tajima?

underground

u fake woke bye

a quick mash-up i made with y'all been warned instrumental and various verses from each member

Wu - Tang Clan - Y'all Been Warned (20th anniversary mash-up)

Pre-order #UnderPressure now: 

Standard: http://smarturl.it/UnderPressureS

Deluxe: http://smarturl.it/UnderPressureDlx

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Artwork by www.twitter.com/suckafreetee

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Purchase

Logic Ft. Big Sean - Alright (Prod. By Tae Beast)

Moving At The Speed Of Life . Living Legends

good kid, m.A.A.d city

Bitch, Don’t Kill My Vibe

Poetic Justice (feat. Drake)

Lord Willin'

Ma, I Don't Love Her (feat. Faith Evans)

Lunch Money

The First Lady

Goin' Out

Drug Dealers Anonymous

Drug Dealers Anonymous (feat. JAY Z)

Fear of God II: Let Us Pray

Everything That Glitters (feat. French Montana)

Changing of the Guards (feat. Diddy)

Tracye Big Deal presents Joe Gifted ft Frontstreet "Water" 
http://www.twitter.com/frontstree I http://www.instagram.com/frontstree

Coming Soon

Joe Gifted ft Frontstreet "Water"

RAF (feat. A$AP Rocky, Playboi Carti, Quavo, Lil Uzi Vert & Frank Ocean)

Win A Trip To See PnB Rock At Made In America - https://pnbrock.me/madeinamerica

Follow PnB Rock:
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Feelins

Issa Album

Thug Life

Don Q - #FREEDA9 (feat. Rowdy Rebel)

Living Legends- Never Fallin'

Artsy

Breath

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The Grouch - Shero

In the more than 15 years since the last Clipse album hit the shelves of record stores, the music world has been upended several times over. “You see great rappers all the time,” Pusha-T says, before contrasting he and his older brother Malicewith those who are not truly of the culture. “But there's something a little off about it.” Let God Sort ‘Em Out has no such problems. Over 13 taut, kinetic beats from longtime collaborator Pharrell, Pusha and Malice exorcise demons and catalog areas of personal growth—without ever sacrificing the menace and minimalism that made them legends of the genre. It is a master class in maturing without abandoning one’s core identity, but rather deepening it, making it more three-dimensional. “The fact that it has remained viable for so long has allowed me to say, ‘Hey, this must be meant to be,’” Malice says. Let God Sort ‘Em Out is an instantly unforgettable contribution to the duo’s catalog, and to hip-hop writ large, filled with the type of razor-toothed exercises that made Clipse icons in the first place. Take the taunting “Inglorious Bastards” or “Marie Kondo,” which scoffs at “60-day stars and 20-year thousandaires.” The beats, which Pusha describes as “polarizing,” are urgent, technicolor, and hold plenty of space for the vocal to become the track’s most important instrument. The need to be authentic is paramount, but it’s also natural to these two. Perhaps Malice puts it most clearly: “Nothing else works for us.”