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition 12 inch and dance party. 

General Enquiries ☞ clippart001@gmail.com
000-919999-KETTY

DJ Cockroach - Make The Crowd Go

Follow Hoshina Anniversary - https://soundcloud.com/hoshina

In prehistoric Japanese folklore “Amanojaku” is the name given to a demon-like creature. This creature is usually depicted as a kind of small troll-like demon (known as an “oni”) who was thought to be able to provoke a person's darkest desires, instigating them into perpetrating wicked deeds. A “twisted person”. Sometimes used to describe a being with an extremely contrary nature, someone that if ordered something, would do the opposite. This might be a strange introduction but might be the best way to set a discussion about our friend Hoshina Anniversary and his new introspective album “Leave Behind” from where the tracks “Amanojaku (天邪鬼)” and “Landscape (風景)” are lifted. Not that we would ever think of Hoshina as a small troll demon, but to say he is an artist not unaccustomed to doing the opposite of what is expected, then a fitting description indeed. 
“Leave Behind” is an electronic album created mostly using non-electronic instruments, featuring Hoshina’s vocals and socially noncompliant lyrical styling. Inspired by Steely Dan and Weather Report, “Amanojaku (天邪鬼)” is a song described in Hoshina’s own words “created with a rather strange chord progression”. A song he says is about the crisis in social networking, which is no doubt a location where one finds many a “twisted person”. Quote the lyrics: “If you tell me Yes, Then I’ll tell you No. It’s a boring communication. Desire for recognition. You are always right. I’m always wrong”. Words spoken by someone who if ordered to do something, would not be unlikely to do the opposite. But what other choice would you make when finding yourself tied into knots by the endless scroll of social activity. Regardless, “Amanojaku (天邪鬼)” is a total vibe of a tune.

On the opposite end, “Landscape (風景)” is a song described by Hoshina as “About death, and when I wrote about death in relation to the landscape, I felt a sense of selflessness”. It’s a tune that wouldn't find itself out of place on an album by synth maestro’s AIR and which contains as much gravity as I think the French legends ever did. Quote the lyrics: “I thought I was obsessed with so many things. I feel myself becoming numb. Our own joys and sorrows seem to have nothing to do with the landscape that is spread out here.” A beautiful sentiment and fitting taste of what’s to come on “Leave Behind”.

Download

Hoshina Anniversary - Landscape (風景)

Follow Hoshina Anniversary - https://soundcloud.com/hoshina

In Japanese folklore predating written text, “Amanojaku” is the name given to a demon-like creature usually who was thought to be able to provoke a person's darkest desires, instigating them into perpetrating wicked deeds. Also described as a “twisted person” or a being with an extremely contrary nature - someone that if ordered something, would do the opposite. As a way of description this may not be an obvious choice when referring Hoshina Anniversary and his latest release, an introspective album titled “Leave Behind”, but as an artist accustomed to doing the opposite of what is expected, we would argue it be a fitting introduction for an artist consistent for the magnitude and variety of musical output beyond the last decade.

Opening track “What Can We Leave Behind In This World (この世界に何を残せるか)” sets the tone for what is to come. Interlacing layers of detuned keys falling endlessly into the void - a muted twist on the work of synth maestro’s AIR.  Like much of the album, a leap of faith. There are elements of deconstruction and awareness throughout. “Essence (本質)” reporting from the front-lines of personal reflection “Self-will is born from a terrible lack. That's what my experience has told me” echoes around drum tones. But there are lo-fidelity flourishes wherever you look, on “Toukai (東海)”, “Asia” “Obsession (Kyouhaku Kannen 強迫観念)”, “Rine (輪廻)” and “Teinen (諦念)”  clank along like the best of 2017 without ever trying to be as mired in coolness. It's a liberating look at Lo-Fi House.

“Landscape (風景)” is a song described by Hoshina as “About death, and when I wrote about death in relation to the landscape, I felt a sense of selflessness”. Quote the lyrics: “I thought I was obsessed with so many things. I feel myself becoming numb. Our own joys and sorrows seem to have nothing to do with the landscape that is spread out here.” Again the theme of leaving one’s history behind to discover the new self.

