electronik trackz (2020) techno. house. etc. part 15

The Sound of Korean Experimental

: 박혜진 Park Hye Jin • blk. • COMPUTER DATA • Tom Jarmey • Soul Wun • Tekkla • DJ Houseplants • MarBlu • Zoo Brazil • KARLITA • 1-800 GIRLS • Olivier Verhaeghe • Trip Tease • Kris Berle • Shouse • Martha • Hoshina Anniversary • Demuja • Monolithic • SHEE – 

Clipp.Art

clipp.art : originals

Groove Inside - 2

About clipp.art: clipp.art promises an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition 12 inch and dance party. 

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STREAMING AF

clipp.art original music releases

Monika

MOM (feat. So!YoON!)

PPONG

Bang Bus

Download - https://fanlink.to/CLIPP208
Follow Thomas Garcia - https://soundcloud.com/thomasgarciamusic

Thomas Garcia - Waiting Around For You [CLIPP208]

Lifted from the forthcoming EP, in “Waiting Around For You” LA resident Thomas Garcia has gone out and produced a classic slice of sun-soaked H.O.U.S.E. Sitting somewhere between uplifting and deeply euphoric -  with a  solid groove ensconced by swirling pads, muted stabs and vocal hooks that echo around like ghostly hungover voices in an empty Encino pool. The whole ensemble slides into your soul as easily as a 4pm Mojito. Perfect for a mid-season pick me up. And that’s something worth waiting around for. 
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About clipp.art: clipp.art promises an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition 12 inch and dance party.

Download

Thomas Garcia - Waiting Around For You (Edit)

Follow Hoshina Anniversary - https://soundcloud.com/hoshina

In prehistoric Japanese folklore “Amanojaku” is the name given to a demon-like creature. This creature is usually depicted as a kind of small troll-like demon (known as an “oni”) who was thought to be able to provoke a person's darkest desires, instigating them into perpetrating wicked deeds. A “twisted person”. Sometimes used to describe a being with an extremely contrary nature, someone that if ordered something, would do the opposite. This might be a strange introduction but might be the best way to set a discussion about our friend Hoshina Anniversary and his new introspective album “Leave Behind” from where the tracks “Amanojaku (天邪鬼)” and “Landscape (風景)” are lifted. Not that we would ever think of Hoshina as a small troll demon, but to say he is an artist not unaccustomed to doing the opposite of what is expected, then a fitting description indeed. 
“Leave Behind” is an electronic album created mostly using non-electronic instruments, featuring Hoshina’s vocals and socially noncompliant lyrical styling. Inspired by Steely Dan and Weather Report, “Amanojaku (天邪鬼)” is a song described in Hoshina’s own words “created with a rather strange chord progression”. A song he says is about the crisis in social networking, which is no doubt a location where one finds many a “twisted person”. Quote the lyrics: “If you tell me Yes, Then I’ll tell you No. It’s a boring communication. Desire for recognition. You are always right. I’m always wrong”. Words spoken by someone who if ordered to do something, would not be unlikely to do the opposite. But what other choice would you make when finding yourself tied into knots by the endless scroll of social activity. Regardless, “Amanojaku (天邪鬼)” is a total vibe of a tune.

On the opposite end, “Landscape (風景)” is a song described by Hoshina as “About death, and when I wrote about death in relation to the landscape, I felt a sense of selflessness”. It’s a tune that wouldn't find itself out of place on an album by synth maestro’s AIR and which contains as much gravity as I think the French legends ever did. Quote the lyrics: “I thought I was obsessed with so many things. I feel myself becoming numb. Our own joys and sorrows seem to have nothing to do with the landscape that is spread out here.” A beautiful sentiment and fitting taste of what’s to come on “Leave Behind”.

Hoshina Anniversary - Landscape (風景)

Follow Hoshina Anniversary - https://soundcloud.com/hoshina

In Japanese folklore predating written text, “Amanojaku” is the name given to a demon-like creature usually who was thought to be able to provoke a person's darkest desires, instigating them into perpetrating wicked deeds. Also described as a “twisted person” or a being with an extremely contrary nature - someone that if ordered something, would do the opposite. As a way of description this may not be an obvious choice when referring Hoshina Anniversary and his latest release, an introspective album titled “Leave Behind”, but as an artist accustomed to doing the opposite of what is expected, we would argue it be a fitting introduction for an artist consistent for the magnitude and variety of musical output beyond the last decade.

