LOVE that chord stab. Had to swap to headphones just to hear it in all its glory

울고 싶고 거꾸로 모든걸 쏟아내고 싶은 날입니다. 난 아무것도 못하고 그저 쓸릴 뿐 내 목은 돌아가지 않고 손은 다시 떨릴겁니다. 그래도 이 음악들을 알게되서 어찌나 다행인지..

yeong die

Yeong Die - [COMPUTER MUSIC CLUB vol.2] - HARD DANCE EXCLUSIVE

Yeong Die - [COMPUTER Nek-O Future MUSIC CLUB vol.3]

[COMPUTER MUSIC CLUB vol.1] Multi Genre Set : Yeong Die

[COMPUTER MUSIC CLUB vol.7] - 2021.09.16

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Yeong Die - [COMPUTER MUSIC CLUB vol.7]

├[HS4]┤║ Shadow Satyr ║

Pre-order: https://umantherma.bandcamp.com/album/terracotta

Seoul-based DJ and producer @umantherma, also known as one half of the leftfield ambient duo Salamanda, unveils her debut solo EP 'Terracotta' on @perpetualcareclub.

'Terracotta' is about navigating the space between resistance and surrender — a search for light not by escaping the dark, but by moving deeper into it. Each track passes through a landscape marked by muted anger, unease, and fragile longing, but never sinks into despair.

More exclusive music

Premiere: Uman Therma 'Senses'

Fly Between Chopsticks

LOFT - Turbulent Dynamics EP
Release Date: October 14
Buy: https://astralplanerecordings.bandcamp.com/album/turbulent-dynamics

LOFT (@loftminduk) is the latest artist to join the Astral Plane Recordings family and will debut on October 14 with the enigmatic Turbulent Dynamics EP. With a penchant for rhizomic drum programming, sparkling synth work and hallucinogenic sound design, Turbulent Dynamics is comprised of two totemic floor burners and three interstitial efforts, ranging from cerebral polyrhythmic techno to grotesque new age manipulations. In terms of sound alone LOFT’s entry to the APR catalogue marks something of a departure, but his unwillingness to genuflect to sonic convention means he fits right in with the ethos that SHALT, Chants and Nunu have previously set out.

Turbulent Dynamics

LOFT - Heffalump

Taken from E B U's debut album 'Hinge' -
... Available to preorder now:
ltd edition vinyl: rwdfwd.com
digital: nocorner.bandcamp.com

"Celebrating otherness, E B U casts a universe of her own both sonically and visually. Defying any one genre, she refers to her distinct sound as 'Swamp Pop'. Unnatural sounds and pitches exhale in melodic chants, ominous basslines resound and eerie loops fixate in this macabre ensemble. You are captive in her world. Moments of haunting clarity keep you wondering where she will take you next whilst strange narratives unfold. Her chameleonic visual display is charged with emotion, keeping you suspended in a state of flux as she orbits through the spectrum. Stimulated by human behaviour and existence she questions the very nature of being, and invites the audience to explore through her cathartic performance."

To our ears, her sound captures elements of the radiophonic qualities by electronic pioneers such as Delia Derbyshire, through to unlikely melody and harmony akin to that of Ryuchi Sakamoto or Laurie Anderson. 

It's an explorations of strange places with a weird & wonderful sphere, sonically capturing the colourful intensity of Alejandro Jodorowsky's Holy Mountain, or perhaps sounding like a much more out-there, much more convincingly extra-terrestrial Space lady... These are just vague comparisons though... Essentially, her sound is a total world of it's own. 

Hinge, E B U's debut album, is an outer body experience that will conjure up memories you never had before, images you can't quite place but somehow relate to, and a sense of sweet disorientation as you slip into a whirlpool of shapeshifting melody, harmony and frequency.

<< support here >>

E B U - Homeland

Pre-order: https://laughingears.bandcamp.com/album/blue-dusk

Shanghai's @LaughingEars makes her @Decisionsrecords debut this February with 'Blue Dusk' EP. 

Previously Laughing Ears has released music via Beijing’s Ran Music and Hangzhou’s FunctionLab, and NTS stans may recognise her name following radio appearances on the cult East London station.

Sonically, Laughing Ears orbits around a kind of explorative, cyberpunk-ish universe as she draws from ambient, bass, footwork and noise. Here on 'Blue Dusk', she's "extending her praxis of psycho-sonic inquiry" (says the label) in order to "deep-dive [into] a crepuscular environment teeming with insectile percussion and thrumming sub bass, illuminated by brilliant searchlight melodies".

DECISIONS will release 'Blue Dusk' on February 21. Pre-order above and tune into EP cut 'A Tinge Of Hope' now.

Blue Dusk

Premiere: Laughing Ears 'A Tinge Of Hope'

The 5-Track EP by Infinite Drift’s very own Jose Fleury follows his 2018 Album „Grotto Cathedral“ and his collection of meditative pieces „Peacedrones“ from earlier this year. „100 Fogs“ sees Fleury descend into the murky depths of dance music to explore and dismantle common tropes.

