Groove Inside - 2

Download - https://fanlink.to/CLIPP208
Follow Thomas Garcia - https://soundcloud.com/thomasgarciamusic

Thomas Garcia - Waiting Around For You [CLIPP208]

Lifted from the forthcoming EP, in “Waiting Around For You” LA resident Thomas Garcia has gone out and produced a classic slice of sun-soaked H.O.U.S.E. Sitting somewhere between uplifting and deeply euphoric -  with a  solid groove ensconced by swirling pads, muted stabs and vocal hooks that echo around like ghostly hungover voices in an empty Encino pool. The whole ensemble slides into your soul as easily as a 4pm Mojito. Perfect for a mid-season pick me up. And that’s something worth waiting around for. 
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Join the clipp.art fanclub - https://clipp-art.bandcamp.com/fan-club
Follow clipp.art channels - https://biglink.to/clippart
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About clipp.art: clipp.art promises an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition 12 inch and dance party.

Download

Thomas Garcia - Waiting Around For You (Edit)

from the "Secret Communication" LP (SILK152)
100% Silk / 2024

SECRETLY COMMUNICATE:
https://takedasoshi.bandcamp.com/album/secret-communication

SOSHI TAKEDA - RAINSTORM (SILK152)

Green Marimba (Remastered)

Minor Sounds presents to you Body Of Works EP from the artist Orsa Minor.

This four track EP of deep meaningful house music guides you on an emotive journey of dreamy synths and hypnotic bass lines.

Sit back, relax and take a “chill” pill and allow Orsa Minor to take you on a journey to the stars and back.

PREMIÈRE: Orsa Minor - Body Of Works

Unfolding

a few demos I found on some old tapes, recorded 2016. not really mastered, no real arrangement, just some demos. not recommended for club-use :)

bandcamp

2016 TAPE DEMO 3 (LIE)

Anna Dubowick’s sophomore EP on clipp.art is an intense lean into ambient, IDM and leftfield electro, moonlight by an affectionate tribute to her adopted home, the West Coast city of Angeles. Each track unravels like a dear diary entry, dark seduction and sweet melancholy mix as she digs deeper into her own re-invention. “Elsewhere” like LA, is a place where anybody can arrive and become whoever they want to be. As long as the sun is shining.

In Anna’s own words:

1. Sunset Blvd
"An ode to the city itself, Sunset Blvd captures the soul of Los Angeles - a sprawling, contradictory, and electrifying metropolis where energy pulses through everything and everyone. 
It’s a vibrant dance of life, a reminder that in this city, possibility is infinite. Like a scene from Terrence Malick’s "Knight of Cups" : You see the palm trees? They tell you anything's possible.
You can be anything... do anything... start over."

2. Elsewhere
"Transport yourself to a radiant, sunlit day in Los Angeles, where golden rays dazzle your face, and a gentle breeze tousles your hair as you cruise in a convertible. The warmth of sunlight graces your skin, while the gleaming reflections off the car's chrome blind your gaze. 
In the air, notes of cedar wood and vetiver mingle with the delicate aroma of niche fig, perfectly paired with a sparkling glass of champagne at Chateau Marmont. 
A serene calm envelopes you, broken only by the sprawling view of the city from the hills - a subtle reminder of the bustling life just beyond the horizon.”

3. Witch
"A plunge into a mysterious nocturnal realm, where slow motion unfolds under the glow of neon lights reflecting on a vintage leather coat. The distant echo of heels clicking on the pavement stirs curiosity, enveloping you in an atmosphere heavy with intrigue. It’s an ode to the liminal - a space where reality and dreams blur, much like in David Lynch’s Mulholland Drive. 
Here, you find yourself entangled in dark seduction, tinged with a sense of sweet melancholy - a hypnotic dance that lingers in the subconscious, leaving you suspended between the known and the unknown.”

4. Sundaze
"Enter a luminous haze where the sun blinds so intensely, it renders your surroundings almost imperceptible. Details blur as your eyes are drawn to the sparkling reflections of water in a pool, high above. 
Laughter echoes, people gather, and a soft breeze brushes against your sun-warmed skin, carrying a hint of sweet sophistication. In this fleeting moment, life feels perfectly aligned - like you’re exactly where you’re meant to be, in a harmony so delicate it threatens to slip away before you can fully grasp it.”


Anna Dubowick - Sunset Blvd

Download & T-SHIRT

Fast Forward

Pre-order: https://intercept.bandcamp.com/album/daybreak

@tom-jarmey returns with a new single, ‘glass like water’, where emotive chords, warm arps and beautiful vocals take us to a happy place, a sad place, and a place of comfortable introspection. 

A standout from his forthcoming ‘daybreak' LP on @interceptrecords, a widescreen second album weaving ambient textures, dusty drum breaks and hazy melodies into a deeply emotive listening experience.