Inspired by Steely Dan and Weather Report, “Amanojaku (天邪鬼)” is a song described in Hoshina’s own words “created with a rather strange chord progression”. A song he says is about the crisis in social networking, which is no doubt a location where one finds many a “twisted person”. Quote the lyrics: “If you tell me Yes, Then I’ll tell you No. It's a boring communication. Desire for recognition. You are always right. I’m always wrong”. Words spoken by someone who if ordered to do something, would not be unlikely to do the opposite. But what other choice would you make when finding yourself tied into knots by the endless scroll of social activity. Much like a "twisted person". 

Coming back to the theme of Life & Death (opposites or just different sides of the same coin?), and what is beyond, Hoshina has said if he were to die tomorrow he’d be happy he created this collection of songs, so it’s fitting “Leave Behind” ends with “Alone In A”. In a year we lost the great Japanese musical icon Ryuchi Sakamoto, this tune comes as a soothing balm to your humble narrator. It’s a song I could imagine the great man himself nodding along to. It also generated from a place Hoshina could only get to after abandoning almost all of the Japanese instruments and Watechno elements present in his work over the last 5 years. We resonated with this overall feeling ourselves, having changed what we are as a record label/event/concept over the last 5 years. Not often looking back. But like most things in this mortal coil, we must be prepared to leave behind the things we do and are, moving always towards the new. Sometimes in the most opposite of places.

Hoshina Anniversary - Rinne (輪廻)

Hoshina Anniversary - Obsession (Kyouhaku Kannen 強迫観念)

Hoshina Anniversary - Asia

Hoshina Anniversary - What Can We Leave Behind In This World (この世界に何を残せるか)

Official remix for Calvin Harris & Disciples "How Deep Is Your Love"

DOWNLOAD on
iTunes: http://smarturl.it/HDIYLremixes
Beatport: http://btprt.dj/1PbgDRE

How Deep Is Your Love

Beatport

Calvin Harris & Disciples - How Deep Is Your Love (Chris Lake Remix)

All I Want Is You

Sure Thing

Talk Talk - Such a Shame (version maxi par pito)

Tekkla - Love Vibration [CLIPP043]

Crack a coconut on the head next to you and recline your seat til it recline no more! Stockholm’s Tekkla must have a life chiller then mr Snoop Double O G writing a track like this. Warm and tropical this beat is something out of an old surf video. You can pretty much smell the ocean with this Sheller. 

Spotify: https://spoti.fi/2Pa3aTm
BandCamp: https://bit.ly/2CPHrKQ
Youtube: https://bit.ly/2PEKsAx
Beatport:


About clipp.art:
clipp.art promise an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition split artist 12 inch and dance party. Current clipp.art events and tours feature headlines from Gerd Janson, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral, The Black Madonna, Dusky, Laurent Garnier, Vin Sol, Skream, Little Helpers, Horse Meat Disco, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and more.

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Follow Tekkla > @soundsoftekkla

Join our fanclub and receive all past and future clipp.art stuff at
clipp-art.bandcamp.com

Follow our "Sounds Like A Good Time" Playlist - spoti.fi/2o51IC8

Subscribe to our Channels:
Youtube - bit.ly/2o09yOu
Spotify - spoti.fi/2EJMi0H
Soundcloud - @clipp_art
FB - facebook.com/clipp.art
BandCamp - bit.ly/2LjbudJ

Send Nudes 'N Tunes ☞ clippart001@gmail.com

000-919999-KETTY

"WE CARE, BECAUSE U."

Crack A Coconut

Tekkla - Love Vibration [CLIPP043]

“healing” begins to open up from the haze that “fog” leaves. The title has a lot of meaning behind this one, laced with distant vocals telling you to “let the healing into your heart”. The track encapsulates the title of the EP, an emotional shift towards happiness, peace of mind, hope, and (some) clarity. This track was written with a lot of personal hardships on CD’s mind from a recent relationship, and always pictured being entranced by it at the end of a long set in the club. 

bout clipp.art:
clipp.art promise an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition split artist 12 inch and dance party. Current clipp.art events and tours feature headlines from Gerd Janson, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral, The Black Madonna, Dusky, Laurent Garnier, Vin Sol, Skream, Little Helpers, Horse Meat Disco, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and more.

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Follow COMPUTER DATA > @computerdata

Join our fanclub and receive all past and future clipp.art stuff at
clipp-art.bandcamp.com

Follow our "Sounds Like A Good Time" Playlist - spoti.fi/2o51IC8

Subscribe to our Channels:
Youtube - bit.ly/2o09yOu
Spotify - spoti.fi/2EJMi0H
Soundcloud - @clipp_art
FB - facebook.com/clipp.art
BandCamp - bit.ly/2LjbudJ

Send Nudes 'N Tunes ☞ clippart001@gmail.com

000-919999-KETTY

"WE CARE, BECAUSE U."

