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Copy of Let God Sort Em Out

KdogMiller Hip Hop Music 2025

Hip Hop Bump

WASTING TIME (FEAT. DRAKE & THE NEPTUNES)

WASTING TIME FEAT DRAKE & THE NEPTUNES

The Narcissist

KISS THE RING

In Too Deep

Blow 4 Blow (feat. Benny the Butcher & Stove God Cooks)

Buhloone Mindstate

Breakadawn

Download here: https://www.dropbox.com/scl/fo/alhjtfpz1e6qg05s7qady/h?dl=0&rlkey=45ka8weyp5p8u56nrzzc5bqva

Bucktown Killa Beez

Niggaz Ain't Redee For The Garment Renaissance

support free sex

Chris Crack - Bible Study At Miss Shirley House

BUTTERFLY COUPE

Max Julien

Chris Crack - A Male Stripper Could Never Be Gangsta

Paper Soldier (feat. Joony)

Complex.com Premiere

M.O.P. will celebrate their 20th anniversary with a new EP, Street Certified, which will be released on 11-18-2014 and is executive produced by DJ Premier.  

On the latest leak, “Broad Daylight” (187 Part 2), from Street Certified, A-List Alumni Billy Danze & Lil Fame link up with Busta Rhymes and “off your on switch”!

For More Information:

https://twitter.com/BILLDANZEMOP
https://twitter.com/FAMEMOP
https://twitter.com/BustaRhymes


M.O.P. f/ Busta Rhymes 'Broad Daylight' (187 Part 2)

Cam'ron - It Is What It Is Freestyle

Buy / Stream: https://orcd.co/theshiningep2
On February 10th, 2006, the world of Hip Hop lost J Dilla aka Jay Dee.
James ‘J Dilla’ Yancey leaves behind an impression on Hip Hop that will last the test of time. A bridge between Hip Hop’s underground and mainstream, Dilla’s contributions ranged from single- handedly defining Detroit Hip Hop as a founding member of Slum Village to providing his production talents to Common, D’Angelo, Busta Rhymes, Erykah Badu, A Tribe Called Quest, The Pharcyde, The Roots, Janet Jackson and Macy Gray.

The Shining marked the reunion of J Dilla & BBE, who had released Welcome 2 Detroit, J Dilla’s debut album. The Shining serves as a showcase of J Dilla’s talents which features him not only as a producer, but also as a rapper, singer and musician. Featured guests on this album include Busta Rhymes, Common, Pharoahe Monch, D’Angelo, Madlib, Black Thought, Medaphor aka MED, and Guilty Simpson.
jdillafoundation.org/

The Shining

J Dilla - Won't Do

Wu-Tang Clan - Diesel (Ben Hedibi Remix)

Let God Sort Em Out

The Birds Don't Sing

So Be It

Inglorious Bastards

Ace Trumpets

Chains & Whips

P.O.V.

From Nothin' To Somethin'

Make Me Better (feat. Ne-Yo)

In the House

Fan-Tas-Tic, Vol. 2

Get Dis Money

So Far to Go (feat. Common & D'Angelo)

Sessions

Diggin' Number (feat. A.G., Fat Joe & O.C.)

In the more than 15 years since the last Clipse album hit the shelves of record stores, the music world has been upended several times over. “You see great rappers all the time,” Pusha-T says, before contrasting he and his older brother Malice with those who are not truly of the culture. “But there's something a little off about it.” Let God Sort ‘Em Out has no such problems. Over 13 taut, kinetic beats from longtime collaborator Pharrell, Pusha and Malice exorcise demons and catalog areas of personal growth—without ever sacrificing the menace and minimalism that made them legends of the genre. It is a master class in maturing without abandoning one’s core identity, but rather deepening it, making it more three-dimensional. “The fact that it has remained viable for so long has allowed me to say, ‘Hey, this must be meant to be,’” Malice says. Let God Sort ‘Em Out is an instantly unforgettable contribution to the duo’s catalog, and to hip-hop writ large, filled with the type of razor-toothed exercises that made Clipse icons in the first place. Take the taunting “Inglorious Bastards” or “Marie Kondo,” which scoffs at “60-day stars and 20-year thousandaires.” The beats, which Pusha describes as “polarizing,” are urgent, technicolor, and hold plenty of space for the vocal to become the track’s most important instrument. The need to be authentic is paramount, but it’s also natural to these two. Perhaps Malice puts it most clearly: “Nothing else works for us.”