More exclusive music

Premiere: Tom Jarmey 'glass like water'

The inaugural excursion from Fake Build comes by way of in-house coordinator “dj set”. Leading you down a well worn path, the Quest Log reveals 4 choices of deep, techy, dubby house music. Modern sheen diffused with classic grit ensures optimal groove, never overstepping or hanging too far back in the shadows. 


dj set - Quest Log | clips

James Young ft. Kabo Cana - Nagasaki EP (QRUK016)
BUY LINK: https://qruk.bandcamp.com/album/qruk016-nagasaki-ep
Label: QRUK (https://soundcloud.com/qruk)
https://www.instagram.com/qruk_label/
> James Young (https://soundcloud.com/jamesyoungdj)
https://www.instagram.com/_jamesyoung__/
> Kabo Cana (https://soundcloud.com/kabo_cana)
https://www.instagram.com/kabocana/

James Young steps up for his first release on QRUK with the Nagasaki EP, a dark and driving UKG cut that leans into the moodier edges of Garage and Speedy G. The North Wales-based producer has already made waves with House releases on labels like Smashin Trax and Pogo House, but this new EP sees him pushing into heavier, more dancefloor-focused territory. Nagasaki is packed with chopped-up drums, eerie textures and a tough low-end that hits hard.

On remix duties is Kabo Cana, returning to the label after making a big impression with his debut I DON'T UNDERSTAND. His take on Nagasaki flips the original into a more club-ready, 90s inspired roller full of sub pressure and tight percussion. It's another strong showing from the Manchester-based producer who's quickly becoming an exciting name in the new wave of UKG.

BUY LINK

PREMIERE : James Young - Nagasaki (Kabo Cana Remix)

The kind of track you find yourself prancing to semi-naked in a forest at dawn. The kind of track that is pure throwback bliss. The kind of track that has elements of Drum N Bass and UK Rave effortlessly embracing a 200 horsepower house groove. The kind of track that is nothing short of ‘98 ecstatic. The kind of track that will leave you feelin' fine. Pretty, pretty, pretty fine. 

“Feel it in ya mind, feel it in ya body!”

SOUNDS LIKE A BUNCH OF LINKS:
Download - https://clipp-art.bandcamp.com/
Stream - https://spoti.fi/2EJMi0H
Watch -  https://bit.ly/2o09yOu
Dance -  https://spoti.fi/2o51IC8
Party - https://www.clippp.art/
Like - https://www.facebook.com/clipp.art
Listen - https://soundcloud.com/clipp_art
Lurk - https://www.instagram.com/clipp.art/

SOUNDS LIKE DEEJAY BLOOM:
https://soundcloud.com/deejaybloom
https://www.facebook.com/deejaybloom
https://www.instagram.com/bigbloom_

DOOOOWWWNNNNLOOOOADDDD

Deejay Bloom - Feelin' Fine [CLIPP008]

Follow our "Sounds Like A Good Time" Spotify Playlist: spoti.fi/2o51IC8
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Subscribe to our Youtube Channel - bit.ly/2o09yOu 
Join the fanclub and Download clipp.art music here - clipp-art.bandcamp.com
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SHEE has been tearing up the Irish scene and the internet at the minute. Getting traction off his releases through various channels he has now layed down a jazzy swang single for our ears. “Late Night Space Jam” moves through floating rhythms that put you back in a velvet recliner seat, distorted vocal samples picked up from waving a field recorder at tv signals and a bass line crafted to keep you driving. Cosmic, baby. Be careful though, you might get lost down the rabbit hole listening to this one.

Follow SHEE > https://soundcloud.com/known-as-dave

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Like - www.facebook.com/clipp.art
Lurk - www.instagram.com/clipp.art
Party - www.clippp.art

<a href='https://theartistunion.com/tracks/3fb7cf'>Download for free on The Artist Union</a>

Free Download

Shee - Late Night Space Jam [CLIPP014]

SOUNDS LIKE A GOOD TIME II [CLIPP060]
PRE-ORDER: bit.ly/2Bi5Hms

We return with our second addition to the SOUNDS LIKE A GOOD TIME compilation series, aptly titled.. ‘Sounds Like A Good Time II’ !!
Continuing to highlight upcoming producers from all over the world with 17 all-new original belters for the people. This Jam-packed compilation of raw elements, acid filling goodness, and dream stomping delight will have you chewing through the selection. Featuring the likes of Mike Nolan, Nina, Dj Maybe, Devant, Fourways, Howitt, Kayroy & Halvardan, Tilsun, Stacey Sexton, Slaqk, Pinz & Pelz, Omar Gaxiola, Olivier Verhaeghe, Ricky O, Dj Nerdiboy, Hudson and Kyle Kenn the compilation will take you through a wild journey of electronic genres.