Opening track “What Can We Leave Behind In This World (この世界に何を残せるか)” sets the tone for what is to come. Interlacing layers of detuned keys falling endlessly into the void - a muted twist on the work of synth maestro’s AIR.  Like much of the album, a leap of faith. There are elements of deconstruction and awareness throughout. “Essence (本質)” reporting from the front-lines of personal reflection “Self-will is born from a terrible lack. That's what my experience has told me” echoes around drum tones. But there are lo-fidelity flourishes wherever you look, on “Toukai (東海)”, “Asia” “Obsession (Kyouhaku Kannen 強迫観念)”, “Rine (輪廻)” and “Teinen (諦念)”  clank along like the best of 2017 without ever trying to be as mired in coolness. It's a liberating look at Lo-Fi House.

“Landscape (風景)” is a song described by Hoshina as “About death, and when I wrote about death in relation to the landscape, I felt a sense of selflessness”. Quote the lyrics: “I thought I was obsessed with so many things. I feel myself becoming numb. Our own joys and sorrows seem to have nothing to do with the landscape that is spread out here.” Again the theme of leaving one’s history behind to discover the new self.

Inspired by Steely Dan and Weather Report, “Amanojaku (天邪鬼)” is a song described in Hoshina’s own words “created with a rather strange chord progression”. A song he says is about the crisis in social networking, which is no doubt a location where one finds many a “twisted person”. Quote the lyrics: “If you tell me Yes, Then I’ll tell you No. It's a boring communication. Desire for recognition. You are always right. I’m always wrong”. Words spoken by someone who if ordered to do something, would not be unlikely to do the opposite. But what other choice would you make when finding yourself tied into knots by the endless scroll of social activity. Much like a "twisted person". 

Coming back to the theme of Life & Death (opposites or just different sides of the same coin?), and what is beyond, Hoshina has said if he were to die tomorrow he’d be happy he created this collection of songs, so it’s fitting “Leave Behind” ends with “Alone In A”. In a year we lost the great Japanese musical icon Ryuchi Sakamoto, this tune comes as a soothing balm to your humble narrator. It’s a song I could imagine the great man himself nodding along to. It also generated from a place Hoshina could only get to after abandoning almost all of the Japanese instruments and Watechno elements present in his work over the last 5 years. We resonated with this overall feeling ourselves, having changed what we are as a record label/event/concept over the last 5 years. Not often looking back. But like most things in this mortal coil, we must be prepared to leave behind the things we do and are, moving always towards the new. Sometimes in the most opposite of places.

Hoshina Anniversary - Rinne (輪廻)

Hoshina Anniversary - Obsession (Kyouhaku Kannen 強迫観念)

Hoshina Anniversary - Asia

Hoshina Anniversary - What Can We Leave Behind In This World (この世界に何を残せるか)

Yeo-Neun

Here We Are (Once Again)

from The Grand Piano EP by Dj Slyngshot
available at yappin.org

DJ Slyngshot - Nuttin To Loose

Vortex (from "LAZARUS" Soundtrack)

Vortex

The kind of track you find yourself prancing to semi-naked in a forest at dawn. The kind of track that is pure throwback bliss. The kind of track that has elements of Drum N Bass and UK Rave effortlessly embracing a 200 horsepower house groove. The kind of track that is nothing short of ‘98 ecstatic. The kind of track that will leave you feelin' fine. Pretty, pretty, pretty fine. 

“Feel it in ya mind, feel it in ya body!”

SOUNDS LIKE A BUNCH OF LINKS:
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SOUNDS LIKE DEEJAY BLOOM:
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DOOOOWWWNNNNLOOOOADDDD

Deejay Bloom - Feelin' Fine [CLIPP008]

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SHEE has been tearing up the Irish scene and the internet at the minute. Getting traction off his releases through various channels he has now layed down a jazzy swang single for our ears. “Late Night Space Jam” moves through floating rhythms that put you back in a velvet recliner seat, distorted vocal samples picked up from waving a field recorder at tv signals and a bass line crafted to keep you driving. Cosmic, baby. Be careful though, you might get lost down the rabbit hole listening to this one.