Heal yourself

COMPUTER DATA - Healing [CLIPP049]

“IF U WANT IT” is our first micro-album project on clipp.art, and comes via 24 year old female Korean singer, songwriter, rapper, house and techno DJ "박혜진 park hye jin”.

Korean born, 박혜진 park hye jin is a resident DJ at Pistil Dance Club, with regular broadcast performances on Seoul’s independent underground radio “SCR”. Her style blends elements of dream-state house, raw hip-hop & psychedelic darkwave and mixes her own English and Korean vocals over dreamy synths & thick beats for a forward-thinking dancefloor experience.

Title track IF U WANT IT, has park hye jin singing a duet with herself in Korean over a bangin 4/4 beat, followed rapidly by ABC which finds park croon in English over a smoky piano line before tumbling effortlessly into a motorik fashioned middle breakdown. From there we shift gears, sliding into the deep thunder of Korean vocaled I DON’T CARE, the abyss of CLOSE EYES, before sailing endlessly into the moonlight on EP closer, CALL ME.

We are completely thrilled to present you this exciting underground talent coming out of Seoul.

Lyrics:

I DON’T CARE 난 상관없어
너가 뭐라고 하던 난 그냥 할거야
(I DONT CARE. It doesn't matter to me)
내가하고자 하는거 그냥 할거야
(Whatever you say, I'm just gonna do it)
내가 하고싶으니까 그냥 계속할거야
(I'll just do what I wanted. Because I want to do it.)
계속 계속 할거야 I DON’T CARE
(Just...I'll keep doing it . Keep...keep doing it. I DONT CARE)
*내 삶속에서 
(In my life)
*내삶속에서 무엇이든 바랄 수 있어
(In my life I can hope for anything)
내 삶속에서 내 삶속에서
( In my life In my life )
내삶속에서 무엇이든 바랄 수 있어
(In my life I can hope for anything)
난 나를 믿어 난 나를 믿어
(I believe in myself, I believe in myself)

--------

About clipp.art:
clipp.art promise an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition split artist 12 inch and dance party. Current clipp.art events and tours feature headlines from Gerd Janson, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral, The Black Madonna, Dusky, Laurent Garnier, Vin Sol, Skream, Little Helpers, Horse Meat Disco, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and more.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Follow park hyye jin > @parkhyyejin

Join our fanclub and receive all past and future clipp.art stuff at
clipp-art.bandcamp.com

Follow our "Sounds Like A Good Time" Playlist - spoti.fi/2o51IC8

Subscribe to our Channels:
Youtube - bit.ly/2o09yOu
Spotify - spoti.fi/2EJMi0H
Soundcloud - @clipp_art
FB - facebook.com/clipp.art
BandCamp - bit.ly/2LjbudJ

Send Nudes 'N Tunes ☞ clippart001@gmail.com

000-919999-KETTY

"WE CARE, BECAUSE U."

LOVE <3 !

박혜진 park hye jin - I DON'T CARE

2nd PRINT VINYL LANDS MID MAY 2019! 
pre-order > https://clipp-art.bandcamp.com/merch

“IF U WANT IT” is our first micro-album project on clipp.art, and comes via 24 year old Korean singer, songwriter, rapper, house and techno DJ 박혜진 park hye jin. Currently residing in Korea, park hey jin is a resident DJ at Pistil Dance Club, with regular broadcast performances on Seoul’s independent underground radio “SCR”. Her style blends elements of dream-state house, raw hip-hop & psychedelic darkwave and mixes her own English and Korean vocals over dreamy synths & thick beats for a forward-thinking dancefloor experience. 

Title track “IF U WANT IT”, has park hye jin singing a duet with herself in Korean over a bangin 4/4 beat, followed rapidly by “ABC” which finds park croon in English over a smoky piano line before tumbling effortlessly into a motorik fashioned middle breakdown. From there we shift gears, sliding into the deep thunder of Korean vocaled “I DON’T CARE”, the abyss of “CLOSE EYES”, before sailing endlessly into the moonlight on EP closer, “CALL ME”. 

We are completely thrilled to present you this exciting underground talent coming out of Seoul.