Artwork:
Ulf Umlauff

Design:
Steffen Hotel
Tim Lindacher

Mastering:
Mathis Ruffing

available at: https://infinite-drift.bandcamp.com/album/100-fogs

DRIFT006 Jose Fleury - 100 Fogs

count to three
forever
sex
you´ve got to get up
i´m awake
i follow you
you close the door

count to three
for ever
wait
you´re at the table
i´m upset
you´ve got a call
another way out

count to three
for ever end
just like a loner wandering
i hear your steps
come thru the door

count to three
for ever never
would you let me be alone
come take me hun
we´re on a roll

you never ever had yours
had yours
you never ever had yours
had yours
you never ever had yours, had yours
you never ever had yours

this is how i became your
dog

one two three four
ever
sex
you´ve got to get up
i´m awake
i follow you
you close the door

one two three four
ever
wait
you´re at the table
i´m upset
you´ve got a call
another way out

one two three
for ever end
just like a loner wandering
i hear your steps
you´re at the door

one two three
for ever never
would you let me be alone
come take me hun
we´re on a roll

you never ever had yours
had yours
you never ever had yours
had yours
you never ever had yours, had yours
you never ever had yours

this is how i became your
dog


words: seba stolarczyk
production: dexter francis mason
master: luka aron
artwork: remi calmont

(c) Acna Rusd 2020

this is how i became your dog

Jungle Hongdae Takeover on SCR
with Catscream J'laurel, M3iji, Mio, Seyn, Uman Therma

서울커뮤니티라디오는 이태원 용산구 451-10 에 위치하고 있으며 라이브 뮤직과 함께 맥주 그리고 다양한 여가활동을 즐길수 있는 곳입니다. 언제나 열려있는 저희 SCR로 놀러오세요!

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Mio : Jungle Hongdae Takeover on SCR (2020 - 08 - 06)

Yeong Die - Threshold Value [CLIPP165]

Yeong Die is an artist residing in South Korea that got into music after commencing her study of piano at age 6. In the following years she was influenced by Chopin and Beethoven, K-Pop, Bill Evans and Brad Mehldau, Aphex Twin and the Boards of Canada, Bjork, Erykah Badu and DJ 威力. “Studying jazz from an early age made me want to make music that understood the concept of ‘improvisation’. I started producing with minimal equipment, using only Master Keyboard, MacBook, and Logic X... ”. In 2018 she dropped her debut self album “PIZZAPI” and began her journey as a DJ, producer, and sound designer - collaborating predominantly with video media. 

If all that sounds like your bag, then wrap your head around her new album “Threshold Value”.
 
Ahead of what would be the strangest year in living history, on January 1, 2020, Yeong Die quit her job and purchased her first synthesizer - a Korg Minilogue. She began working on music at 9am, every morning for three months. The resulting tempest of sound and ideas would be developed further over a total of 7 months from the start of the project, completion being the full length “Threshold Value” - a ten track odyssey of noise and textures and heavy concept clashes skipping between Ambient, Industrial, Manipulated Audio Media, Music and Non-Music Sound. Pieces like “Nool the Que” announce themselves like a love story involving telephone modems giving birth to a dystopian neon future. “Anywhere is Fine” can be heard at home bouncing around the confines of a basement fight club. The 10 minute “Worstward Ho” or “Much O O” could derive from a modern Music for Airports, albeit a 2020 version minus the hustle and bustle, echoes from a place both desolate and tense. 

In Yeong Die’s own words: “The theme of “Threshold Value” is embodied in the title songs ‘Anywhere is Fine’ and ‘Worstward Ho’. I focused on the sense of bearing and pain that I can never get used to. Holding, or not holding up are completely different, but I think the distance between these is very close. “Threshold Value” was the work of finding the space as close as possible between patience and explosion.”

Produced by Yeong Die
Mixed by Yeong Die
Mastered by ACiD
M/V by Uljiro Kim
Photography by leeyunho
Costume by HALOMINIUM

Follow Yeong Die https://www.instagram.com/yeongdie/

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Join the clipp.art fanclub - https://clipp-art.bandcamp.com/fan-club
Follow clipp.art channels - https://biglink.to/clippart
Send your Music Demos - https://clipp.art/inbox

About clipp.art: clipp.art promises an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition 12 inch and dance party. 

clipp.art events and tours feature headlines from Gerd Janson, FYI Chris, Breakbot, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Seb Wildblood, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral (RIP), Dave Clarke, Optimo, Dusky, Laurent Garnier, Nemone, Vin Sol, Skream, Tensnake, Phil Kieran, Pete Tong, Shaun J. Wright, Little Helpers, Honey Soundsystem, The Black Madonna (Formerly Known As), Monki, Horse Meat Disco, Larry Tee, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and many many more! 

General Enquiries ☞ clippart001@gmail.com
000-919999-KETTY

Threshold Value

Download

Yeong Die - Dishes Done

Listen on YT - https://youtu.be/VY9KmF9AvDA

“Névoa” is the latest beguiling mutation from the Brazilian producer Naves Cilíndricas, in which his shape-shifting sound design skills come to the fore as an ever-morphing, hyper-modern feature that never shies away from its highly affective if not androgynous pathos; beneath its multicolored digital simulacrum, one can still find traces of human vocalizations next to fragmented robotic speech. Its ultra-stylized tones and somewhat percussive ghostly presence should perhaps be perceived more as sonically sculpted environments where one can navigate and drift through rather than tracks per se.

At times melancholic and ethereal and by the same token hermetic and noisy, his melodic arrangements composed of digitally generated timbres and hyper-processed vocals simultaneously evoke dystopic images and videos in an attempt to extrapolate the limits between body, sound, and image.

Follow Artist @navescilindricas
Follow Label @dominadomina

Premiere: Naves Cilíndricas - Névoa [DOM14]

perishable

sounds like a good time since 2017 / 000-919999-KETTY

Music Submissions via TrackStack > https://www.tstack.app/clippart

(please no afro-house)

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Yeong Die - Dishes Done

𝗰 𝗹 𝗶 𝗽 𝗽 . 𝗮 𝗿 𝘁

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