Follow SHEE > https://soundcloud.com/known-as-dave

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<a href='https://theartistunion.com/tracks/3fb7cf'>Download for free on The Artist Union</a>

Free Download

Shee - Late Night Space Jam [CLIPP014]

Tekkla - Love Vibration [CLIPP043]

Crack a coconut on the head next to you and recline your seat til it recline no more! Stockholm’s Tekkla must have a life chiller then mr Snoop Double O G writing a track like this. Warm and tropical this beat is something out of an old surf video. You can pretty much smell the ocean with this Sheller. 

Spotify: https://spoti.fi/2Pa3aTm
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Beatport:


About clipp.art:
clipp.art promise an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition split artist 12 inch and dance party. Current clipp.art events and tours feature headlines from Gerd Janson, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral, The Black Madonna, Dusky, Laurent Garnier, Vin Sol, Skream, Little Helpers, Horse Meat Disco, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and more.

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Join our fanclub and receive all past and future clipp.art stuff at
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"WE CARE, BECAUSE U."

Crack A Coconut

Tekkla - Love Vibration [CLIPP043]

“healing” begins to open up from the haze that “fog” leaves. The title has a lot of meaning behind this one, laced with distant vocals telling you to “let the healing into your heart”. The track encapsulates the title of the EP, an emotional shift towards happiness, peace of mind, hope, and (some) clarity. This track was written with a lot of personal hardships on CD’s mind from a recent relationship, and always pictured being entranced by it at the end of a long set in the club. 

bout clipp.art:
clipp.art promise an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition split artist 12 inch and dance party. Current clipp.art events and tours feature headlines from Gerd Janson, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral, The Black Madonna, Dusky, Laurent Garnier, Vin Sol, Skream, Little Helpers, Horse Meat Disco, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and more.

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Join our fanclub and receive all past and future clipp.art stuff at
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"WE CARE, BECAUSE U."

Heal yourself

COMPUTER DATA - Healing [CLIPP049]

“IF U WANT IT” is our first micro-album project on clipp.art, and comes via 24 year old female Korean singer, songwriter, rapper, house and techno DJ "박혜진 park hye jin”.

Korean born, 박혜진 park hye jin is a resident DJ at Pistil Dance Club, with regular broadcast performances on Seoul’s independent underground radio “SCR”. Her style blends elements of dream-state house, raw hip-hop & psychedelic darkwave and mixes her own English and Korean vocals over dreamy synths & thick beats for a forward-thinking dancefloor experience.

Title track IF U WANT IT, has park hye jin singing a duet with herself in Korean over a bangin 4/4 beat, followed rapidly by ABC which finds park croon in English over a smoky piano line before tumbling effortlessly into a motorik fashioned middle breakdown. From there we shift gears, sliding into the deep thunder of Korean vocaled I DON’T CARE, the abyss of CLOSE EYES, before sailing endlessly into the moonlight on EP closer, CALL ME.

We are completely thrilled to present you this exciting underground talent coming out of Seoul.

Lyrics:

I DON’T CARE 난 상관없어
너가 뭐라고 하던 난 그냥 할거야
(I DONT CARE. It doesn't matter to me)
내가하고자 하는거 그냥 할거야
(Whatever you say, I'm just gonna do it)
내가 하고싶으니까 그냥 계속할거야
(I'll just do what I wanted. Because I want to do it.)
계속 계속 할거야 I DON’T CARE
(Just...I'll keep doing it . Keep...keep doing it. I DONT CARE)
*내 삶속에서 
(In my life)
*내삶속에서 무엇이든 바랄 수 있어
(In my life I can hope for anything)
내 삶속에서 내 삶속에서
( In my life In my life )
내삶속에서 무엇이든 바랄 수 있어
(In my life I can hope for anything)
난 나를 믿어 난 나를 믿어
(I believe in myself, I believe in myself)

--------

About clipp.art:
clipp.art promise an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition split artist 12 inch and dance party. Current clipp.art events and tours feature headlines from Gerd Janson, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral, The Black Madonna, Dusky, Laurent Garnier, Vin Sol, Skream, Little Helpers, Horse Meat Disco, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and more.

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Join our fanclub and receive all past and future clipp.art stuff at
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"WE CARE, BECAUSE U."

LOVE <3 !