Lyrics:

A, i love you
B, i want you
C, i miss you


About clipp.art:
clipp.art promise an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition split artist 12 inch and dance party. Current clipp.art events and tours feature headlines from Gerd Janson, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral, The Black Madonna, Dusky, Laurent Garnier, Vin Sol, Skream, Little Helpers, Horse Meat Disco, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and more.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Follow park hyye jin > @parkhyyejin

Join our fanclub and receive all past and future clipp.art stuff at
clipp-art.bandcamp.com

Follow our "Sounds Like A Good Time" Playlist - spoti.fi/2o51IC8

Subscribe to our Channels:
Youtube - bit.ly/2o09yOu
Spotify - spoti.fi/2EJMi0H
Soundcloud - @clipp_art
FB - facebook.com/clipp.art
BandCamp - bit.ly/2LjbudJ

Send Nudes 'N Tunes ☞ clippart001@gmail.com

000-919999-KETTY

"WE CARE, BECAUSE U."

Linkssss

박혜진 park hye jin- ABC

I just started making music when the original version of "King Of My Castle" by Whamdue Project got released. Since then I have considered the record to be a timeless classic that still sounds relevant in 2019. When Keanu sent me his first demo of his K.O.M.C. remake I got excited straight away and tested it out in one of my sets. This immediately sparked a lot of creative ideas in my mind, so I started working on a new version in my studio. We ended up sending a few versions back and forth and then finally, after testing it out more extensively, we agreed on a version that we both loved. Since that day the track has become one of the most requested ID's in my sets and we are excited to finally share it with the world!  

-Don-

Follow Keanu Silva
Facebook: www.facebook.com/keanusilvamusic
Instagram: www.instagram.com/keanusilva
Twitter: www.twitter.com/KeanuSilvaMusic

Follow Don Diablo
Website: www.dondiablo.com
Facebook: www.facebook.com/officialdondiablo
Instagram: www.instagram.com/dondiablo
Twitter: www.twitter.com/dondiablo

Follow Hexagon
Website: www.hexagonhq.com
Facebook: www.facebook.com/HexagonHQ
Instagram: www.instagram.com/HexagonHQ
Twitter: www.twitter.com/HexagonHQ

King Of My Castle (Don Diablo Edit)

Stream / Download

Keanu Silva - King Of My Castle (Don Diablo Edit)

Don't Stop The Dance

blk. - i need a boiler room (clipp.art)

From Legendary Member, out September 26th via YEAR0001.
Listen to IDGAF: yr1.se/idgaf

Produced by Gud & Whitearmor

www.thaiboydigital.com

IDGAF

IDGAF (prod. Gud & Whitearmor)

From Legendary Member, out now via YEAR0001.

Listen now: https://yr1.se/legendarymember

SE5AJ1900748

Listen now

Can't Tell (prod. Gud, Woesum)

SKANK N FLEX 
via Divided Souls

Download / Buy / Stream today:
https://ffm.to/wsnf

FOLLOW WAX MOTIF:

Facebook: www.facebook.com/WaxMotif
Twitter: twitter.com/waxmotif
YouTube: www.youtube.com/waxmotif
SoundCloud: @waxmotif
Instagram: www.instagram.com/waxmotif

FOLLOW TAKI NULIGHT:
Facebook: https://www.facebook.com/taikinulight/
Twitter: https://twitter.com/Taiki_Nulight
Youtube: https://www.youtube.com/channel/UC3HNlJTfZluK5Ey3i8lZfgw
Soundcloud: https://soundcloud.com/taiki-nulight-uk
Instagram: https://www.instagram.com/taikinulightuk/

FOLLOW SCRUFIZZER:
Facebook: https://www.facebook.com/scrufizzer/
Twitter: https://twitter.com/SCRUFIZZER
Youtube: https://www.youtube.com/user/scrufizzer
Soundcloud: https://soundcloud.com/scrufizzer
Instagram: https://www.instagram.com/scrufizzer139/

Wax Motif & Taiki Nulight - Skank n Flex ft. Scrufizzer

Mystery Lady

Mystery Lady (ChopNotSlop Remix) [feat. Don Toliver]

sounds like a good time since 2017 / 000-919999-KETTY

Music Submissions via TrackStack > https://www.tstack.app/clippart

enq? clippart001@gmail.com

https://fanlink.tv/clippartslgt

DJ Cockroach - Make The Crowd Go

𝗰 𝗹 𝗶 𝗽 𝗽 . 𝗮 𝗿 𝘁