Here is a collection of demos we have put together over a period of time. This is a small insight as to what we have been up to since releasing any material, as we have had spare time on our hands due to a delayed EP release. Thanks for the patience and support from everybody!

Clockwork Instrumental Demos 2016

[ ▲A p o l l o § A r †▼ ]
[ T w o H u s s a r s ]
[ E c c 3 : 4 ]
[ S t e r e o s c e n i c ]

"Under the ban, --
So, ye have wrought me
Designs on the night of our knowledge, -- yea, ye have taught me,
So,
That haply we know somewhat more than we know.

Ye lispers, whisperers, singers in storms,
Ye consciences murmuring faiths under forms,
Ye ministers meet for each passion that grieves,
Friendly, sisterly, sweetheart leaves,
Oh, rain me down from your darks that contain me
Wisdoms ye winnow from winds that pain me, --
Sift down tremors of sweet-within-sweet
That advise me of more than they bring, -- repeat
Me the woods-smell that swiftly but now brought breath
From the heaven-side bank of the river of death, --
Teach me the terms of silence, -- preach me
The passion of patience, -- sift me, -- impeach me, --
And there, oh there
As ye hang with your myriad palms upturned in the air,
Pray me a myriad prayer.
My gossip, the owl, -- is it thou
That out of the leaves of the low-hanging bough,"

“The phrase and the day and the scene harmonized in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?”

https://www.everydayknow.com/positive-words-that-start-with-k/

"The keynote of the stylization achieved in ballet is: weightlessness. Paradoxically, ballet presents man as almost disembodied: it does not distort man’s body, it selects the kinds of movements that are normally possible to man (such as walking on tiptoe) and exaggerates them, stressing their beauty—and defying the law of gravitation. A gracefully effortless floating, flowing and flying are the essentials of the ballet’s image of man. It projects a fragile kind of strength and a certain inflexible precision, but it is man with a fine steel skeleton and without flesh, man the spirit, not controlling, but transcending this earth . . . .

Strong passions or negative emotions cannot be projected in ballet, regardless of its librettos; it cannot express tragedy or fear—or sexuality; it is a perfect medium for the expression of spiritual love."

"As Opposed To What?"

"Almost every wise saying has an opposite one, no less wise, to balance it."

“All the works of man have their origin in creative fantasy. What right have we then to depreciate imagination?”

[ H y p e r b o r e a ]
[ T h e E a s t E n d ]

Yet another of one of those channels that repost stuff they like that isn't available to Soundcloud. (Don't really do that anymore, art by a friend of mine)

GONETCHA revient avec une nouvelle sortie.
“CALÉ COSY” est un mini album évoquant notre volonté de rester tranquille en ignorant certaines choses.
Un chant captivant, des instruments et effets énergiques, et des arrangements créatifs font résonner de nouveaux aspects de la musique de GONETCHA.
Le style coloré, subtile et novateur de GONETCHA repousse les limites habituelles.

Le titre “Pris dans l'Entonnoir” propose de mystérieuses analogies, des structures inspirantes, et un chant particulier que seul GONETCHA peut délivrer.

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GONETCHA is back with a new release.
« CALÉ COSY » is a mini album evoking our will to stay put and ignore certain things.
Captivating vocals, energetic instruments and sound effects, and creative arrangements make new aspects of GONETCHA’s music resonnate.
GONETCHA’s colorful, subtle and inovative style stretches the usual boundaries.

The song « Pris dans l'Entonnoir » shows off mysterious analogies, inspiring patterns, and particular vocals only GONETCHA can provide.

5 piece Metal band based in London/Berkshire, UK.

Clockwork formed over several years since 2009, originally by drummer Chris Ricketts. Having being joined by guitarists Sam Machin and Tom Turner, the Glimmer demo began to take shape.
By the end of 2013, bassist Rhys Thomas joined the band and we began to play instrumental sets throughout 2014 before finally being joined by vocalist William Alex Young from London.

Tours alongside:
Jun 2015 - Red Seas Fire
Feb 2016 - No Sin Evades His Gaze

Festivals:
UK Tech-Metal Fest 2015

Performed alongside:
Uneven Structure, Modern Day Babylon, Disperse, Xerath, Sworn Amongst, Exist Immortal, Terraform, Subversion, From Sorrow To Serenity


Bedroom producer since 2021. 
I try to avoid boundaries and blend all styles I like (indie rock, acoustic, prog, metal, ambiant, trip-hop, jazz, and also classical and even a bit of trad). As long as it sounds...

What I write today is ambiant / downtempo / ethnic tracks with a taste of darkness, and I'm also preparing something more energetic later... but that's a different story.

Working with Ableton and VSTs, this is mostly MIDI, only the guitar is (sometimes) real.

Please enjoy and comment what you like or not!

I'm also open to collaborations with other people, singer, instrumentalist or MAO producer like me, first being with my friend guitarist Thak Ghitar
https://soundcloud.com/thak7
Or XX roses that wrote the poetry: 
www.tiktok.com/@maux.damour

Clockwork Instrumental Demos 2016

Clockwork UK