박혜진 park hye jin - I DON'T CARE

2nd PRINT VINYL LANDS MID MAY 2019! 
pre-order > https://clipp-art.bandcamp.com/merch

“IF U WANT IT” is our first micro-album project on clipp.art, and comes via 24 year old Korean singer, songwriter, rapper, house and techno DJ 박혜진 park hye jin. Currently residing in Korea, park hey jin is a resident DJ at Pistil Dance Club, with regular broadcast performances on Seoul’s independent underground radio “SCR”. Her style blends elements of dream-state house, raw hip-hop & psychedelic darkwave and mixes her own English and Korean vocals over dreamy synths & thick beats for a forward-thinking dancefloor experience. 

Title track “IF U WANT IT”, has park hye jin singing a duet with herself in Korean over a bangin 4/4 beat, followed rapidly by “ABC” which finds park croon in English over a smoky piano line before tumbling effortlessly into a motorik fashioned middle breakdown. From there we shift gears, sliding into the deep thunder of Korean vocaled “I DON’T CARE”, the abyss of “CLOSE EYES”, before sailing endlessly into the moonlight on EP closer, “CALL ME”. 

We are completely thrilled to present you this exciting underground talent coming out of Seoul.

Lyrics:

A, i love you
B, i want you
C, i miss you


About clipp.art:
clipp.art promise an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition split artist 12 inch and dance party. Current clipp.art events and tours feature headlines from Gerd Janson, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral, The Black Madonna, Dusky, Laurent Garnier, Vin Sol, Skream, Little Helpers, Horse Meat Disco, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and more.

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Follow park hyye jin > @parkhyyejin

Join our fanclub and receive all past and future clipp.art stuff at
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"WE CARE, BECAUSE U."

Linkssss

박혜진 park hye jin- ABC

SOUNDS LIKE A GOOD TIME II [CLIPP060]
PRE-ORDER: bit.ly/2Bi5Hms

We return with our second addition to the SOUNDS LIKE A GOOD TIME compilation series, aptly titled.. ‘Sounds Like A Good Time II’ !!
Continuing to highlight upcoming producers from all over the world with 17 all-new original belters for the people. This Jam-packed compilation of raw elements, acid filling goodness, and dream stomping delight will have you chewing through the selection. Featuring the likes of Mike Nolan, Nina, Dj Maybe, Devant, Fourways, Howitt, Kayroy & Halvardan, Tilsun, Stacey Sexton, Slaqk, Pinz & Pelz, Omar Gaxiola, Olivier Verhaeghe, Ricky O, Dj Nerdiboy, Hudson and Kyle Kenn the compilation will take you through a wild journey of electronic genres.

Title: SOUNDS LIKE A GOOD TIME II [CLIPP060]
Released: 21-Feb-2018

About clipp.art: 
clipp.art promises an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition 12 inch and dance party.

clipp.art events and tours feature headlines from Gerd Janson, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral, DJ Harvey, Skream, Tensnake, Optimo, Dusky, Laurent Garnier, The Black Madonna, Vin Sol, Phil Kieran, Shaun J. Wright, Little Helpers, Honey Soundsystem, Horse Meat Disco, Larry Tee, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and many more.

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"WE CARE, BECAUSE U."

Download // Stream

Tilsun - Ok Right [CLIPP062]

blk. - i need a boiler room (clipp.art)

Yeong Die - Threshold Value [CLIPP165]

Yeong Die is an artist residing in South Korea that got into music after commencing her study of piano at age 6. In the following years she was influenced by Chopin and Beethoven, K-Pop, Bill Evans and Brad Mehldau, Aphex Twin and the Boards of Canada, Bjork, Erykah Badu and DJ 威力. “Studying jazz from an early age made me want to make music that understood the concept of ‘improvisation’. I started producing with minimal equipment, using only Master Keyboard, MacBook, and Logic X... ”. In 2018 she dropped her debut self album “PIZZAPI” and began her journey as a DJ, producer, and sound designer - collaborating predominantly with video media. 

If all that sounds like your bag, then wrap your head around her new album “Threshold Value”.
 
