groovy wubz & dubz #soundmind #avonovamusic

Totem is the solo project of Boulder based producer, Phoenix Clay Michael. Phoenix has been playing eastern-style instrumentation for over a decade(tabla, doumbek, darbuki, didgeridoo, ric, native flute etc). With Totem, Phoenix explores the digital domain with rich melodies, psychedelic synths, and exotic instrumentation. Totem culminates these two passions into a modern interpretation of ancient instruments. The sampling style is deep and visceral. Blending sequences of thick bass and instrumentation with live production. Live production includes: Didgeridoo, vocals, synth, keyboard, percussion, and bass. Phoenix's debut album with Totem is titled, The Bonfire of Life, and was written as a motion of solidarity with the native tribes of North America. Totem sees the immense potency that dance has for healing in our culture, and also sees the reverent nature of ancient and native style music. The ultimate thrill is fusing these two things into a continuous musical experience shared amongst listener and maker. Totem is humbled to bring thy dance medication. Aho

For Booking: connect@totemaudioproductions.com
Website: totemaudioproductions.com

Booking/ Inquiries: CLLCTDBooking@gmail.com

MGMT 💎   david@kompassmg.com
AGENT  💎   maxx.lesnick@roamartists.com
General  💎   superfuturedj@gmail.com
Merch 💎  https://www.superfuturedj.co/merch
Demos  💎   https://discord.com/invite/66BKZznt6n

@odyzeymusic
@hypnovizion
@spinninrecords
@sskwanofficial
@morflorecords
@bassrush
@allgoodrecs
@subcarbon

From one of the most musically-rich cities of the USA, you’ll find artist Nick Rowland, an integral player in the Detroit electronic music scene, shining with the vibrant look and sounds of his alias, Super Future. His style is a diverse combination of experimental bass, beautiful melodies, bright future-style synths, and hard-hitting dance beats all complimented by the occasional virtuosic guitar solo. With all of the genres his art blends, his range and originality are creating a larger and more impressive musical statement with each coming year. Having a range of major tastemakers like Zeds Dead, Subtronics, Tape B, GRiZ, Rezz, CloZee, Of The Trees, and LSDREAM all supporting his music, this Future is always looking more Super.

It’s easy to hear that Rowland’s musical inclination was harnessed early, when he was shredding classics on guitar. His music today has echoes of his early love for live instrumentation, with elements of various guitar and percussion types underneath the forward-thinking experimental and contemporary dance sounds. Super Future can just as easily bring the nostalgia of 2010 melodic dubstep as he can wield the most unheard-of experimental bass nuances in the same live experience. In the middle of all that, Rowland can invoke powerful emotion with his downtempo and have you throwing ass five minutes later! Catch him on tour near you to see why Super Future is thought to be one of the most musically diverse, and most prolific sound design engineers of his EDM generation.

Brennan McKee // KIN
No genre is safe
Alt account for mixes: https://soundcloud.com/brennanmckee
Contact: brennanmckee@me.com

I believe that music can bring people joy and bliss like nothing else can. Because of this, my passion is curating events for people to appreciate music and art.
I grew up playing drums/percussion and dabbling in many other instruments.

When I'm not behind the scenes producing live events, I enjoy DJ'ing for fun and "casting" those good "vibes"!

-VibeKaster

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