Title: SOUNDS LIKE A GOOD TIME II [CLIPP060]
Released: 21-Feb-2018

About clipp.art: 
clipp.art promises an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition 12 inch and dance party.

clipp.art events and tours feature headlines from Gerd Janson, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral, DJ Harvey, Skream, Tensnake, Optimo, Dusky, Laurent Garnier, The Black Madonna, Vin Sol, Phil Kieran, Shaun J. Wright, Little Helpers, Honey Soundsystem, Horse Meat Disco, Larry Tee, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and many more.

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Join our fanclub and receive all past and future clipp.art stuff at
clipp-art.bandcamp.com/fan-club

Follow our "Sounds Like A Good Time" Playlist - spoti.fi/2o51IC8

Subscribe to our Channels:
Youtube - bit.ly/2o09yOu
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BandCamp - clipp-art.bandcamp.com/
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Soundcloud - @clipp_art
Facebook - facebook.com/clipp.art

Send Nudes 'N Tunes ☞ clippart001@gmail.com

000-919999-KETTY

"WE CARE, BECAUSE U."

Download // Stream

Omar Gaxiola - Small Pebbles [CLIPP070]

Tilsun - Ok Right [CLIPP062]

Yeong Die - Threshold Value [CLIPP165]

Yeong Die is an artist residing in South Korea that got into music after commencing her study of piano at age 6. In the following years she was influenced by Chopin and Beethoven, K-Pop, Bill Evans and Brad Mehldau, Aphex Twin and the Boards of Canada, Bjork, Erykah Badu and DJ 威力. “Studying jazz from an early age made me want to make music that understood the concept of ‘improvisation’. I started producing with minimal equipment, using only Master Keyboard, MacBook, and Logic X... ”. In 2018 she dropped her debut self album “PIZZAPI” and began her journey as a DJ, producer, and sound designer - collaborating predominantly with video media. 

If all that sounds like your bag, then wrap your head around her new album “Threshold Value”.
 
Ahead of what would be the strangest year in living history, on January 1, 2020, Yeong Die quit her job and purchased her first synthesizer - a Korg Minilogue. She began working on music at 9am, every morning for three months. The resulting tempest of sound and ideas would be developed further over a total of 7 months from the start of the project, completion being the full length “Threshold Value” - a ten track odyssey of noise and textures and heavy concept clashes skipping between Ambient, Industrial, Manipulated Audio Media, Music and Non-Music Sound. Pieces like “Nool the Que” announce themselves like a love story involving telephone modems giving birth to a dystopian neon future. “Anywhere is Fine” can be heard at home bouncing around the confines of a basement fight club. The 10 minute “Worstward Ho” or “Much O O” could derive from a modern Music for Airports, albeit a 2020 version minus the hustle and bustle, echoes from a place both desolate and tense. 

In Yeong Die’s own words: “The theme of “Threshold Value” is embodied in the title songs ‘Anywhere is Fine’ and ‘Worstward Ho’. I focused on the sense of bearing and pain that I can never get used to. Holding, or not holding up are completely different, but I think the distance between these is very close. “Threshold Value” was the work of finding the space as close as possible between patience and explosion.”

Produced by Yeong Die
Mixed by Yeong Die
Mastered by ACiD
M/V by Uljiro Kim
Photography by leeyunho
Costume by HALOMINIUM

Follow Yeong Die https://www.instagram.com/yeongdie/

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Join the clipp.art fanclub - https://clipp-art.bandcamp.com/fan-club
Follow clipp.art channels - https://biglink.to/clippart
Send your Music Demos - https://clipp.art/inbox

About clipp.art: clipp.art promises an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition 12 inch and dance party. 

clipp.art events and tours feature headlines from Gerd Janson, FYI Chris, Breakbot, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Seb Wildblood, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral (RIP), Dave Clarke, Optimo, Dusky, Laurent Garnier, Nemone, Vin Sol, Skream, Tensnake, Phil Kieran, Pete Tong, Shaun J. Wright, Little Helpers, Honey Soundsystem, The Black Madonna (Formerly Known As), Monki, Horse Meat Disco, Larry Tee, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and many many more! 

General Enquiries ☞ clippart001@gmail.com
000-919999-KETTY

Threshold Value

Yeong Die - Aside

sounds like a good time since 2017 / 000-919999-KETTY

Music Submissions via TrackStack > https://www.tstack.app/clippart

enq? clippart001@gmail.com

https://fanlink.tv/clippartslgt

Omar Gaxiola - Small Pebbles [CLIPP070]

𝗰 𝗹 𝗶 𝗽 𝗽 . 𝗮 𝗿 𝘁

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