Ahead of what would be the strangest year in living history, on January 1, 2020, Yeong Die quit her job and purchased her first synthesizer - a Korg Minilogue. She began working on music at 9am, every morning for three months. The resulting tempest of sound and ideas would be developed further over a total of 7 months from the start of the project, completion being the full length “Threshold Value” - a ten track odyssey of noise and textures and heavy concept clashes skipping between Ambient, Industrial, Manipulated Audio Media, Music and Non-Music Sound. Pieces like “Nool the Que” announce themselves like a love story involving telephone modems giving birth to a dystopian neon future. “Anywhere is Fine” can be heard at home bouncing around the confines of a basement fight club. The 10 minute “Worstward Ho” or “Much O O” could derive from a modern Music for Airports, albeit a 2020 version minus the hustle and bustle, echoes from a place both desolate and tense. 

In Yeong Die’s own words: “The theme of “Threshold Value” is embodied in the title songs ‘Anywhere is Fine’ and ‘Worstward Ho’. I focused on the sense of bearing and pain that I can never get used to. Holding, or not holding up are completely different, but I think the distance between these is very close. “Threshold Value” was the work of finding the space as close as possible between patience and explosion.”

Produced by Yeong Die
Mixed by Yeong Die
Mastered by ACiD
M/V by Uljiro Kim
Photography by leeyunho
Costume by HALOMINIUM

Follow Yeong Die https://www.instagram.com/yeongdie/

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Send your Music Demos - https://clipp.art/inbox

About clipp.art: clipp.art promises an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition 12 inch and dance party. 

clipp.art events and tours feature headlines from Gerd Janson, FYI Chris, Breakbot, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Seb Wildblood, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral (RIP), Dave Clarke, Optimo, Dusky, Laurent Garnier, Nemone, Vin Sol, Skream, Tensnake, Phil Kieran, Pete Tong, Shaun J. Wright, Little Helpers, Honey Soundsystem, The Black Madonna (Formerly Known As), Monki, Horse Meat Disco, Larry Tee, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and many many more! 

General Enquiries ☞ clippart001@gmail.com
000-919999-KETTY

Threshold Value

Yeong Die - Tune of Nap

Yeong Die - Aside

Thick metal bars covered the window, limiting the light that entered the already dark room. What was visible was unfamiliar; the heavily padlocked door, the single chair in the corner.... He had no recollection of how he'd ended up here. Panic began to set in as he tried to retrace the last few hours in his mind, and he couldn't. It was completely blank. As he got to his feet and made for the door, a key began to turn in the padlock; he'd soon have his answer.

Following releases from Silicodisco and FLXXX, San Francisco's Roam Recordings welcome back Tronik Youth for a new EP titled Lost In The Media. The two originals are backed up by remixes from Disco Halal alumni Autarkic and shape shifting producer and Berceuse Heroique regular Black Merlin, who stretches the original in to a ten minute Industrial slow burner, that builds on a fuzzy synth line and robotic vocal samples that take cues from early New Beat.

Lost in the Media

PREMIERE: Tronik Youth - Brutal Force (Black Merlin Remix) [Roam Recordings]

Artists: Kaltblume, OPOSITION, CYNKT
Title: Hardfloor Brutus EP
Label: Märked
Category number: MRKD024
Format: digital
Release: 28-09-2020
Artwork: Anton Abrahamsson (from Gijensu)
Mastering: JoeFarr

Tracklist:
1. Kaltblume - Pleasurable Pain
2. Kaltblume - Hardfloor Brutus
3. Kaltblume - Transhuman Era
4. Kaltblume - Hardfloor Brutus (OPOSITION Remix)
5. Kaltblume - Transhuman Era (CYNKT Remix)

Kaltblume’s introduction to the label is a banger; 5 absolute face melters destined to cause havoc in your ear.

Coming in hard with the big kicks, surrounded by moving percussions and a female touch. In Pleasurable Pain a lot is happening, though concisely to hit it into the groove.

Title track Hardfloor Brutus' kick and screeches remind of the earlier days of hardstyle, up-front kicks where the bass sits nicely behind the delay of the kick.

Fast percussion seems to be the recipe in a lot of Kaltblume's track, but in Transhuman Era this is joined by a utopian synth spreading gusts of melancholy.

OPOSITION as a newcomer to the label puts in the dirty work for an even dirtier remix; face slap techno on the open hi-hat. An appetizing bass synth adds the missing touch.

More feel is added in CYNKT's remix for Kaltblume. An extra layer unfolds a new chapter of desolation in Transhuman Era.

Kaltblume - Pleasurable Pain [Artaphine Premiere]

out now dl is on enjoyyy baesss kiss hug kiss hug i love you dog girl human anthro dog human hybrid

GIGI D'AGOSTINO - ☮️ ILL FLY WITH YOU ☮️ ꧁MURDER CLUB HYPER MIX꧂

I N F O // constantcircles.com/premiere-metropolitan-soul-floaters-cuore
F O L L O W T H E A R T I S T & L A B E L //
https://soundcloud.com/metropolitan-soul-museum
https://soundcloud.com/cuorerecords
************************************************
F O L L O W C O N S T A N T C I R C L E S //
https://www.constantcircles.com
https://www.facebook.com/constantcircles
https://soundcloud.com/constantcircles
https://www.mixcloud.com/constantcircles
https://twitter.com/constantcircles
https://www.instagram.com/constantcircles
https://www.youtube.com/constantcircles
************************************************
F O L L O W  J U S T  H E R //
http://www.justhermusic.com
https://www.facebook.com/justhermusic
https://soundcloud.com/justhermusic 
https://www.mixcloud.com/justhermusic
https://twitter.com/justhermusic
https://www.instagram.com/justhermusic
https://www.youtube.com/JustHerMusic

Floaters EP

INFO HERE

CC PREMIERES: Metropolitan Soul Museum - Floaters [Cuore Records]

Various Artists - SOUNDS LIKE A GOOD TIME. IV
 [CLIPP166]

clipp.art is delighted to present the fourth instalment in our “Sounds Like A Good Time” original music compilation series. Having started as an event series in 2017 ‘SOUNDS LIKE A GOOD TIME. IV’ highlights underground producers from India to Belgium, Melbourne to the UK, USA to France, and places in between with 11 all-new original tracks, custom cut into shapes appropriate for people everywhere during this the season of the virus. From acid house to downtempo, jungle to raw house, with detours in high energy italo and UK garage, this collection of musical deep-earth gems continues the tradition of high quality vibe inducers that aural aficionados and dedicated disciples of the groove have come to both expect and love from the house of clipp.art.

Featuring tracks by (in order of appearance): FOURA, EMIL.IO, Lazy Pluto, Illusions, 
Furred T, SjR, Le Jeune Fluck, Ghoose, Emily Banks, Cubewano and Suntrap. 

1 / FOURA  ---  HOLD U —05:34
2 / EMIL.IO  ---  Profundo —06:06
3 / Lazy Pluto  ---  Amnesia —04:02
4 / Illusions  ---  Tonight —04:24
5 / Furred T  ---  Vibes —03:39
6 / SjR  ---  Disco Sous Les Tropiques —06:16
7 / Le Jeune Flück  ---  Soda Ghanoush —05:08
8 / Ghoose  ---  Diatoms —05:49
9 / Emily Banks  ---  Beef in Japan —03:27
10 / Cubewano  ---  Jenny —04:31
11 / Suntrap.  ---  Thousand Fingers —06:14

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Join the clipp.art fanclub - https://clipp-art.bandcamp.com/fan-club
Follow clipp.art channels - https://biglink.to/clippart
Send your Music Demos - https://clipp.art/inbox

About clipp.art: clipp.art promises an ongoing series of weekly/bi-weekly digital cuts - complemented by the occasional limited edition 12 inch and dance party. 

clipp.art events and tours feature headlines from Gerd Janson, FYI Chris, Breakbot, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Seb Wildblood, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral (RIP), Dave Clarke, Optimo, Dusky, Laurent Garnier, Nemone, Vin Sol, Skream, Tensnake, Phil Kieran, Pete Tong, Shaun J. Wright, Little Helpers, Honey Soundsystem, The Black Madonna (Formerly Known As), Monki, Horse Meat Disco, Larry Tee, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and many many more! 

General Enquiries ☞ clippart001@gmail.com
000-919999-KETTY

SOUNDS LIKE A GOOD TIME. IV [CLIPP166]

Suntrap. - Thousand Fingers

Cubewano - Jenny

Emily Banks - Beef In Japan

Le Jeune Flück - Soda Ghanoush

Furred T - Vibes

sounds like a good time since 2017 / 000-919999-KETTY

Music Submissions via TrackStack > https://www.tstack.app/clippart

enq? clippart001@gmail.com

https://fanlink.tv/clippartslgt

Yeong Die - Tune of Nap

𝗰 𝗹 𝗶 𝗽 𝗽 . 𝗮 𝗿 𝘁